My Bed Book

My newest children’s picture book, My Bed, Enchanting Ways to Fall Asleep around the World, brings readers on an international journey, showing children in varying cultures and home environments around the world. Each intricately rendered scene captures the spirit of a differnet place and way of life, all the while illuminating the universal theme of children sleeping safely in their beds.

Autographed copies of MY BED are available in my shop here.
Reviews like these are pouring in –
“(My Bed) is just stunning, calming and healing”, “ingeniously illustrated.”
“I am overwhelmed by the beauty and all the little details of each page.”

Watch this video to find out how I made MY BED.

See how Salley Mavor made the illustrations for her new picture book MY BED.

A Japanese translation of MY BED, published by Fukuinkan Shoten is now available in Japan.

A touring exhibition of the original embroidered bas-relief artwork that is photographed and reproduced in the book is now underway. Salley Mavor: Bedtime Stitches is traveling around the country, with bookings into 2027. More information about the exhibition (including a current schedule) is at the end of this post.

I shared the process of making the 3-dimensional bas-relief illustrations for MY BED on this blog, which involved stitching, embroidery and other embellishment techniques. Posts I’ve written about each page are listed here:

The book’s author, Rebecca Bond, wrote a poem that celebrates the diversity of children from around the world. As the illustrator, it was my task to bring these children to life and create their varying environments.

SALLEY MAVOR: BEDTIME STITCHES

A touring exhibition of original artwork for my picture book, MY BED: Enchanting Ways to Fall Asleep around the World, has been traveling across the country. The show is an opportunity for the public to see up close the fine detail and 3-dimensional quality of my bas-relief sculptural embroideries. Since its premiere in 2020, Bedtime Stitches has been exhibited in a dozen museums and is booked into 2027. Interested museums are welcome to contact me for information about hosting the exhibition. Please use the contact form at the bottom of this page.

What’s being said about the exhibition:
“Bedtime Stitches Provides Cozy Respite From a Tumultuous Year”
The Falmouth Enterprise
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“The genius of Salley Mavor’s meticulously realized imaginative worlds is just what we need right now.”
Artscope Magazine

Throughout the book, there are spot illustrations of animals on text panels. To see how they were made, click here.

BEDTIME STITCHES TOURING EXHIBITION

Sept. 11 – Dec. 19, 2020, Cahoon Museum, Cotuit, MA.
Feb. 28 – May 30, 2021Cedarhurst Center for the Arts, Mount Vernon, IL
Sept. 14 – Dec. 31, 2021, New England Quilt Museum, Lowell, MA
Jan. 25 – April 10, 2022, International Quilt Museum, Lincoln, NE
June 7 – Sept. 11, 2022,  Brick Store Museum, Kennebunk, ME, Bedtime Stitches is included in the retrospective exhibition, What a Relief: The Art of Salley Mavor
Oct. 15 – Dec. 31, 2022Historical and Cultural Center of Clay County, Moorhead, MN
Feb. 1 – Apr. 30, 2023, Pacific Northwest Quilt & Fiber Arts Museum, La Conner, WA
July 6 – Sept. 15, 2023, Southeastern Quilt and Textile Museum, Carrollton, Georgia
Sept. 30, 2023 – January 7, 2024, Southern Vermont Arts Center, Manchester, VT. The Wee Worlds of Salley Mavor includes Bedtime Stitches.
Jan. 20. – May 5, 2024Upcountry History Museum, Greenville, SC
July 27, 2024 – March 2, 2025, Albany Institute of History and Art, Albany, NY, Enchanting Threads: The Art of Salley Mavor includes Bedtime Stitches.
June 10 – July 20, 2025, Mariposa Museum and Cultural Center, Oak Bluffs, MA
Aug. 1, 2025 – Jan. 4, 2026Mariposa Museum and World Culture Center, Peterborough, NH. This location also includes a wide selection of other work by Salley Mavor.
Oct. 31, 2026 – April 18, 2027, Mingei International Museum, San Diego, CA

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Thank you for your response. ✨

Visitors to the exhibition, as well as those of you at home with a copy of My Bed, can hunt for details in the artwork using the downloadable sheet below.

To keep up with new posts, please subscribe to this blog. Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook, Instagram and BlueSky.

Recent Posts

Hendrix Baby Banner

I’m delighted to share the baby banner I made for Hendrix—Henny for short—who is celebrating his second birthday today. If you’ve followed this blog for a while, you may already be familiar with these felt banners, which have become my go-to gifts for friends and family. You can browse posts about this banner and others in the archives here.

A BANNER FOR HENDRIX
In today’s post, I’m sharing a behind-the-scenes look at how this banner came together, with photos, videos, and commentary. I made the banner for Hendrix shortly after he was born in 2024. His parents, Sam and Louisa, are dear friends, and I also had the pleasure of creating their wedding cake topper, which you can see here.

Hendrix’s parents, Sam and Louisa’s wedding cake topper

STITCH MINUTE VIDEO
The following video offers a brief overview of the banner-making process, with close-up views of wrapping, stitching, and embellishing. For a closer look at the finer technical details, continue reading for additional videos later in this post that explore some steps in more depth.

WRAPPING WIRE LETTERS
After choosing a color scheme and picking out pieces of felt and thread, I wrote out Hendrix’s name in cursive handwriting with a pencil on paper. I then wrapped the length of DMC memory thread, a flexible wire, with three strands of variegated embroidery floss. Using the sketch as a template, I bent the wire to form his name and stitched the letters together where they touched.

In the following video, I demonstrate how to wrap DMC memory thread with embroidery floss. For these banners, I typically use variegated floss instead of solid colors because the shifting shades give the letters a more lively, natural look. As you’ll see, the process is slow and methodical, and wrapping the wire smoothly and evenly takes practice—so be patient.

The wire ends are bent over and wrapped so that no raw thread ends are left exposed. One advantage of memory thread is that the coating of fibrous material is easier to grip than slippery metal wire. If you’ve learned to wrap pipe cleaner arms and legs for the wee folk dolls in my how-to book, Felt Wee Folk, you already have a helpful head start with this technique.

WRAPPING THE WIRE WREATH
I’ve always loved wavy lines and rarely miss a chance to add curves where there might otherwise be a straight edge, so making a zigzag wreath felt like a natural choice. In the following video, I show how I form the wreath into one continuous line with no visible ends. It’s a fussy process, but the finished result is well worth the extra effort.

After wrapping all the letters and numbers, I pinned them in place and stitched them to the felt pieces.

The bottom edge of the banner is finished with four scallop-edged flaps, each embroidered with chain-stitched spirals. At each point, I sewed on a shell that conveniently already had a hole for stitching. They came from a souvenir necklace my grandmother bought many years ago in her travels.

Happy Birthday, Henny!

To keep up with new posts, please subscribe to this blog. Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook, Instagram and BlueSky.

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