My Bed Book

My new children’s picture book, My Bed, Enchanting Ways to Fall Asleep around the World was released by Houghton Mifflin Harcourt Publishing Co. in Sept. 2020. It took about 2 years to hand stitch all of the illustrations and I’m excited that you can now see the fruits of my labor! Reviews like these are pouring in –
“(My Bed) is just stunning, calming and healing”, “ingeniously illustrated” and “I am overwhelmed by the beauty and all the little details of each page.”

Autographed copies of MY BED are available in my shop here.

See how Salley Mavor made the illustrations for her new picture book MY BED.

A Japanese translation of MY BED, published by Fukuinkan Shoten is now available in Japan.

A touring exhibition of the original embroidered bas-relief artwork that is photographed and reproduced in the book is now underway. Salley Mavor: Bedtime Stitches debuted at the Cahoon Museum of American Art in Cotuit, MA in the fall of 2020 and is traveling around the country for a few years. More information about the exhibition, including a current schedule is at the end of this post.

For a while now, I’ve shared the process of making the 3-dimensional bas-relief  illustrations, which involve stitching, embroidery and other embellishment techniques. Posts I’ve written so far are listed here:

Rebecca Bond wrote a poem that celebrates our diversity, while also bringing us together through the universal theme of children sleeping safe in their beds. As the illustrator, it was my task to bring these children to life and create their varying environments.

I am happy to announce a touring exhibition of original artwork for the book: SALLEY MAVOR: Bedtime Stories. This is an opportunity for the public to see up close the fine detail and 3-dimensional quality of my bas-relief sculptural embroideries. The exhibition is modeled after the successful national touring exhibition of the artwork for my book, Pocketful of Posies. It is currently booked through 2024 with the possibility of being extended into 2025. Interested museums are welcome to contact me (Salley at for information about hosting the exhibit.


What’s being said about the exhibition:
“Bedtime Stitches Provides Cozy Respite From a Tumultuous Year”
The Falmouth Enterprise
“The genius of Salley Mavor’s meticulously realized imaginative worlds is just what we need right now.”
Artscope Magazine

Beginning in September 2020
Sept. 11 – Dec. 19, 2020, Cahoon Museum, Cotuit, MA.
Feb. 28 – May 30, 2021, Cedarhurst Center for the Arts, Mount Vernon, IL
Sept. 14 – Dec. 31, 2021, New England Quilt Museum, Lowell, MA
Jan. 25 – April 10, 2022, International Quilt Museum, Lincoln, NE
June 7 – Sept. 11, 2022,  Brick Store Museum, Kennebunk, ME, Bedtime Stitches will be included in the retrospective exhibition, What a Relief: The Art of Salley Mavor
Oct. 15 – Dec. 31, 2022, Historical and Cultural Center of Clay County, Moorhead, MN
Feb. 1 – Apr. 30, 2023, Pacific Northwest Quilt & Fiber Arts Museum, La Conner, WA
June – mid-Sept. 2023 Southeastern Quilt and Textile Museum, Carrollton, Georgia
Sept. 30, 2023 – January 7, 2024, Southern Vermont Arts Center, Manchester, VT. Bedtime Stitches and Social Fabric will be displayed together.
Feb. – May 2024, Upcountry History Museum, Greenville, SC
July — Dec. 2024, Albany Institute of History and Art, Albany, NY, Bedtime Stitches and Social Fabric will be displayed together.

Visitors to the exhibition, as well as those of you at home with a copy of My Bed, can hunt for details in the artwork using the downloadable sheet below.

Salley Mavor: Bedtime Stitches Exhibition Booklets are 6″x 9″ soft cover, full-color, 16 pages about Salley Mavor and the exhibition including images of extra works only on view at the Cahoon Museum of American Art. Booklets may be ordered online here.

Salley Mavor: Bedtime Stitches Exhibition Booklet – for sale at the Cahoon Museum of American Art

Throughout the book, there are spot illustrations of animals on text panels. To see how they were made, click here.

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram

Recent Posts

Mossy Glen: Part 6 – stitched leaves

Before delving into Part 6 in the series about making the spring landscape, Mossy Glen, Id like to give you a preview of Harvest Time, the fall landscape that I just finished making. For the past 6 months, I’ve documented its progress on Facebook and/or Instagram and I look forward to later sharing photos and videos about making the scene on this blog, too.

Harvest Time in my studio

The fall scene shows a cutaway view, with a tree stump dwelling above ground and tunnel storage spaces underground. It took way longer to make than I’d planned, which may have to do with the insane amount of mossy French knots on the stump.

Stump Dwelling for Harvest Time

The 3 seasons I’ve completed so far, winter, spring and fall, will be included in this summer’s exhibition, What a Relief: The Art of Salley Mavor at the Brick Store Museum in Kennebunk, Maine (June 7 – Sept. 11, 2022). The retrospective exhibition will feature a large selection of my artwork, spanning over 40 years, from early on to the present day. Pieces from my collection and rarely seen works on loan from private collections will fill multiple galleries on the museum’s entire first floor. Original picture book illustrations, including the entire series from my most recent book, MY BED will also be shown.

Wee Folk Forager for Harvest Time

Now back to Mossy Glen – In this Part 6, I share photos, videos and commentary about how I created the chain stitched leaves. Part 1 is all about stitching a moss-like texture, Part 2 gives a glimpse at how I made the cherry trees, Part 3 is about the stone walls, Part 4 shows how I made the forsythia blossoms and Part 5 features wire and felt leaves.

Mossy Glen is the springtime scene in a series of seasonal landscapes that capture the wonder and magic of the natural world, both real and imagined. Mossy Glen and the winter scene, Frosty Morning are available as note cards in my shop here.

To rest the eye from all of the 3-dimensional busyness in this scene, I mixed in flat chain stitched designs. They’re also busy, but the overall effect is calmer. While I work on a piece, I’m constantly aware of how its composition, color, texture and depth direct the eye. Maybe that’s why I never get bored – there’s always something to consider about the next step in the process. I’m often asked if I listen to books on tape while stitching, as if it’s a mindless activity. There’s no way I could follow a story and give my artwork the attention it needs. There are too many decisions to make along the way!

I chain stitched the leaf shapes with cotton flower thread. Its matte finish is different from the glossy sheen of cotton embroidery floss, which I used to wrap the wire stem. DMC flower thread is no longer available, but if you’re interested, Dutch Treat Designs has some of the discontinued thread in stock. 

Watch how I chain stitched around and around the leaf shape with gradated colors in this Stitch Minute video.

Stitch Minute – chain stitching leaves

Sometimes I mark lines on the felt with a chalk pencil or basting, but mostly I eyeball the designs. Here’s another Stitch Minute video, showing the smaller chain stitched leaves.

Stitch Minute – chain stitching leaves

I also made ferns with strung together fly stitches.

To make the ferns pop, I underlined one side with a darker shade of green.

To see me stitching the ferns, including a fiddle head, watch this Stitch Minute video.

Stay tuned for more posts about making Mossy Glen. Other parts in the series will focus on other plants, embroidered embellishments and the wee folk characters.
Mossy Glen (overview)
Part 1 (moss)
Part 2 (cherry trees)
Part 3 (stone walls)
Part 4 (forsythia)
Part 5 (felt and wire leaves)

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram

  1. Mossy Glen – part 5: Leaves 4 Replies
  2. Mossy Glen – part 4: forsythia 12 Replies
  3. Mossy Glen: Part 3 – stone walls 9 Replies
  4. Mossy Glen: Part 2 – Cherry Trees 10 Replies
  5. Bedtime Stitches opens in Lincoln, NE and other news 4 Replies
  6. Mossy Glen: Part 1 (moss) 9 Replies
  7. Mossy Glen overview 7 Replies
  8. Glancing back, looking forward 3 Replies
  9. MY BED – Home: Part 5 7 Replies