This is the first post in a series that will show what my artwork looks like Behind the Glass. I’ve had to accept that UV glass is a necessary barrier that protects my embroidery from dust, bugs, light, and probing fingers. But, since these loaned pieces were temporarily removed from their frames in preparation for my upcoming exhibition, I was able to get up close to take photos from different angles.
For the past few weeks, I’ve been gathering my embroidered artwork from local collectors who are generously loaning their pieces for my upcoming exhibition, Salley Mavor: Once Upon a Thread at the Cape Cod Museum of Art (Dec. 12, 2019 – Jan. 16, 2020). The retrospective exhibition will include original illustrations from my picture books, from the first (The Way Home,1991) to the latest (Pocketful of Posies, 2010). Between the borrowed ones and others that I’ve kept, there will be lots of original pieces on display, with a dozen titles represented. This show will be an opportunity for visitors to see the detail and 3-dimensional quality of my artwork in person and also view pieces from private collections that are rarely shown in public.
Close-up photos of illustrations for my first 3 books are shown in this post: The Way Home (1991), Come to My Party (1993) and Mary Had a Little lamb (1995).
Luckily, many of the collectors who bought pieces in the early days live nearby, so it’s fairly easy to round up enough work to display. At this point, I should have 4 spreads from Mary Had a Little Lamb, the most that have been together for over 20 years.
People ask how I can sell my originals, because of the amount of work that goes into them. The simple answer is – it’s not hard to let them go. For me the joy comes from making more than having. It’s good to spread them around! There are practical considerations as well. Selling originals is how I’m paid for my work, since book royalties aren’t much. I also need to clear space to fill with new art, both physically and mentally. That said, I’ve kept pieces that have a special meaning and I’m holding onto some of my newer pieces, so that they are available to exhibit. The original illustrations for my upcoming picture book, My Bed: Enchanting Ways to Fall Asleep around the World will eventually be offered for sale, after the touring exhibition, Salley Mavor: Bedtime Stitches.
Mary Had a Little Lamb
Judy Richardson loaned me her 2 pieces, one from each of the 2 books she wrote and I illustrated: The Way Home and Come to My Party. Read the series of posts about our adventures in children’s book publishing here.
The Way Home
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