Over the past few months, I made Cover Up (24 x 30), the newest piece in an evolving portrait series. I’m in the process of writing more posts about the making of Cover Up, which will be published soon, but, I wanted to send out a preview first. It was an engrossing project that kept me busy all through the cold snowy days of winter. Cover Up depicts women wearing cultural, national, and religious forms of head coverings and tribal markings. The portraits reflect notions of female modesty, fashion, status and conformity from different times and places.
Because of the multitude of hard to see little portraits, I decided that the finished piece (shown above) wouldn’t translate well into a reduced sized poster format. Instead, I chose to feature a selected group of women, with their photos juxtaposed in a grid. Each head is enlarged 200%, so that you can take in the details and essence of the person. The 12 x 17 poster (shown below) is available in my Etsy Shop here.
In this series, which includes Face Time and Whiskers, I’ve focused on bringing to life different people from around the world, using themes of history, style and cultural identity. In each piece, head and shoulder busts peek out of “cameo” framed holes. Their faces are painted 20mm wooden beads, with wigs and adornments, similar to the doll heads in my how-to book Felt Wee Folk – New Adventures. These 3 pieces will be included in my exhibit Intertwined – Needle Art of Salley Mavor at the Bristol Art Museum, Bristol, RI, Sept. 16 – Oct. 30, 2016.