My Bed Book

My new children’s picture book, My Bed, Enchanting Ways to Fall Asleep around the World was released by Houghton Mifflin Harcourt Publishing Co. in Sept. 2020. It took about 2 years to hand stitch all of the illustrations and I’m excited that you can now see the fruits of my labor! Reviews like these are pouring in –
“(My Bed) is just stunning, calming and healing”, “ingeniously illustrated” and “I am overwhelmed by the beauty and all the little details of each page.”

Autographed copies of MY BED are available in my shop here.

See how Salley Mavor made the illustrations for her new picture book MY BED.

A touring exhibition of the original embroidered bas-relief artwork that is photographed and reproduced in the book is now underway. Salley Mavor: Bedtime Stitches debuted at the Cahoon Museum of American Art in Cotuit, MA in the fall of 2020 and is traveling around the country for a few years. More information about the exhibition, including a current schedule is at the end of this post.

For a while now, I’ve shared the process of making the 3-dimensional bas-relief  illustrations, which involve stitching, embroidery and other embellishment techniques. Posts I’ve written so far are listed here:

Rebecca Bond wrote a poem that celebrates our diversity, while also bringing us together through the universal theme of children sleeping safe in their beds. As the illustrator, it was my task to bring these children to life and create their varying environments.

I am happy to announce a touring exhibition of original artwork for the book: SALLEY MAVOR: Bedtime Stories. This is an opportunity for the public to see up close the fine detail and 3-dimensional quality of my bas-relief sculptural embroideries. The exhibition is modeled after the successful national touring exhibition of the artwork for my book, Pocketful of Posies. It is currently booked through 2024 with the possibility of being extended into 2025. Interested museums are welcome to contact me for information about hosting the exhibit.


What’s being said about the exhibition:
“Bedtime Stitches Provides Cozy Respite From a Tumultuous Year”
The Falmouth Enterprise
“The genius of Salley Mavor’s meticulously realized imaginative worlds is just what we need right now.”
Artscope Magazine

Beginning in September 2020
Sept. 11 – Dec. 19, 2020 at the Cahoon Museum, Cotuit, MA.
Feb. 28 – May 30, Cedarhurst Center for the Arts, Mount Vernon, IL
Sept. 14 – Dec. 31, 2021, New England Quilt Museum, Lowell, MA
Jan. 25 – April 10, 2022, International Quilt Museum, Lincoln, NE
June 4 – Sept. 11, 2022,  Brick Store Museum, Kennebunk, ME, Bedtime Stitches will be included in the retrospective exhibition, What a Relief: The Art of Salley Mavor
Fall 2022, Historical and Cultural Center of Clay County, Moorhead, MN
Feb. 1 – Apr. 30, 2023, Pacific Northwest Quilt & Fiber Arts Museum, La Conner, WA
Fall 2023, Southern Vermont Arts Center, Manchester, VT. Bedtime Stitches and Social Fabric will be displayed together.
Feb. – May 2024, Upcountry History Museum, Greenville, SC
July — Dec. 2024, Albany Institute of History and Art, Albany, NY, Bedtime Stitches and Social Fabric will be displayed together.

Visitors to the exhibition, as well as those of you at home with a copy of My Bed, can hunt for details in the artwork using the downloadable sheet below.

Salley Mavor: Bedtime Stitches Exhibition Booklets are 6″x 9″ soft cover, full-color, 16 pages about Salley Mavor and the exhibition including images of extra works only on view at the Cahoon Museum of American Art. Booklets may be ordered online here.

Salley Mavor: Bedtime Stitches Exhibition Booklet – for sale at the Cahoon Museum of American Art

Throughout the book, there are spot illustrations of animals on text panels. To see how they were made, click here.

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram

Recent Posts

MY BED – Home: Part 4

PART 4 – Elephant Lamp and Goldfish Lampshade: Today’s post shows how I made the elephant lamp and goldfish lampshade in the child’s bedroom at the end of my picture book, My Bed.
Part 1 gives an overview of the page.
Part 2 focuses on the outside architectural details of the cut-away house.
Part 3 takes a peek inside at the furniture and the sleeping child.
Future parts will be about all of the other animal icons represented in the scene.

Signed copies of My Bed are available in my shop here. Watch this 8-minute documentary about making the artwork for the book.

My original idea for this illustration was to show a universal child sleeping in bed, surrounded by stuffed toys that looked like the animal icons featured throughout the book. I soon realized that the bed and floor around it wouldn’t accommodate all of the animals, so I came up with other ways spread them around the room.

The sturdy elephant turned into a lamp base and the goldfish ended up swimming around a sea blue lampshade. The goldfish icon first appears on the text panel in the Japanese spread in the book.

To make the lampshade, I appliqued an embroidered felt goldfish head and tail onto a piece of blue felt.

I added a felt back piece and edged the front and back with wire on the top and bottom. That way, it would stick out and stay curved like a real shade.

For the lamp base, I shrunk the elephant down to about 1/2 the size of the spot illustration on the text panel on the Indian page of the book.

To make the armature, I bent a pipe cleaner and threaded one end through a wooden bead. The bead would become the head and the pipe cleaner extension would form the trunk.

Then I wrapped the pipe cleaner trunk with embroidery floss, covering the fuzzies like the dolls’ arms and legs are made in my how-to book Felt Wee Folk.

I sewed pieces of felt inside the body to fill in the void and give it bulk.

I then covered the bead head and body with pieces of felt. It’s been a few years, so I can’t remember exactly how this part was done, but I remember that it was rather fussy. I probably used 2 separate pieces for the front and back of the body and the head.

You can see the difference in scale between the 2 elephants in the photo of my work table below. They’re like the mother and baby elephant in my first children’s book, The Way Home.

Replicating the blanket at 1/2 size was also fussy, but at least it was flat!

Wouldn’t it be fun to have a full size version of this lamp, with the elephant made out of clay or wood and a painted goldfish swimming around the shade?

Stay tuned for more posts about the other animals in this scene.

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram

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