PART 2 – Architecture: This series is about making the illustration at the end of my new picture book, My Bed. It’s a cut-away view of a sleeping child, surrounded by souvenir animals from the places around the world that the book travels through. Looking at it now, the child’s one room house filled with animals reminds me of a favorite children’s book character, Pippi Longstocking, who lived an exciting self-sustaining life with a monkey and a horse. Of course, My Bed is a completely different kind of story, but those kind of connections make perfect sense to me.
Today, the focus will be on how I put together the outside architectural elements of the house, including the doorway and the roof. Everything was made with wool felt, with wire reinforcements.
As always, I blanket stitched around the outside edge of each felt piece. My motto could be, “When in doubt, blanket stitch.” The little dashes all lined up make the different parts stand out, like crosshatching with a pen. I added a layer of wire around the outside, giving the felt some stability, so it wouldn’t be too floppy. You can’t see the wire because it’s covered with brown whip stitches. Then, I decorated the felt “board” with a chain stitched curvy line.
This is the roof section, which I built up to about 1/2″ with layers of felt. I wanted to create a 3-dimensional structure that clearly separated the outside from the inside space.
To make roof tiles, I sewed together a line of rough cut shell beads.
Then, I sewed the string of beads along the rooftop and crowned the top with a clay bead.
The door is made with 2 layers of felt, all blanket stitched. My goal was to soften the hard edges and make the building parts look sturdy and wobbly all at the same time.
The door knocker is a hook and a bead and the door knob is button and a bead.
I made the light out of a hook, a bead and some kind of bobble I’ve had for ages.
Now that we’ve looked at the outside, let’s take a peek inside next time, shall we?
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When researching the yurts or gers in Mongolia, I was impressed with the bold and beautiful doors. They are made of wood panels painted with traditional geometric motifs in predominately primary colors. For my design, I referenced several doors I saw in photos, combining the squares and triangles to make a pattern I liked.
SALLEY MAVOR 