About Salley Mavor

About Salley Mavor

A needle is my tool, thread is my medium and stitches are my marks. For over 40 years, I’ve created 3-dimensional hand-stitched artwork that ranges from precious to poignant to provocative. What I make and how I do it requires letting go of preconceived notions about needlework, fiber art, dolls, illustration, and even political art.

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Where did this doll-infested needle and thread universe come from? It began at the height of the baby boom, in a family of introverts who were either making things or staring into space. Later, while studying illustration at the Rhode Island School of Design, I rediscovered my childhood delight in sewing and creating miniature scenes.

Manipulating materials in my hands was so much more satisfying than rendering with a pencil or brush. Instead of trying to keep in step using traditional mediums, I discovered that with stitching, I could dance the fan-tango! I found that my hands would direct me in a compelling way and I could communicate ideas more clearly. For most of my career I have followed this path, creating sculptural scenes in bas-relief, much like miniature, shallow stage sets, with figures imposed on embellished fabric backgrounds.

My work is decorative and detailed, full of patterns and found objects, all bound together with stitching. I am interested in universal, playful narratives that reflect the society we live in today. I want to transcend the fiber medium by and of itself and make art that is valued for its message and emotional resonance as well as the materials and techniques I use.

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Some of my embroidered pieces are photographed and reproduced in children’s books, including the 2010 award-winning Pocketful of Posies: A Treasury of Nursery Rhymes. My bestselling how-to book of doll projects, Felt Wee Folk: New Adventures continues to inspire creativity. Personally autographed books, cards and posters with printed reproductions of my embroidered scenes are available in my Etsy Shop.

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My new work moves away from the land of innocence and into real world issues and current events. I strive to find the beauty within the struggle and strife, as in my 2016 piece Displaced.

After the 2016 presidential election, I formed a satirical wee folk drama troupe, The Wee Folk Players  (they’re a stitch). Also, my husband Rob Goldsborough and I made a short stop-motion animated film titled Liberty and Justice : A Cautionary Tale in the Land of the Free.

WGBH (1 of 1)

My solo exhibit Liberty and Justice, which was abruptly cancelled in 2018 at its original venue, due to its political content, was generously picked up by the New England Quilt Museum, the Cotuit Center for the Arts and portions were included in The Art of Cute at the Brick Store Museum in Kennebunk, Maine. You can watch my interview about the Liberty and Justice exhibit on WGBH TV and read the post Finding My Voice, which includes an excerpt of my talk about making art that is both precious and provocative.

I recently finished the artwork for a new picture book. MY BED: Enchanting Ways to Fall Asleep around the World, which will be published by Houghton Mifflin Harcourt in 2020. You can see blog posts showing the book’s progress here. SALLEY MAVOR: Bedtime Stitches, an exhibition of the original bas-relief artwork from the book will tour the United Sates beginning in 2020. Inquiries from museums are welcome – please contact me for information about hosting the show.

I live and work in my home studio on Cape Cod, in Falmouth, Massachusetts. For answers to frequently asked question, please go to the FAQ Page. Contact me via e-mail or write to P.O. Box 152, Woods Hole, MA 02543.

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Originals for sale: Please contact me for a list of available artwork. The pieces are displayed under Plexiglas in custom-made cherry wood shadowbox frames. Prices range from $2,500 to $6,500.

  • Subscribe to this blog (top right column of Home Page).
  • Posters, cards and autographed books are available in my Etsy shop.
  • Contact me via e-mail or write to P.O. Box 152, Woods Hole, MA 02543
  • Visit my Facebook Page. Follow me on Instagram.

Rabbitat is a short documentary video about my work:

Interviews

Book trailer for Felt Wee Folk – New Adventures

Information

  • Posters, cards and autographed books are available in my  Etsy shop.
  • To see a list of all of my books, go to My Books.
  • Watch videos about my work: Videos Page
  • For info about upcoming exhibits, talks and book signings, visit the Events Page.
  • Frequently asked questions: FAQ Page

Self Portrait: A Personal History of Fashion (pictured below) is on semi permanent display at the Woods Hole Public Library. Posters of the piece are available in my Shop here.

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Poster – Self Portrait

Recent Posts

create your own wee world

Felt Wee Folk: New Adventures (2015)

One of the most rewarding parts of writing my book, Felt Wee Folk is hearing from fans who’ve wholeheartedly thrown themselves into the wee world. They don’t just make dolls using the patterns and directions from the book. They lovingly create characters who act out narratives in a very personal way. When the first edition of the book came out almost 18 years ago, I hoped that once people became comfortable with the process, they would start incorporating their own ideas. And I’m happy to say that this has happened! Today, I will share words and photos from two people who’ve been inspired by the book. One is a college student and the other is recently retired.

Mary R. Black is an 18-year-old from Grand Rapids, Michigan who wrote to say how much enjoyment she has gotten out of making the dolls from the book. She and her sister have been immersed in the wee world for a long time and it was an important part of their childhood. I just love Mary’s unabashed enthusiasm! (At her age, I was still hiding my penchant for dolls and miniatures.) She says, “I also make fairies, but when I started to see how you made normal dolls, I made dolls for my dollhouse too! They are in some ways more fun to make than fairies because of their variety and accessories, don’t you think?”

Mary goes on to say, “I also have started a little fun project at my college by setting up a fairy house at the base of a tree. I have received so many comments on how it brightens up people’s day, which is exactly what I wanted! But one day, to my surprise and extreme pleasure, I found a little gnome store on the other side of the tree!! I was so excited that my project inspired others to be creative too.”

She wrote back to update me with the news that her little character, Aspen had gotten engaged and married to Cypress. By the way, it looks like the happy couple’s hats are acorn caps from a Burr Oak tree.

Thank you Mary Black, for bringing your delightful imaginings to life and sharing them with your friends and us!

I’d also like to show you what Jane Walster from Chehalis, Washington has been doing in her first year of retirement. She writes, “I have been combining your lovely wee folk designs with additional ideas from Karina Schaapman’s Mouse Mansions.” Look at this comfy rustic living room she’s created for her dolls!

If you haven’t seen Karina’s books, you should check them out. And if you’re in Amsterdam, go visit The Mouse Mansion shop and studio, where you can see all of her amazing scenes on display. Friends have told me that seeing them in person is a wonderful experience.

Jean also sent a photo of her version of the Harvest Folk scene in Felt Wee Folk.

I like how the sheep came out, which I assume are based on the one she saw in a post earlier this year (shown left). It’s an animal icon from my upcoming picture book, My Bed: Enchanting Ways to Fall Asleep around the World. You can see the post about making the sheep here.

She writes, “Liberty and Justice is such a brave and creative way to share your artistic talent. I love how you combined the personal and political with a big dose of humor. Your work fills me with hope that as I hone my skills, I will discover my own unique artistic style.”
Thank you for sharing your wee world, Jean!

To keep up with new posts, subscribe to this blog (top right column on the home page). Your contact info will not be shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram.

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