This is the first in a series of posts that will show how I made another illustration for my upcoming picture book, My Bed. The scene is set in Ghana, in the sub-region of West Africa. By the time I worked on this one, I’d gotten into the habit of taking photos of almost every little step along the way. So, I have a lot of material to share, which is divided into several categories that I’ll write about over the next few weeks.
Update: My Bed can now be pre-ordered in my shop here. The book’s release date is in Sept. 2020 and people have asked if they can pre-order autographed copies ahead. So, if you put your order in now, I’ll have a better idea of how many copies to get. The book will be shipped to you as soon as it arrives!
Here are links to posts showing other finished illustrations for the book: South America, Japan, India, Afghanistan, Russia, North Africa, North America, Scandinavia and Iran. To see a list of all my books, click here.
As with all of the scenes in the book, I started by searching online for photos of buildings and living areas in the region. I took this information and drew a series of thumbnail sketches, working out a composition that focused on a child in their particular environment.
Today, I will show how I made the house that’s off to the side, with a small figure of a woman in the doorway. I selected wool felt from my stash, keeping in mind an overall palette of warm earth tones, complimented with blues and greens. (For questions about felt, please read this post.) It’s actually my favorite color combo, which I chose for my studio walls and window trim.
Even though the house is pieced together in a flat pattern, I wanted to create a sense of inside and outside, so I cut out the side window and door. I sewed wire around the edges to make a structural framework for the otherwise limp felt, adding a crisp outline that helps define its shape.
For the roof, I colored some vintage cotton ricrac with a brown magic marker.
To make the ricrac look more 3-dimensional, I outlined the bottom edge with a darker brown marker. Then, I stitched the ricrac rows in place at the pointed tops, which naturally raised up the bottom part, creating a bit of a shadow.
The window frame is first edged with blanket stitch and then outlined with wire.
I added a subtle zigzag pattern to the window and door frames.
I made a 1 3/4″ figure to stand in the doorway. Her traditional head-wrap is made with silk ribbon that I stitched in place. Throughout the book, children are the featured characters, with very few adults lurking in the background, depicted in tiny scale.
In future posts, I will show the process of making the child resting on a woven mat, the shade tree and other parts of the scene.
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