FAQ

salleyfairyhouse

FREQUENTLY ASKED QUESTIONS
This is a list of the most frequently asked questions about my artwork. Several subjects come up again and again in the comments on my posts, so I thought I’d devote a whole page to answering them as best I can.

When did you start making fabric reliefs?
I named my work “fabric relief” in about 1980, when people kept asking what it was called. Before that, I made free standing dolls that were photographed in 3-dimensional scenes. In an effort to have my work recognized as art, I converted to a relief format that is displayed under glass, in shadow-box frames. The Way Home, the first of my 11 children’s books illustrated in fabric relief, was published in 1991.

How did you learn this technique?
I am self-taught in embroidery and fiber art and have developed my style and working methods through 50 years of experimentation and repetitive practice. I am inspired by 17th century English “stumpwork” or raised embroidery and have devised my own way of achieving a 3-dimensional effect. I learned about visual communication, color, and design as an illustration student at the Rhode Island School of Design (IL 1978).

How long does it take to make a fabric relief piece?
It takes about a month or two to stitch the original fabric relief pictures for my children’s books, depending on the size and detail of the illustration. I construct one piece at a time, stitching until it is completed. The characters are made specifically for each scene and not reused multiple times. I spent 3 years making the illustrations for Pocketful of Posies and 2 years for my most recent book, My Bed. Larger pieces, such as Birds of Beebe Woods  and Displaced take several months to stitch.

Do you teach classes?
No, I do not teach classes or give workshops. My schedule is full of making art and organizing exhibitions. My how-to book Felt Wee Folk provides step-by-step instructions for making wee folk dolls, with many examples and patterns. To learn my thoughts about sharing knowledge and artistic privacy, please read my post to teach or not to teach.

How many hours a day do you work?
I don’t keep track of the hours, but I work in my studio as much as I can, just about every day. My husband Rob teases, “When Salley’s not sleeping or eating, she’s working in her studio.” Of course that’s not entirely true, I do get out to exercise, work in the garden, meet friends, cook dinner and pay attention to my family. 

Are there videos of your stitching methods?
Yes, I’ve filmed Stitch Minutes (short demonstration videos) that show close up views of my hands stitching various parts of my artwork. They are meant to be inspirational more than instructional, like a peek over my shoulder while I work. You can view them in my posts and on the Videos Page.

What kind of felt do you use?
Most of the felt in my recent fabric relief pieces is plant-dyed wool felt produced by a now defunct cottage business. However, A Child’s Dream sells a nice selection of wool felt to make doll projects from my how-to book, Felt Wee Folk – New Adventures. Find information about wool felt suppliers here.

Do you have a shop?
Yes, I have an online Etsy Shop which offers printed reproductions of my work on note cards, puzzles, posters and (autographed) children’s books and how-to books. I do not do commissions and my original pieces are not for sale.  

Do you sell your original fabric reliefs?
My original pieces are no longer available for sale. I have made the decision to retain all works currently in my possession. By holding on to these pieces, I am keeping them in circulation, ensuring that there is a well-rounded, representative body of work ready for exhibition purposes. This way, I can maintain a collection that accurately reflects my artistic vision and creative journey. Printed reproductions of my work are available in my Esty Shop. Exhibitions and other events are listed here.

Will you write any more how-to books?
I have no plans to write any more how-to books. A revised edition of Felt Wee Folk, which was first published in 2003 was published in 2015. The popular fairies and other dolls remain and the non-doll felt projects are replaced with new varieties of wee folk characters and more doll-making tips. This all-doll version has a new cover and more pages than the first edition. It features many new projects for seasoned wee folk makers as well as new converts, who are just beginning to learn how to wrap pipe-cleaner limbs. The book is titled Felt Wee Folk – New Adventures: 120 Enchanting Dolls  (C&T Publishing). Copies ordered from my Etsy Shop have extra goodies; an autograph, and faux flowers to make 2 fairies. Update: To read my thoughts about artistic privacy, go to this blog post: To teach or not to teach.

May I make and sell dolls from your how-to book?
Many people make fairies and dolls based on my designs. I cannot give permission to use my designs for personal profit, but individuals may sell the dolls on a limited basis, if the profits go to charity. Please give me credit on a tag or in the online description of the dolls. 

A note about the new edition of Felt Wee Folk: New Adventures:
I aim to protect the copyright of new techniques and patterns that are included in this follow-up edition.

Do you sell your dolls?
In general, my wee folk dolls are not for sale, nor do I do commissions. However, from time to time, I offer limited editions of fairies, depending on my work schedule.

Will you exhibit your work in my area?
People who come to exhibitions of my work frequently talk about how seeing my embroidered pieces in person is a completely different experience than seeing them online or in printed form. Therefore, I would like to create more opportunities for the public to view them “in person”. You can help by encouraging your local museum to show my work. Inquiries from museum directors and curators about showing my work are welcome. For information about hosting an exhibition, please contact me via the from below. See my exhibition schedule here.

Is your studio open to the public?
Not usually, but occasionally I host an Open Studio event. My studio is a private work space and an oasis where I spend most of my time working alone, surrounded by collections of treasures.

Do you use a sewing machine?
I only use a sewing machine to make clothes, curtains or pot holders–that kind of thing. My fabric relief pieces are all hand stitched.

Do you have any Blossom fairy kits for sale?
No, I’m sold out of kits, which I made and sold for 10 years, from 1998 – 2008. However, patterns and instructions to make a wide variety of wee folk dolls can be found in my how-to book Felt Wee Folk.

Why have you delved into making political satire? 
I am not by nature a political person, but I believe that using art to explore what is happening in America is important for the health of our democracy, especially since the 2016 presidential election. To read an interview about the Wee Folk Players (They’re a Stitch), go to this post. In this Interview on WGBH TV, I reflect on my foray into political satire, the abrupt cancellation of my exhibit, “Liberty and Justice” and describe how it has affected my work and life.

← Back

Blog Visitor message

To keep up with new posts, please subscribe to this blog. Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram

Recent Posts

MY BED travels to San Diego, California!

Detail of Afghanistan illustration from My Bed: Enchanting Ways to Fall Asleep Around the World

I’m thrilled to share the news that the Mingei International Museum in San Diego, California will host a show of the original stitched illustrations for my picture book MY BED. I’m honored to have my work exhibited in such a prestigious location in the heart of the Balboa Park Cultural District.

MY BED: Enchanting Ways to Fall Sleep Around the World
Mingei International Museum, San Diego, California
Oct. 31 , 2026 – April 18, 2027
Artist Talk ~ Sat., Nov 14, 10:30 am
Please register Here.

MY BED ~ a book and an exhibition
The MY BED book and its accompanying exhibition both bring people on an international journey, showing children in varying cultures and home environments around the world. The exhibition, however, offers something extra that the book alone cannot possibly provide. It delivers an immersive experience where viewers can peer into these worlds and take a close look at the detail and sculptural quality of my bas-relief artwork in person.

Southern Vermont Art Center, 2023

Since its debut in 2020 at the Cahoon Museum of American Art in Cotuit, Massachusetts, the MY BED exhibition has traveled to more than a dozen large and small museums around the country, giving thousands of viewers the opportunity to see my original hand-embroidered, three-dimensional tableaus.

In many ways, having my work shown at the Mingei is a dream come true! This gem of a museum has been on my radar for a while, ever since a fan suggested it as a possible venue for my artwork. With its focus on folk art, craft and design, she thought it would be a perfect match. Now that I’ve had a chance to work with their curator and staff, I couldn’t agree more.

I’m looking forward to traveling to the museum in a few weeks to see the show. I’ll also be giving an artist talk on Sat., Nov. 14 at 10:30 am. If you live in the area, I’d love to meet you there. Please register for the talk here.

Will the MY BED exhibition continue to tour? I’d love to keep it going, so that more people can experience the joy that comes with seeing these pieces in person. Even though I’m no longer actively seeking out new locations, I still welcome inquiries from museums and curators interested in hosting an exhibition. For news about current and upcoming shows, please visit the exhibition page.

Packing the framed artwork for MY BED before shipment.

Each time I pack up the pieces for shipment to the next venue, I’m grateful to my husband Rob for making the beautiful cherry wood shadowbox frames that protect my art. In fact, over the past 45 years, he’s made hundreds of these frames! I also appreciate the curators, designers, docents, and everyone else who has helped make these exhibits a success.

BED BOOK PEEK: Below is a small sampling of the dozens of posts chronicaling the process of making MY BED during the years long process. For a complete list with links, visit this page.

A few days ago, I had the pleasure of meeting (via Zoom) with an enthusiastic group of Mingei Museum docents who will be leading tours of my exhibition. After giving an overview of my life’s work that I hoped would provide some useful information they could pass on to visitors, I fielded questions. The kind of subjects they asked about were specific and insightful, like how do you explain bas-relief to a general audience of museum goers? As I struggled to come up with a simple answer, I came away with a renewed admiration for people who volunteer to be docents. Their mission of explaining and interpreting art is no small task! The following slide show includes some of the process photos I shared with the group:

Assembling parts on an illustration for MY BED.

UPCOMING EXHIBITIONS of Salley Mavor’s Art:

Weaving Words: Fiber Arts and Picture Books
The Eric Carle Museum of Picture Book Art, Amherst, MA
November 21, 2026 – May 2, 2027
This group exhibit explores the connection between fiber arts and picture books. Among the 30 featured artists is Salley Mavor.

Natural Wonders: The Art of Salley Mavor
Cahoon Museum of American Art, Cotuit, MA
July 21 – December 19, 2027
This solo exhibit is a celebration of nature, imagination, and the passage of time.

The picture book, MY BED: Enchanting Ways to Fall Asleep Around the World is available worldwide through booksellers (published by HarperCollins ISBN 978-0-544-94906-5). Autographed copies are sold in my shop here.

To keep up with new posts, please subscribe to this blog. Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram.

Posted in Uncategorized | 1 Reply
  1. Polly visits Colonial America 2 Replies
  2. A Banner for Catherine 9 Replies
  3. Sapphire – New Ltd. Edition Fairy 6 Replies
  4. The Teaching Dilemma 6 Replies
  5. Hendrix Baby Banner 2 Replies
  6. Why I Love Wool Felt 7 Replies
  7. The 3D Appeal of Stumpwork 13 Replies
  8. Baby Banner – Laurel 3 Replies
  9. Springtime in Mossy Glen Playsilk 1 Reply