LIBERTY and JUSTICE: A Cautionary Tale in the Land of the Free
What happens when a pair of lost citizens wander in the deep dark woods in search of a new leader? In this satirical take-off of the traditional folk tale, “Hansel and Gretel”, the wordless story follows protagonists Liberty and Justice as they negotiate the challenges of today’s unique political landscape, while being shadowed by a persistent Twitter bird. The 13 min. movie is at the end of this post.
The film features an ensemble of old and new cast members from the Wee Folk Players theater troupe, who formed soon after the 2016 election. Other posts about the Liberty and Justice animation project include “Liberty and Justice” in process, All that Glitters, America First Lady, stop-motion in action and Animated Film Logo. In this interview, I reflect on my foray into political satire and describe how speaking out through art has affected my work and life.
After about a year filming in the basement, where our animation stage is set up, my husband Rob Goldsborough and I are thrilled to share the fruits of our labor! It’s the first large joint artistic/technical venture we’ve undertaken in almost 40 years together. We used stop-motion animation to create the narrative, spending countless hours manipulating and photographing the characters and props so that they appear to move on their own when the series of frames is played in fast sequence.
We each had our field of expertise – I made all of the dolls and scenery and did the animating, while Rob contributed his talents in photography, lighting, computers and editing. Rob, a retired engineer from the Woods Hole Oceanographic Institution has had a life-long interest in photography and film-making. He and I have wanted to bring my wee folk characters to life through animation for many years – we just needed a compelling reason to jump in.
For a framework, I drew a basic story board that grew and developed over time. Every night at dinner, we discussed ideas for different camera angles and how we were going to film the next shot. What was supposed to be a fun summer adventure, ended up becoming a big part of our lives for a whole year! The more we learned, the more invested we became in the project. Luckily, we are both detail oriented and not very chatty, so spending hours on end in silent concentration, filming what would become 5 to 20 sec. scenes was not a problem. I calculated that at 24 frames per second, our 13 min. 32 sec. animation is made up of almost 20,000 individual photographs. Even though the project was incredibly time consuming, we loved working this way and would like to make more animated films in the future. But right now, I have to get back to working on a new children’s book, which you can see progressing here.
A highlight of the project has been finding and working with the musicians who produced the original score for the movie. Rob and I filmed about 100 silent scenes, knowing all along that music and sound effects would be an integral part of the finished film. Through friends, we were lucky to connect with Matthias and Carla, a local Woods Hole couple who specialize in this kind of work. I mean, what are the chances of us living just a few miles from each other in a small town on Cape Cod?
We are thrilled with what they’ve created for the soundtrack! They took our movie and ran with it, blending together many layers and styles into a carpet of sound that propels the story along, creating the right mood for each scene. Their sound production company, Stellwagen Symphonette, creates evocative instrumental music for radio, film and computer games. Drummer and pianist Matthias Bossi, violinist Carla Kihlsted and guitarist and engineer Jon Evans bring together many years of experience writing, performing and recording music. If you listen to NPR, you’ve heard their music embedded in stories from time to time. Their clients include This American Life, The Moth Radio Hour, Atlantic Public Media, Transom.org and Frontline Dispatch.
We hope you enjoy watching the movie!
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