Welcome to the neighborhood, in this 3rd part of the series about making an illustration set in India for my new picture book. The story about children’s sleeping places in different cultures around the world was written by Rebecca Bond. It will be published by Houghton Mifflin Harcourt in 2020.
In this scene, the boy’s house takes up 2/3 of the spread and the surrounding village is pictured in the left 1/3. I used a lighter colored background to separate it from the darker house in the foreground. And since the house is blue, I thought, why not offset the sky with green?
Making little dwellings is a favorite diversion, so working on this part of the illustration was a total indulgence!
Roof tiles emerge in rows of fly stitches…
and tube beads strung with wire stack up to make a front porch post.
There’s always seams to be an area that needs tree and leaf embellishment.
This story focuses on children, with adult figures off in the distance, so they have to be really tiny.
She may be one of the smallest wee people I’ve put in an illustration. I loved making her outfit and braiding her hair.
I hope that you’ve enjoyed this little peek behind the scenes. To see the whole piece, please go to Part 1 here and Part 2 here.
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As promised, here is a series of “still life” photos taken on our recent trip to Ireland. Wherever we travel, the colors, textures and geometric patterns found in doorways and building facades seem to characterize the aesthetic culture of a place. I love how bold paint hues contrast with whitewash and stone in Ireland. The following pictures are from Clifden, the island of Inishbofin and Galway.
I had the pleasure of going to the Providence Children’s Museum last week to set up some of my artwork in their Geometry Gallery display case. This section of the museum explores spatial thinking and has a number of hands-on play and learning experiences. The display case shows a changing exhibit of 3-dimensional creations loaned by different artists. The museum staff couldn’t have been more welcoming! We’re all anticipating that the glass will have to be cleaned frequently because of finger and nose prints left by inquiring little (and big) ones!
I brought 2 original fabric relief illustrations from Pocketful of Posies and a whole bunch of wee folk characters from Felt Wee Folk, as well as houses and other props from my collection that I talk about in still playing with dolls. The items will be there for 6 months, until January 8, 2017. I hope that some of you will have a chance to visit. FYI – An exhibit of new fabric relief pieces will also be shown nearby in Bristol, RI, Sept. 16 – Oct. 30, 2016 ~ Intertwined – Needle Art of Salley Mavor at the Bristol Art Museum.
Some things never change. Like the urge to play with dolls. I’d venture to guess that there are a lot of grownups like me who still find themselves drawn to creating little worlds, just like they were in their youth. I feel honored to share my passion (perhaps even obsession?) for the wee world with you through my books and this blog.
I recently got out some props I’d made a few years ago for a video project that my husband Rob and I were planning, but didn’t undertake. It was pure play, as I set up one of the houses out in the yard and made this video with my phone camera.
Our original idea was to make a short stop motion animation of one of my favorite nursery rhymes, Wee Willie Winkie. The easy part was constructing the characters, houses, trees and a clock. Finding the time and space to work on the incredibly tedious task of animating the story turned out to be too much of a challenge. We figured that it would take several months of concentrated effort to make even a 5 min. video that we would be proud of. We’re still intrigued by the prospect of putting together a film and who knows, we may do it eventually. But for now, I will soon embark on a new project that will keep me busy for a few years. More about that later…
The houses, etc. (and a couple of original Pocketful of Posies illustrations) will be shown for the next 6 months, June 2, 2016 – Jan 8, 2017 ~ in the Geometry Gallery display case at the Providence Children’s Museum, Providence, RI
Here’s the clock for the scene, “Are the children in their beds, for now it’s 8 o’clock?”
In the meantime, the various props have not been hidden away. They’ve been used as backdrops for other photos, including shots of Polly and A Buggy Picnic, which is available as a card.
Felt Wee Folk
Polly ready to go to Cuba
Card – A Buggy Picnic
Can’t help taking pictures of doorways…
Portree on the Isle of Skye and the streets of Edinburgh…
And rows of houses in the quaint village of Plockton. See more scenes of Plockton here.