About Salley Mavor

About Salley Mavor

“My aim is to breathe life and emotion into embroidery, an art form that is often perceived as purely decorative.”
Salley mavor

A needle is my tool, thread is my medium and stitches are my marks. For over 45 years, I’ve created 3-dimensional hand-stitched miniature worlds that range from precious to poignant to provocative. My art serves a variety of purposes: it appears as illustrations in children’s books, stand-alone framed artwork, and stop-motion animation.

There is a distinctive over-the-top quality to my art that stands outside of the mainstream. A combination of storytelling imagery, innovative techniques, fervent craftsmanship, and the interplay of familiar, yet intriguing materials set it apart.

While I take delight in every careful stitch, it is the spirit of play and the pursuit of a broader visual narrative that propels my work forward. My objective is to move beyond the confines of embroidery as a medium and create art that is valued for its message and emotional resonance as well as its workmanship.

The art I make and the driving force behind it stem from a lifelong, insatiable desire to invent and make things with my hands. This deep love for the tactile process has always been central to my creative approach, shaping everything I have done from childhood through to the present day. My wish is for people of all ages to connect with my art in personal and meaningful ways.

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Where did this doll-infested needle and thread universe come from? It began at the height of the baby boom, in a family of introverts who were either making things or staring into space. You could say that we excelled at parallel play.

Detail from “Self Portrait: A Personal History of Fashion”

Education
While studying illustration at the Rhode Island School of Design in the 1970’s, an insightful teacher encouraged me to tap into my crafty and playful side. This newfound sense of freedom felt exhilarating—an organic, joyful expression straight from the heart. No longer confined to traditional art mediums, I discovered that working with stitching and soft sculpture allowed my ideas to come alive in new and unexpected ways. For most of my career I have followed this path, creating stitched scenes in bas-relief, much like miniature, shallow stage sets, with figures imposed on embellished fabric backgrounds.

Books – My 3-dimensional artwork is photographed and reproduced in children’s books, including the 2010 award-winning Pocketful of Posies: A Treasury of Nursery Rhymes and My Bed: Enchanting Ways to Fall Asleep Around the World. My bestselling how-to book of doll projects, Felt Wee Folk: New Adventures continues to inspire creativity.

Shop – Personally autographed books, cards, jigsaw puzzles, notebooks, and posters with printed reproductions of my embroidered scenes are available in my Etsy Shop.

Birds of Beebe Woods poster, cards, puzzles and notebooks are available in my Etsy Shop

Sale of Original Artwork – My original pieces are no longer available for sale. I have made the decision to retain all works currently in my possession. By holding on to these pieces, I am ensuring that there is a well-rounded and representative body of work ready for exhibition purposes. This way, I can maintain a collection that accurately reflects my artistic vision and creative journey. Printed reproductions of my work are available in my Esty Shop.

Sharing Knowledge – I do not teach classes. However, this blog is full of informative and inspiring photos, videos, and descriptions of projects I’ve made. My how-to book Felt Wee Folk provides step-by-step instructions for making wee folk dolls, with many examples and patterns. To learn my personal philosophy about sharing knowledge and artistic privacy, please read this post: to teach or not to teach.

Animation
After the 2016 presidential election, I formed a satirical wee folk drama troupe, The Wee Folk Players (they’re a stitch). Also, my husband Rob Goldsborough and I made a short stop-motion animated film titled Liberty and Justice: A Cautionary Tale in the Land of the Free.

Screen shot from “Liberty and Justice” animation

My solo exhibit Liberty and Justice was abruptly cancelled in 2018 at its original venue due to its political content. The show was generously picked up by the New England Quilt Museum and the Cotuit Center for the Arts, and portions were included in The Art of Cute at the Brick Store Museum in Kennebunk, Maine. You can watch my interview about the Liberty and Justice exhibit on WGBH TV and read the post Finding My Voice, which includes an excerpt of my talk about making art that is both precious and provocative.

EXHIBITIONS

To see a schedule of current and upcoming exhibitions of my original bas-relief artwork, including the Bedtime Stitches national tour, please visit the Exhibitions Page.

My most recent book, MY BED: Enchanting Ways to Fall Asleep around the World was published in 2020. You can see blog posts showing the book’s progress here. SALLEY MAVOR: Bedtime Stitches, the touring exhibition of original bas-relief artwork for the book is scheduled into 2027. The current list of venues is here. Inquiries from museums are welcome. For information about hosting the show, please use the contact form below.

See how I made the illustrations for my new picture book, MY BED in this 8-minute documentary.

I live and work on Cape Cod, in Falmouth, Massachusetts. For answers to frequently asked question, please go to the FAQ Page. Contact me using the form below or write to P.O. Box 152, Woods Hole, MA 02543.

Autographed books, prints, puzzles, cards, notebooks and posters are available in my Etsy shop.

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Social Media: Follow me at BlueSky, Facebook and Instagram.
Shop: Autographed books, posters, puzzles, notebooks and cards are available in my Etsy shop.
Contact me via the form above or write to P.O. Box 152, Woods Hole, MA 02543

PODCASTS:

The Object Itself Podcast : Salley Mavor shares the inspiration and process behind her Self Portrait: A Personal History of Fashion. Published 1/23/25

NeedleXChange PODCAST: Salley Mavor – Telling Wee Folk Tales PART 1 and PART 2. Recorded 11/8/24
School of Stitched Textiles PODCAST: Textile Talk with Salley Mavor. Recorded 9/26/24.
Creative Exchange PODCAST with the Arts Foundation of Cape Cod. Staying True to Yourself and Your Work with Salley Mavor. Recorded 1/6/23
Craft Industry Alliance PODCAST with Mimi Kirchner and Salley Mavor. Recorded 6/1/15

INTERVIEWS

Watch TEXTILE TALK: Textiles in 3D with Salley Mavor, Barbara Schneider, and Jean Sredl, presented by SAQA. Recorded 5/29/24.
Read an interview with the Embroiderer’s Guild of America
Read this interview to find out about my foray into political satire
Read my thoughts about artistic privacy and when to tell how and when not to.
Watch WGBH OPEN STUDIO interview
Read my acceptance speech for the 2011 Boston Globe-Horn Book Award
Read an interview with Create Whimsy
Read an interview with Seven Impossible Things Before Breakfast
Watch a 2016 Interview with Falmouth Community TV

Book trailer for Felt Wee Folk – New Adventures

Information

Autographed books, posters, cards and jigsaw puzzles are available in my Etsy shop.
To see a list of all of my books, go to My Books.
Watch videos about my work: Videos Page
For info about exhibits of my original work, visit the Exhibitions Page.
Frequently asked questions: FAQ Page

Self Portrait: A Personal History of Fashion (pictured below) is on semi-permanent display at the Woods Hole Public Library. Posters of the piece are available in my Shop here.

To keep up with new posts, please subscribe to this blog. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook, Instagram and Blue Sky.

I’m delighted to share the baby banner I made for Hendrix—Henny for short—who is celebrating his second birthday today. If you’ve followed this blog for a while, you may already be familiar with these felt banners, which have become my go-to gifts for friends and family. You can browse posts about this banner and others in the archives here.

A BANNER FOR HENDRIX
In today’s post, I’m sharing a behind-the-scenes look at how this banner came together, with photos, videos, and commentary. I made the banner for Hendrix shortly after he was born in 2024. His parents, Sam and Louisa, are dear friends, and I also had the pleasure of creating their wedding cake topper, which you can see here.

Hendrix’s parents, Sam and Louisa’s wedding cake topper

STITCH MINUTE VIDEO
The following video offers a brief overview of the banner-making process, with close-up views of wrapping, stitching, and embellishing. For a closer look at the finer technical details, continue reading for additional videos later in this post that explore some steps in more depth.

WRAPPING WIRE LETTERS
After choosing a color scheme and picking out pieces of felt and thread, I wrote out Hendrix’s name in cursive handwriting with a pencil on paper. I then wrapped the length of DMC memory thread, a flexible wire, with three strands of variegated embroidery floss. Using the sketch as a template, I bent the wire to form his name and stitched the letters together where they touched.

In the following video, I demonstrate how to wrap DMC memory thread with embroidery floss. For these banners, I typically use variegated floss instead of solid colors because the shifting shades give the letters a more lively, natural look. As you’ll see, the process is slow and methodical, and wrapping the wire smoothly and evenly takes practice—so be patient.

The wire ends are bent over and wrapped so that no raw thread ends are left exposed. One advantage of memory thread is that the coating of fibrous material is easier to grip than slippery metal wire. If you’ve learned to wrap pipe cleaner arms and legs for the wee folk dolls in my how-to book, Felt Wee Folk, you already have a helpful head start with this technique.

WRAPPING THE WIRE WREATH
I’ve always loved wavy lines and rarely miss a chance to add curves where there might otherwise be a straight edge, so making a zigzag wreath felt like a natural choice. In the following video, I show how I form the wreath into one continuous line with no visible ends. It’s a fussy process, but the finished result is well worth the extra effort.

After wrapping all the letters and numbers, I pinned them in place and stitched them to the felt pieces.

The bottom edge of the banner is finished with four scallop-edged flaps, each embroidered with chain-stitched spirals. At each point, I sewed on a shell that conveniently already had a hole for stitching. They came from a souvenir necklace my grandmother bought many years ago in her travels.

Happy Birthday, Henny!

To keep up with new posts, please subscribe to this blog. Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook, Instagram and BlueSky.

SALLEY MAVOR

WEE FOLK STUDIO