Sam and Louisa’s wedding dolls

This summer, both my son Ian and Sam, his best friend from childhood, got married. Here they are at age 3 and at Sam’s wedding last weekend. So, I had the pleasure of making personalized cake toppers for 2 wedding couples! You can see the post I wrote about Ian and Liz’s dolls here.

Sam and Louisa hosted a heart-felt and whimsical ceremony and reception, full of do-it-yourself touches, at their home in Falmouth, MA. Sam is a radio announcer and reporter for WCAI, our local NPR station and Louisa teaches ballet and is also the handwork teacher at the Waldorf School of Cape Cod.

A few weeks before the wedding, Sam and Louisa sent photos of their wedding attire and accessories, including their shoes. As I teach in my how-to book, Felt Wee Folk, the figures are constructed from the feet upward.

I also asked them to send head shots, specifically with closed mouths – no toothy grins, which are difficult to paint. When depicting real people, I like to paint their likenesses way in the beginning of the process. That way, I feel attached to them. They aren’t just dolls, but individuals with unique characteristics who are dressing up for a special occasion.

After forming the bride’s limbs with pipe cleaners and wrapping the arms and legs with embroidery floss, I sewed felt around the torso and stitched on boob beads.

Then, I covered the torso and boob beads with a layer of cotton batting and stitched more embroidery floss onto the upper chest area. Dressing bride dolls is a challenge because so often they wear skimpy gowns that show a lot of exposed skin. It’s so much easier to make the groom’s suit out of wool felt!

To make Louisa’s hair, I stitched embroidery floss onto the felt “wig”, which I’d previously glued onto her wooden bead head (see photo above). I should mention that at this point, her head is not yet glued onto the neck. That came at the end, after her clothing was finished. I popped her head on and off throughout the process to check how it looked.

I found some white silk (or silk-like) fabric in my stash to make Louisa’s gown.

I formed Sam’s pipe cleaner body and he lay on my work table in his underwear, while I waited for photos of his suit.

Using photos of Louisa’s family heirlooms, I fashioned her veil and pearl necklace.

With Sam still in his underwear, I pressed forward and made the platform that they would stand on, which is basically a piece of wood covered with felt. I chain stitched their wedding date in orange and outlined the numbers in purple to make them more prominent.

I used a spider web technique to embroider ribbon roses, which I learned on YouTube.

I added more ribbon embroidery and bead embellishments.

I glued a piece of felt to the bottom of the wooden platform and stitched the embellished felt top piece to it around the outside edge. Then I edged the base with twisted memory wire and braid.

As soon as the photo of Sam in his black velvet jacket appeared on my phone, I got to work creating its wee version.

To make Sam’s floral bow-tie, I decorated silk ribbon with markers and stitched it to his shirt.

It didn’t take long to sew his jacket onto the pipe cleaner body, and glue his head on top. Now, he was all ready to get married!

For her bouquet, i weeded through my collection of miniature flowers, guessing what it might look like. In reality, it turned out that she held a bouquet of dahlias in a very similar color scheme.

Before covering the wooden base with felt, I had drilled holes for sewing their feet in place. I had marked the location of the drill holes on the felt, so it was easy to anchor their feet with a few stitches using a long sewing needle.

Here they are, atop their lemon poppy seed wedding cake, which was homemade by the bride’s sister. Congratulations and best wishes to Sam and Louisa!

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Ian and Liz’s Wedding Dolls

Before sharing the process of making wedding cake topper dolls for my son Ian and his new bride Liz, I want to remind you to sign up for a ZOOM Talk that I’ll be giving on August 25th at 2:PM (eastern time). “An Afternoon with Salley Mavor” will be hosted by the Brick Store Museum, where my retrospective exhibition is currently on view until Sept. 11. The Talk will be recorded so that those registrants unable to attend the live chat will receive the recorded version the next business day. I look forward to seeing your smiling faces, as I share the story of my life’s work, touching on where it came from, how it has evolved and why I do it. Have your questions ready! Please register HERE.

My first major retrospective exhibition, “WHAT A RELIEF: The Art of Salley Mavor” is currently
at the Brick Store Museum in Kennebunk, Maine until Sept. 11, 2022

Now back to Ian and Liz, who are as adorable in real life as they are in doll form. Their wedding, which took place on July 23rd in New Haven, CT on what could have been the hottest day of the year, was a wonderful and joyous event. Rob and I are thrilled to welcome Liz into our family!

Ever since they announced their engagement a year ago, I’ve looked forward to making Ian and Liz a personalized set of wedding cake toppers. Over the years, I’ve made wedding dolls for close friends (see them HERE) and samples for a chapter in my how-to book, Felt Wee Folk, but this is the first time in several decades that someone in our family has had a wedding to make them for!

I had a short window of time to work on them in late June and early July, after my exhibition in Maine was underway and when Ian and Liz could provide reference photos of their clothing, hair styles and other details. If you’ve made figures using the instructions in Felt Wee Folk, you’ll know that you start with the feet, so I couldn’t begin until I had photos of their shoes.

Ian chose a tartan tie (Buchanan from my mother’s side) that we bought for him on our last trip to Scotland. We have Scottish ancestors through many branches of the family, so there are a few different tartans to choose from, but those are never available in souvenir shops.

I matched the window pane weave of Ian’s suit with a stitched grid of embroidery floss and added a French knot boutonniere to the button hole stitched collar.

It’s been a while since I’ve made glasses, so I referred to my Cover Up poster to see how I twisted wire to form their shape.

Before painting his face, I asked Ian if he would be clean shaven or sport a beard on his wedding day. He carefully planned for a 3 day old scruff look, a favorite with millennials.

The bridal gown was so much fun to replicate in miniature. To get a womanly shape, I sewed a pair of boob beads onto the armature and then created the bodice with a combination of felt, embroidery floss and metallic thread.

The metallic thread was a pain to work with, but it did the job!

Liz sent photos of her hair in a low bun, which I copied.

To make the curly tendrils in front, I smeared glue on a few strands of floss and wound it around a piece of insulated wire until it dried.

When the dolls were finished, I moved onto their platform, which was an oval shaped piece of wood I found at Michael’s.

Planning ahead for when I would sew them in place, I drilled 4 holes (one for each foot) through the wood.

I cut out a piece of wool felt and chained stitched their wedding date in the space that would be in front of their feet. In the photo, the dolls aren’t sewn in place yet, just balanced there while I gauged the spacing.

I used a spider web technique to embroider ribbon roses, which I learned on YouTube.

It was a chance to use some of my collection of silk ribbon, which usually just sits in a basket looking pretty.

The dolls relaxed while I decorated their stand.

I glued a piece of felt to the bottom of the wooden platform and stitched the embellished felt top piece to it around the outside edge.

For a finishing touch and to add some visual weight, I sewed rows of braid and twisted red and green memory wire to the bottom edge of the stand. I had marked the location of the drill holes, so it was easy to anchor their feet with a few stitches using a long sewing needle.

In anticipation of the fact that the wedding couple would be placed on top of a frosted cake (it was carrot cake with cream cheese frosting), I stitched a layer of wax paper to the bottom to protect the felt. It was a good thing, because afterward the wax paper was a bit sticky when I ripped it off.

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Mossy Glen: Part 8 – wee folk

This is the 8th and final part of the series about making the spring landscape, Mossy Glen. All spring I’ve shared photos, videos and commentary about how I created the piece, from stitching moss to forming wire stems. I’ve saved the best for last – today’s post is about making the wee folk characters! 
Part 1 is all about stitching a moss-like texture, Part 2 gives a glimpse at how I made the cherry trees, Part 3 is about the stone walls, Part 4 shows how I made the forsythia blossoms, Part 5 features wire and felt leaves, Part 6 is about chain-stitching leaves and Part 7 looks at the violets and berries.

Before delving into how I made the wee folk in Mossy Glen, I’d like to announce the opportunity to see a large selection of my work in person this summer. The exhibition, What a Relief, has been in the works for years and I’m happy to say that its doors are open to the public this week! For those of you who live too far away to come see the show, I’ll be sharing photos and videos of the exhibition in future posts.

WHAT A RELIEF: The Art of Salley Mavor
June 7 – Sept. 11, 2022
Brick Store Museum, Kennebunk, ME
Meet the Artist on June 25, 1 – 3 PM

This is the first major retrospective exhibition of my artwork, spanning over 40 years, from early on in my career to the present day. Rarely seen works on loan from private collections fill multiple galleries on the Museum’s entire first floor. The show is laid out somewhat chronologically, so visitors can see the evolution of my style and techniques through the years. Over 150 framed pieces and sculptural objects are on display, including the series of original illustrations from my most recent picture book, MY BED.

What a Relief, Brick Store Museum
What a Relief, Brick Store Museum

Wee Folk in Mossy Glen
Now, let’s turn our attention back to the characters frolicking in the Mossy Glen. I’m never sure who is going to appear in these landscapes. They just show up one by one and claim their spots. After many months building places for the wee folk to live, it feels satisfying to finally meet them and let them take over.

The figures are similar to the acorn-capped dolls in my how-to book, Felt Wee Folk, just smaller in scale. Instead of pipe cleaners, I made the armatures with 24 gauge jewelry wire. You have to wind a lot of thread around the wire to make the limbs look proportional and not too spindly. At least you don’t have to deal with pipe cleaner fuzzies poking out.

After wrapping the wire armature with either embroidery floss or tapestry yarn, I embellished the torso and arms with faux knitting. which is basically rows of chain stitching.

I first started experimenting with fake or faux knitting when I made Polly’s Irish sweater by embroidering patterns and textures on felt. I’m not very experienced with knitting or crocheting, so this seemed like a good solution.

Since then, I’ve left out the felt and stitched directly onto the thread wrapped bodies. It’s fussy for sure, but the clothing comes out looking the way I want it to.

Here’s a Stitch Minute video showing some of my faux knitting.

I know this fellow looks uncomfortable, but I didn’t want to hide what he endured for the sake of fashion.

I made this stroller out of wire, which I covered with embroidery floss. The wheels are beads. As usual, I was so absorbed in figuring out how to make it, that I didn’t think to take photos along the way. I’ll try better with the next scene.

I hope that you’ve enjoyed this series about making Mossy Glen. Here’s a list of the different parts:
Mossy Glen (overview)
Part 1 (moss)
Part 2 (cherry trees)
Part 3 (stone walls)
Part 4 (forsythia)
Part 5 (wire and felt leaves)
Part 6 (chain stitched leaves)
Part 7 (violets and berries)

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Frosty Morning – part 6 (wee folk)

This 6th and final part in the Frosty Morning series is about making the wee folk characters who live in the winter landscape. All of the other stuff, the trees, the icy snow cover and the sparkling sky are just meant to set the stage for the little people to frolic in. While I worked on this piece, I thought about what the wee folk would look like and what they would be doing. Adding a narrative element with human (or animal) faces helps me fall in love with what I’m making. The scenery may be lovely, but without play actors, there is no story. And without that, what’s the point?

This year, I’m working on a group of seasonal landscapes that capture the wonder and magic of the natural world, both real and imagined. Frosty Morning, Mossy Glen and Harvest Time are available as jigsaw puzzles and note cards in my shop here

The full figures are about 2″ tall, with smaller ones peeking out of the holes in the shelters. To make them, I used the same basic techniques that I teach in my how-to book Felt Wee Folk, with some adjustments in the armature material and clothing.

I used wool tapestry yarn or mending wool to stitch and wrap their winter clothing. Whenever I share photos showing dolls wearing sweaters, people actually think I knit them! For something this small it’s much easier to create the allusion of knitting with rows of chain stitches. For other examples of faux knitted outfits, see Polly Doll‘s Irish knit sweater here and her Fair Isle vest here.

When making people, I always start by painting their faces on wooden beads. Then, after meeting them, I feel motivated to bring them to life.

I’ve been saving some really small acorn caps for just this kind of project.

Instead of pipe cleaners, which would be too bulky, I formed the body armature out of 24 gauge jewelry wire. The bead heads were glued to the wire neck at the very end, when the clothing was finished. I glued small pieces of felt onto the top of the bead heads, in a kind of Mohawk. Later, when I added yarn hair, the felt gave the threaded needle something to catch onto.

Miraculously, this old mending wool from my collection of deceased relatives’ ephemera escaped being eaten my moths. It was the perfect weight with which to stitch miniature clothing.

In this sequence of photos, you can see how I wrapped and stitched yarn around the wire arms and legs and then made a separate faux knitted coat to go on top. I completed the look with French knot buttons, striped leggings, wool hair, and a glued on acorn cap.

The group of little people grew and grew until there seemed to be the right amount.

The sled is made from a pod I found so long ago that I can’t remember where it came from. An image search identified it as a coming from a Foxglove tree.

With just a few stitches, I sewed the characters in place – pulling the sled, looking out from shelters and climbing along tree branches.

When all of the parts were finished, it was time to mount the piece.

I made a border frame by padding and covering a wooden stretcher with upholstery fabric. I then hand sewed the layered background fabrics to the back of the stretcher, making it as taught as possible. After that, I sewed the different landscape sections to the background surface, starting with the lace snow cover, stone wall and driftwood house and ending with the trees.

To help prop up the tree limbs, I sewed beads to the back and stitched them to the background fabric.

I hope that you’ve enjoyed this close look at the process of making Frosty Morning. When the Spring scene is finished, I’ll write about it as well.

Part 1 shows how I made the tree trunks.
Part 2 gives a close look at how I formed and wrapped the wire tree branches. Part 3 is about constructing the rounded shelters.
Part 4 is about making the stone wall and the ice covered bush in front of it.
Part 5 is about adding sparkle to the scene.

Frosty Morning and the other 3 yet-to-be finished pieces in the 4 Seasons series will have their premiere showing in my retrospective exhibition next year.
What a Relief: The Art of Salley Mavor
June 3 – Sept. 11, 2022.
Brick Store Museum in Kennebunk, ME

There will be more opportunities to see the 4 Seasons series in 2023. They will be included in the following exhibitions:
Salley Mavor: Once Upon a Stitch
Feb. 18 – June 4, 2023, Upcountry History Museum, Greenville, SC
Salley Mavor: Bedtime Stitches and Social Fabric
Fall 2023, Southern Vermont Arts Center, Manchester, VT

To keep up with new posts, subscribe to this blog (top right column on the home page). If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram.

New cards in the shop

I am happy to announce that three new cards have just been added to my Etsy ShopSelf Portrait, Felt Pins and Cheese Straws (Recipe included). During 2020, more customers visited and purchased items from the shop than any previous year. It helped that my new book, MY BED came out and that an image of Birds of Beebe Woods went viral on Facebook and Instagram, sending flocks of fervent birders to my site.

After years of requests, I finally got around to designing a note card of Self Portrait: A Personal History of Fashion! It took so long because I couldn’t decide which portion of the spiral to zero in on. I knew that the figures would get lost if the whole image was printed on a small card. So, I cropped out a section with fashions that viewers consistently remark on – the peasant blouse, patched jeans, alpaca poncho and granny dress from the 60’s and 70’s, as well as the dolls that years when my children were physically attached to me.

To enter my Etsy Shop, please click here.

Self Portrait note card

The original Self Portrait will be heading south this spring, to the Upcountry History Museum in Greenville SC, where it will be included in my exhibition, Salley Mavor: Social Fabric. On display will be a variety of pieces I’ve made over the past 20 years that interpret the theme of social connectivity. The works explore cultural diversity, migration, fashion, the natural world, and a range of social narratives, from the everyday to topical subjects. The work will be at the museum for a nice long stretch, from April 3 – Sept. 12, 2021.

Another new card, Felt Pins shows a collection of pins I made out of felt, beads, buttons and wee folk dolls about 20 years ago.

Felt Pins note card

The felt pins were featured in the 1st edition (2003) of my how-to book, Felt Wee Folk: Enchanting Projects, which had directions for both wee folk dolls and several felt items. if you’re interested in this earlier edition, C&T Publishing sells print-on-demand and e-book versions of the book here. The newer all-doll 2nd edition (2015) of the book, Felt Wee Folk – New Adventures is available (with extra goodies) in my Etsy shop.

There’s also a Cheese Straws Note Card with a recipe for making cheese straws on the back. The scene pictured is from my newly refurbished doll house, which you can find out about on my blog here. I’ve written about the best cheese straws in the world on my blog here.

To order cards, please visit my Etsy shop.

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram

Doll house stories: kitchen

This part 3 in the Doll House Stories series shows how I made the family of dolls who are gathered around the kitchen table in my newly renovated doll house. The house, which I built in 1975 while in art school, is on view in my exhibition, “Bedtime Stitches” at the Cahoon Museum in Cotuit, MA through Dec. 19, 2020. Other posts in this series: part 1, part 2 (wallpapering), part 4 (re-upholstery.

Here’s a short video of the kitchen scene.

I suppose the boy could be rolling out dough for lots of different baked treats, but I imagined them making cheese straws, which is a family tradition going back several generations. In the past, I’ve shared the recipe for the best cheese straws in the world on this blog.

Since so many of you’ve enjoyed the recipe over the years, I decided to make a card with the cozy kitchen scene (above) on the front and the recipe for making cheese straws printed on the back. That way, it’s a greeting card (or Christmas card) and recipe card all in one.

The Cheese Straws card is available in my shop in packs of 4 or 8.

To make the figures in this scene, I started by painting their faces on wooden beads. After seeing their personalities come to life, I’m motivated to make the rest of their bodies. The doll making process is based on the instructions and patterns in my how-to book, Felt Wee Folk – New Adventures.

I glued felt wigs to the crown of the bead heads, making a surface that a needle can grab onto. Then, I stitched their hair with mending wool, which is just the right weight for this kind of detailed work. It seems like all of my relatives kept cards of wool to mend sweaters, so I now have a nice supply of browns and grays to choose from.

I bent wire in the shape of hands and wrapped the fingers and palms with embroidery floss. I’m frequently asked to show in detail how I make hands, but I choose to keep that process private.

Just like I teach in Felt Wee Folk, their bodies are constructed with pipe cleaners.

Here, you can see how the skirt fabric is gathered and sewn to her waist. It can be messy because it will be covered by a sweater.

Since their clothes are sewn on, these dolls can’t change outfits very easily.

I used a chain stitch to sew stripes on this shirt.

To give this character a womanly shape, I sewed beads to her chest.

To finish off her cooking outfit, I made a little apron.

The dough is made with polymer clay. To give it a more realistic color, I kneaded in dried mustard, which is an ingredient in the cheese straws recipe. As mentioned earlier, Cheese Straws cards are available in my shop here.

Stay tuned for part 4 in the Doll House Stories series. I will share how I re-upholstered a vintage 1930’s miniature sofa.

To keep up with new posts, subscribe to this blog (top right column on the home page). Your contact info will not be shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram.

Doll house stories- wallpapering

This part 2 in the Doll House Stories series shows how a little light demo work and new wallpaper transformed the interior of my 45 year old doll house. It was a welcome indulgence to spend the summer fixing up the house. My excuse was that the house needed some home improvements to make it presentable for my exhibition, “Bedtime Stitches” at the Cahoon Museum (through Dec. 19, 2020). As you can see, the wallpaper was showing a level of wear and tear that strategically hung pictures could not hide much longer. Other posts in this series: part 1 (history), part 3 (kitchen), part 4 (re-upholstery).

Years of neglect as well as the Wee Folk Players theater troupe’s multiple set changes and general mayhem had taken its toll on the place.

The kitchen was in an especially sorry state.

I demolished the tile splash board.

And made new wallpaper.

I cut out separate pieces for each wall, cutting out the window and door openings. Then I glued them in place, covering up the grimy old paper with the new stuff.

For the other rooms, I used newly purchased scrap-booking paper and some other paper I’ve had in store since I first made the house 45 years ago. It’s true, I don’t throw out anything of an artistic nature that shows promise.

Once all of the rooms were newly wallpapered, I set about putting back the furniture and picking out new pictures to hang on the walls.

My son Ian made a tiny painting of a suspended egg, which is one of his favorite themes.

I printed out a miniature reproduction of the snow scene from my book “You and Me”, mounted it on mat board and hung it up in the kitchen.

It was fun setting up this domestic scene in the bright and cheery new kitchen. I already had most of the furniture and appliances, but I made a new wall clock out of a Timex watch face set inside a plastic curtain ring.

Stay tuned for part 3 in the Doll House Stories series. – I will share how I made the woman and children and give some clues about what they’re cooking.

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Hand-painted wee folk faces

Recently, I’ve felt an urge to paint doll faces on wooden beads. Not just a few, but lots and lots of them. Like stitching, I find the repetitive process calming. This compulsion, or meditation practice, depending on how you look at it, has led to a new offering in my Etsy Shop.

Many of you who’ve made fairies and other wee folk dolls from my how-to book, Felt Wee Folk, mention how frustrating it can be to paint the dolls’ faces. Now, with the option of buying painted doll heads, you can relax and concentrate on the stitching and wrapping part.

Hand-painted wooden doll heads and acorn cap hats

It all started while tidying up my studio, when I found myself confronted by baskets brimming with acorn caps and bags full of wooden beads. I used to collect acorn caps by the thousands when my fairy kit business was going strong in the early 2000’s. It was always a rush every Fall to harvest enough of the right size and type to fit the different bead head sizes. Even though I stopped making kits years ago, I haven’t broken the habit of scanning the ground under oak trees and picking up acorn caps. Just because they could be the perfect size and shape to top off some little character. So, I figured that I’d paint wooden doll heads to sell along with the caps.

Some of you were introduced to my work through the kits, which I made for 10 years from 1998 – 2008. They were mostly available through catalogs and Waldorf School stores.

Bud & Ivy Kit

As I culled through piles of acorn caps, separating them by size and quality, I had flashbacks to the time of my life when every spare moment was devoted to designing, sourcing materials, mass-producing and marketing these kits. The memory gave me pause to think about what I was getting into.

So, before deciding to mass-produce painted heads again, I convinced myself that this time was different. I told myself that I’ll just paint heads until I don’t want to anymore or when the acorn caps are used up.

Wee Folk Studio Kits 1998 – 2008

Actually, designing and figuring out directions for the kits gave me the experience and ability to write my how-to book Felt Wee Folk. In the 17 years since the first edition came out, many of you’ve written to say how much pleasure you’ve gotten out of making these little dolls. You also mention how habit forming they can be, so maybe the book should come with a warning! I love seeing and hearing about how you’ve adapted the patterns to personalize your own wee worlds. It was always my intention to introduce projects that encouraged imaginative exploration and I’m happy that you are doing just that!

In addition to the Felt Wee Folk book, flower petal skirts & wings and wool fleece fairy hair, my Etsy shop now has hand-painted wooden doll heads for sale.

hand painted wooden doll heads and acorn cap hats

Wooden bead doll heads with hand-painted faces and fitted acorn cap hats are available in my Etsy shop. A range of skin tones are grouped together in different size assortments of 12mm, 14mm and 16mm beads.

I just restocked the shop with packs of flower petals, which you can watch me assemble in this time lapse video.

I’m also selling naturally dyed wool fleece fairy hair, which was left over from the kit making days.

Wool Fleece Fairy Hair

Blueberry Blossom Fairy was one of the most popular kits. She still lives on as a note card in my shop. I hope that you find these supplies useful. As for other wee folk necessities, such as wool felt, I recommend A Child’s Dream, which has a great selection.

Blueberry Blossom Fairy Note Card

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram.

Polly travels close to home

Always patient and quiet, Polly Doll has been standing watch in the studio for almost a year, wondering what her next adventure will be. Since she came into being in 2012, she’s been all over the place, sporting a new outfit for each location. To see her complete travel log and wardrobe, go here.

Times being what they are, Polly has opted to stay close to home and explore the coming of Spring just outside her front door. It’s been the most hassle-free kind of travel without the usual plane, train, car or boat rides. She didn’t even bother with coming up with a new outfit, but mixed and matched clothing from previous trips. Though, she did spiff up her straw hat with silk ribbon flowers, in honor of the season.

Polly has been exploring the lawn and has taken an interest in the vegetable garden, especially the pea plants, which are as tall as she is.

She took this opportunity to go through her wardrobe and air her skirts and tops outside.

There was a perfect spot under a tall oak tree to set up the clothes line.

Staying close to home has its advantages, like the convenience of having all the necessary equipment close by for photo shoots. Polly liked having her picture taken so much that she posed for a series of environmental photographs, which are immortalized on note cards.


Polly is featured in a series of note cards, which are available in my shop here.
Free shipping in the USA.
Polly in the Periwinkle – 4 note cards – $10.00 – Buy Here
Polly in the Daffodils – 4 note cards – $10.00 – Buy Here
Polly’s Washing Day – 4 note cards – $10.00 – Buy Here
6 Card Variety Pack – $14.99 – Buy Here

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram.

a virus-free wee world


Are you wondering what to do while you’re hunkered down at home, staying away from crowds?  I must admit that the concept of “social distancing” isn’t very different from my normal life, so it’s not much of an adjustment. But, I realize that closed schools and work places, as well as travel and event cancellations, is a hardship for many of you. So, to help keep your mind off the worrisome situation, how about immersing yourself in the virus-free fairy and wee folk world? In this post you will find a source list of materials to make projects from my how-to book, Felt Wee Folk. There are also lots of photos and videos that I hope will inspire you to make your own wee world!

When I posted this idea on Instagram, several people, including a self-described introvert, commented that they were already in making mode:

  • “‘I adore your wee felt folk book and actually hunkered down yesterday and made a little jester. I’ve decided to make more to give to friends during this crazy time💕
  • ‘What a lovely idea! I admit, I’m more worried about craft supplies than toilet paper.”
  • “Introvert here reporting from a cozy studio! I secretly love a good excuse to stay in. I’ve got your book and will be making some fairies while we bunker down!!” 

Many of the supplies needed to make the dolls, such as embroidery floss, paint, brushes, unvarnished wood beads, pipe cleaners and faux flowers can be found at craft stores. Online sources for the book, wool felt, acorn caps, and other materials are listed below:

Felt Wee Folk: New Adventures, with bonus playing cards and flower skirts & wings

I’m keeping my Etsy shop stocked with wool fleece fairy hair and flower skirts & wings.

The dolls and their clothing are portable, so you can bring them where ever you want to settle in.

This is my work table on a random day, the way it really looks.

My Work Table on a random day

I made the Frost Family for a benefit raffle a few years ago. See more details here.

This is a little experimental video from a few years ago.

Of course, all of the dolls pictured in this post were made years ago and the raffles are long past. I just wanted to show you a variety of possibilities.

The Oakley Family was made for another benefit raffle. See the process of making them here.

And yet another fairy family raffle, which you see in more detail here.

I hope that the wee folk help keep your spirits up through this ordeal. Please stay safe!

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