My Bed Book

My newest children’s picture book, My Bed, Enchanting Ways to Fall Asleep around the World, brings readers on an international journey, showing children in varying cultures and home environments around the world. Each intricately rendered scene captures the spirit of a differnet place and way of life, all the while illuminating the universal theme of children sleeping safely in their beds.

Autographed copies of MY BED are available in my shop here.
Reviews like these are pouring in –
“(My Bed) is just stunning, calming and healing”, “ingeniously illustrated.”
“I am overwhelmed by the beauty and all the little details of each page.”

Watch this video to find out how I made MY BED.

See how Salley Mavor made the illustrations for her new picture book MY BED.

A Japanese translation of MY BED, published by Fukuinkan Shoten is now available in Japan.

A touring exhibition of the original embroidered bas-relief artwork that is photographed and reproduced in the book is now underway. Salley Mavor: Bedtime Stitches is traveling around the country, with bookings into 2027. More information about the exhibition (including a current schedule) is at the end of this post.

I shared the process of making the 3-dimensional bas-relief illustrations for MY BED on this blog, which involved stitching, embroidery and other embellishment techniques. Posts I’ve written about each page are listed here:

The book’s author, Rebecca Bond, wrote a poem that celebrates the diversity of children from around the world. As the illustrator, it was my task to bring these children to life and create their varying environments.

SALLEY MAVOR: BEDTIME STITCHES

A touring exhibition of original artwork for my picture book, MY BED: Enchanting Ways to Fall Asleep around the World, has been traveling across the country. The show is an opportunity for the public to see up close the fine detail and 3-dimensional quality of my bas-relief sculptural embroideries. Since its premiere in 2020, Bedtime Stitches has been exhibited in a dozen museums and is booked into 2027. Interested museums are welcome to contact me for information about hosting the exhibition. Please use the contact form at the bottom of this page.

What’s being said about the exhibition:
“Bedtime Stitches Provides Cozy Respite From a Tumultuous Year”
The Falmouth Enterprise
——————————————————————-
“The genius of Salley Mavor’s meticulously realized imaginative worlds is just what we need right now.”
Artscope Magazine

Throughout the book, there are spot illustrations of animals on text panels. To see how they were made, click here.

BEDTIME STITCHES TOURING EXHIBITION

Sept. 11 – Dec. 19, 2020, Cahoon Museum, Cotuit, MA.
Feb. 28 – May 30, 2021, Cedarhurst Center for the Arts, Mount Vernon, IL
Sept. 14 – Dec. 31, 2021, New England Quilt Museum, Lowell, MA
Jan. 25 – April 10, 2022, International Quilt Museum, Lincoln, NE
June 7 – Sept. 11, 2022,  Brick Store Museum, Kennebunk, ME, Bedtime Stitches is included in the retrospective exhibition, What a Relief: The Art of Salley Mavor
Oct. 15 – Dec. 31, 2022, Historical and Cultural Center of Clay County, Moorhead, MN
Feb. 1 – Apr. 30, 2023, Pacific Northwest Quilt & Fiber Arts Museum, La Conner, WA
July 6 – Sept. 15, 2023, Southeastern Quilt and Textile Museum, Carrollton, Georgia
Sept. 30, 2023 – January 7, 2024, Southern Vermont Arts Center, Manchester, VT. The Wee Worlds of Salley Mavor includes Bedtime Stitches.
Jan. 20. – May 5, 2024, Upcountry History Museum, Greenville, SC
July 27, 2024 – March 2, 2025, Albany Institute of History and Art, Albany, NY, Enchanting Threads: The Art of Salley Mavor includes Bedtime Stitches.
June 10 – July 20, 2025, Mariposa Museum and Cultural Center, Oak Bluffs, MA
Aug. 1, 2025 – Jan. 4, 2026, Mariposa Museum and World Culture Center, Peterborough, NH.
Oct. 31, 2026 – April 4, 2027, Mingei International Museum, San Diego, CA

← Back

Thank you for your response. ✨

← Back

Thank you for your response. ✨

Visitors to the exhibition, as well as those of you at home with a copy of My Bed, can hunt for details in the artwork using the downloadable sheet below.

To keep up with new posts, please subscribe to this blog. Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook, Instagram and BlueSky.

Recent Posts

Polly visits Colonial America

After a six year stint at home, wearing the same blue skirt and red vest, Polly Doll is finally sporting a new outfit! The occasion for this long-awaited transformation was a trip back in time to 1700s Colonial America. In this post, I share the process of making Polly’s new costume, as well as her visit to historic sites in the mid-Atlantic region.

On Polly’s Schedule: Later this fall and into the spring of next year, Polly and a group of wee folk friends will be taking up residence in a display case at the Eric Carle Museum in Amherst, MA. The group exhibition, Weaving Words: Fiber Arts and Picture Books will be on view November 21, 2026 – May 2, 2027.

Polly’s Washing Day – note card available in my shop

Getting undressed was a chore, requiring sharp tools to snip away the threads that have held Polly’s clothes in place through years of wear.

Polly’s new travel costume features a long skirt and a jacket, known as a short gown. When researching which colors were commonly used during this period in history, mustard yellow (presumably dyed with onion skins) caught my attention.

Low and behold, I found some mustard yellow wool felt in my stash! For the jacket, I adapted the fairy tunic pattern in my how-to book, Felt Wee Folk. After barely squeezing the neck hole over Polly’s glued-on bead head, I blanket stitched the front and back together along the sleeve and side seams.

Polly’s signature straw hat has been part of style for years, but I decided to create a slightly different one that more resembled the hats women wore in Colonial America. To make the hat, I covered wire with embroidery floss and coiled it around, stitching each rotation of the spiral to the previous one.

For a finishing touch, I looped and tangled silk ribbon around the crown, fashioning a decorative band similar to what I’d seen in pictures documenting the time period. Then, I sewed the hat to the top of Polly’s head, guiding the needle through her hat and into her hair.

Up until this point, I had avoided giving Polly one of those silly caps women wore back then, because I didn’t want to cover her red braids, which are an important part of her identity. But, I could see that she needed something white and lacey under her hat to look respectable. So, I took some white ricrac, stitched it into a ruffle and sewed it around her head.

Here she is, all ready to go on a road trip south!

First stop was a Revolutionary War reenactment in Chadds Ford, Pennsylvania, where she hung out with both the Crown Forces and the American Continental Army, who recreated the Battle of Brandywine.

At Colonial Williamsburg in Virginia, Polly strolled along Duke of Gloucester St., visiting various businesses, including a milliner’s shop.

Further down the street, she watched a spinner at work.

In the evening, she dined by candlelight at Christina Campbell’s Tavern, which was George Washington’s favorite seafood destination.

Everywhere she looked in Williamsburg, from the busy streets to tranquil backyard gardens, Polly felt emersed in an 18th century Colonial American world.

While in the area, Polly visited the Jamestown Settlement, where she went back even further in time to 1607, when ships from England first arrived in America.

Polly is glad to be back home, where she will soon change back into her familiar blue skirt and red vest. Since Polly came into being in 2012, she has been all over the place, dressed in suitable attire for each new adventure. To see her complete travel log and wardrobe, go here.

To keep up with new posts, please subscribe to this blog. Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook, Instagram and BlueSky.

  1. A Banner for Catherine 9 Replies
  2. Sapphire – New Ltd. Edition Fairy 6 Replies
  3. The Teaching Dilemma 6 Replies
  4. Hendrix Baby Banner 2 Replies
  5. Why I Love Wool Felt 7 Replies
  6. The 3D Appeal of Stumpwork 13 Replies
  7. Baby Banner – Laurel 3 Replies
  8. Springtime in Mossy Glen Playsilk 1 Reply
  9. Folk Wisdom 13 Replies