This is Part 3 in the series about making the illustration at the end of my picture book, My Bed, where all of the animal icons from around the world come together in a child’s bedroom. Part 1 gives an overview of the scene and Part 2 focuses on the outside architectural details of the cut-away house. Today’s post will take a peek inside, at the furniture and the sleeping child. Coming up next in Part 4, I’ll show how I made the elephant lamp and fish lampshade.
For this scene, I rendered the giraffe in a different form, as a chain stitched image “painted” on the side of a chest of drawers.
To make the chest look like a wood paneled piece of furniture, I created layers of felt, including a cut out frame and a backing piece of a slightly lighter shade of green. Then, I outlined the frame with blanket stitching and basted the 2 pieces on top of one another.
I chain stitched a simple outline of a giraffe and filled it in with more chain stitches and satin stitched spots. For eyes, I combed through my glass bead supply until I found 2 of the tiniest black ones
After adding a branch and leaves, I sewed wire around the outside edge to give the panel more structure. And for extra emphasis, I went over every edge and corner with a darker shade of green embroidery floss.
To help visually anchor the corners, I sewed on jump rings, covering the metal with embroidery floss. I added a felt top, bead drawer pulls and bead legs.
Creating a side view of the bed frame came next. It’s made with carved bone beads from Africa that I found at a bead show years ago.
Because I wanted every child looking at the page to feel a connection to the character in the illustration, I intentionally made them non-specific by gender or race. I also wanted the house and bedroom to convey a warm and playful sense of “home” that could be imagined anywhere.
Since the child was going to be tucked under the covers, I only had to make the top half of their body. The figure is based on the dolls in my in my how-to book, Felt Wee Folk.
While picking out colors and patterns for the child’s clothes and bed spread, I was keenly aware of how easy it is to fall for pink = girl and blue = boy stereotypes. After much consideration, I chose striped orange pajamas and a starry purplish night sky bed covering.
I embroidered the stars with gold metallic thread, which for me is a material of last resort. Even though synthetic thread is icky to work with, it provided the shine I wanted.
Once the child was safely tucked into bed, I started making the different renditions of the animal icons featured throughout the book. Coming up next in Part 4, I’ll show how I made the elephant lamp and fish lampshade. After that, I’ll write about the other animals in the room.
Bedtime Stitches, the touring exhibition of original 3-dimensional artwork for the book is at the New England Quilt Museum in Lowell, MA through Dec. 31, 2021 and will be at the International Quilt Museum, Lincoln, NE Jan. 25 – April 10, 2022. See the the full schedule here.
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