FAQ

salleyfairyhouse

This is a list of the most frequently asked questions about my work. Several subjects come up again and again in the comments on my posts, so I thought I’d devote a whole page to answering them as best I can.

When did you start making fabric reliefs?
I named my work “fabric relief” in about 1980, when people kept asking what it was called. Before this, I made free standing dolls that were photographed in 3-dimensional scenes. In an effort to have my work recognized as art, I decided to convert to a relief format which is displayed under glass, in shadow-box frames. The Way Home, the first of my 11 children’s books illustrated in fabric relief, was published in 1991.

How did you learn this technique?
I am self-taught in embroidery and fiber art and have developed my style and working methods through years of experimentation and practice. I am inspired by 17th century English “stumpwork” or raised embroidery and have figured out my own way of achieving a 3-dimensional effect. I learned about visual communication, color and design as an illustration major at the Rhode Island School of Design (BFA 1978).

Why have you started making political satire? 
I am not by nature a political person, but I believe that speaking out through art is important for the health of our democracy, especially since the 2016 presidential election. To read an interview about the Wee Folk Players (They’re a Stitch), go to this post. In this Interview on WGBH TV, I reflect on my foray into political satire, the abrupt cancellation of my exhibit, “Liberty and Justice” and describe how it has affected my work and life.

Is your studio open to the public?
Not usually, but occasionally I host an Open Studio event. My studio is a private work space and an oasis where I spend most of my time working alone, surrounded by collections of treasures.

Do you have a shop?
Yes, I have an online Etsy Shop which offers printed reproductions of my work on note cards, posters and (autographed) children’s books and how-to books. The shop also sells supplies, including painted doll heads, faux flower petals for fairy skirts and wool fleece fairy hair. Once or twice a year, I make and sell Ltd. Edition Fairies, announcing their availability on Instagram, Facebook and this blog.  

Do you sell your original fabric reliefs?
Some fabric relief pieces, including original illustrations are for sale. I usually handle sales myself and am not represented by a gallery. Prices range from $2,500. to $6,500. Please contact me if you would like a current list of available artwork. I do not make commissioned artwork. My recent larger pieces are not for sale at this time, so that they can be exhibited and enjoyed by many. Exhibits and other events are listed here.

Do you teach classes?
No, I do not teach classes or give workshops. My schedule is full of making art, working on books, organizing exhibits and traveling. My how-to book Felt Wee Folk provides a step-by-step approach to making wee folk dolls, with many examples and patternsTo get an idea of my thoughts on artistic privacy, please read my post to teach or not to teach.

Do you give lectures about your work?
Yes, I enjoy speaking to groups of adults and have given presentations to quilt and embroidery guilds as well as the general public. My illustrated lecture shows the development of my work from early on until the present day, touching on my process and philosophical approach to making art. Please contact me if you would like more information about my fee and availability.

How long does it take to make a fabric relief piece?
It takes about a month to sew the original fabric relief pictures for my children’s books, depending on the size and detail of the illustration. I construct one piece at a time, stitching until it is completed. The characters are made specifically for each piece and not reused multiple times. I spent 3 years making the illustrations for Pocketful of Posies and 2 years for my most recent book, My Bed. Larger pieces, such as Birds of Beebe Woods  and Displaced take several months to stitch.

How many hours a day do you work?
I don’t keep track of the hours, but I work in my studio as much as I can, including the evenings. My husband teases,”When Salley’s not sleeping or eating, she’s working in her studio.” Of course that’s not entirely true, I do get out to exercise, work in the garden, meet friends, cook dinner and sometimes even pay attention to my husband. I like to stay home, working in my studio so much that the idea of “house arrest” doesn’t seem like a punishment to me. 

Do you use a sewing machine?
I only use a sewing machine to make clothes, curtains or pot holders–that kind of thing. My fabric relief pieces are all hand stitched.

Do you have any Blossom fairy kits for sale?
No, I’m sold out of kits, which I made and sold for 10 years, from 1998 – 2008. However, I recently began offering painted doll heads, wool fleece fairy hair and faux flower petals for making fairy skirts and wings in my Etsy Shop.

Will you write any more how-to books?
I will not be writing any more how-to books. A revised edition of Felt Wee Folk, which was first published in 2003 was published in 2015. The popular fairies and other dolls remain and the non-doll felt projects are replaced with new varieties of wee folk characters and more doll-making tips. This all-doll version has a new cover and more pages than the first edition. It  features many new projects for seasoned wee folk makers as well as yet-to-be converts, who are just beginning to learn how to wrap pipe-cleaner limbs. The book, titled Felt Wee Folk – New Adventures: 120 Enchanting Dolls was released by C&T Publishing. Copies ordered from my Etsy Shop have extra goodies; autograph, faux flowers to make 2 fairies and a note card. The original edition, Felt Wee Folk: Enchanting Projects (including bonus fairy skirts and wings) will continue to be available from my Etsy ShopUpdate: To read my thoughts about artistic privacy, go to this blog post, To teach or not to teach.

May I make and sell dolls from your how-to book?
Many people make fairies and dolls based on my designs. I cannot give permission to use my designs for personal profit, but It is alright with me if individuals sell the dolls on a limited basis, if the profits go to charity. Please give me credit on a tag or in the online description of the dolls. 

A note about my new book, Felt Wee Folk: New Adventures:
I aim to protect the copyright of new techniques and patterns that are included in this follow-up edition.

Do you sell your dolls?
I do not sell one-of-a-kind dolls. Every once in a while, I offer a Ltd. Edition of 25 dolls in my Etsy Shop.

What kind of felt do you use?
Most of the felt in my recent fabric relief pieces is plant-dyed wool felt produced by Heavenly Hues Wool Studio. They have changed ownership and their online Etsy shop was empty the last time I checked.  A Child’s Dream sells a nice selection of wool felt. They also offer a craft supply basket, full of practically everything you need to make doll projects form my new how-to book, Felt Wee Folk – New Adventures. 

Will you exhibit your work in my area?
Viewing my embroidered pieces is a completely different experience than seeing them in printed form. Therefore, I would like to create more opportunities for the public to see them “in person”. This requires invitations directly from venues. You can help by encouraging your local museum to show my work. A national tour of the original illustrations from my new picture book, My Bed:  Enchanting Ways to Fall Asleep around the World (HoughtonMifflin) is underway. The exhibition, “Salley Mavor: Bedtime Stitches” is booked at 6 museums, with availability beginning in June 2023. Interested museums with funding for shipping the framed artwork to and from Massachusetts are welcome to contact me for information about hosting the exhibit. 

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram

Recent Posts

Doll house stories (part 1)

This past summer, I renovated my 45 year old doll house, to get it ready to display in my exhibition, “Bedtime Stitches”, which is on view at the Cahoon Museum in Cotuit, MA through Dec. 22, 2020.

In addition to showing the original illustrations for my new picture book MY BED, the Cahoon Museum is displaying many rarely seen creations from my art school days to the present, including this doll house. These extra items are only included in the Cahoon Museum show and will not travel in the touring exhibition.

There are so many pictures and stories to tell about redecorating, re-wallpapering and re-upholstering furniture for the house, that I’ll be writing several posts about it. I thought I’d begin by giving a little history of when it was first constructed and how it’s been used up until now.

I built the doll house in the summer of 1975, after taking a wood working class. I can remember using my father’s tools and workbench and later obsessing over the wall paper choices and other architectural details. To me, this was just another art project, but I knew enough not to talk about it with people who wouldn’t understand how a 20 year old young woman would rather construct and decorate a doll house than go out partying.

in subsequent years, the doll house has moved around with my family and me, from house to house, along with all of our other stuff. For a long time it sat neglected in the corner and my boys weren’t interested in playing with it. Then, a few years ago, my interest was renewed when some real live children visited my studio and made a beeline for it.

I looked at the house with new eyes and decided to spiff it up. I added some green molding here and there and painted leafy branches on the plain pink gable.

An opportunity to display the house at Highfield Hall’s Holiday event came up, so I decked it out in a Christmas theme. I went through my old family Christmas ornaments and spun cotton Santas and set them up in the rooms, together with the doll house family. There were Santa’s hanging out everywhere – even in the bathtub and sitting on the toilet. I found miniature lights and pine boughs at Michael’s and strung them up. To keep eager fingers out of the rooms, I covered the openings with Plexiglas. People really got a kick of peeking inside!

The house was also used in a photographic set-up that shows the doll house family project in my how-to book, Felt Wee Folk – New Adventures.

Then, after the 2016 election, the Wee Folk Players theater troupe took over the house and staged their series of politically satirical scenarios. They ruthlessly rearranged the furniture and transformed the rooms into the White House and a Royal Palace, among other set-ups.

Women’s March

The doll house, along with characters from the Wee Folk Players was part of my exhibition, “Liberty and Justice” at the New England Quilt Museum in 2018.

During their month’s-long occupation, the theater troupe pretty much trashed the place, so when another opportunity to show the doll house came up this year, I decided to fix it up first. Stay tuned for more stories about the renovation.

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram

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