bed book peek – Ghana (part 2)

This is Part 2 in a series of posts about how I made the stitched bas-relief scene set in the West African country of Ghana. The piece will be reproduced in my upcoming picture book, MY BED: Enchanting Ways to Fall Asleep around the World.

Here are links to posts showing other finished illustrations for the book: South America, JapanIndiaAfghanistanRussiaNorth AfricaNorth AmericaScandinavia and Iran. To see a list of all my books, click here.

Update: My Bed can now be pre-ordered in my shop here. It’s release date is in Sept. 2020 and people have asked if they can pre-order autographed copies ahead. So, if you put your order in now, I’ll have a better idea of how many copies to get. The book will be shipped to you as soon as it arrives!

In Part 1, I showed the process of making the house and the small figure in the background. Now, I will concentrate on the house and child in the foreground.

Way back in the beginning, after my sketches were approved by Houghton Mifflin’s editorial team and before I started working on the finished scenes, I made heads of all of the children who would inhabit the pages of the book. I wanted to meet the children before embarking on what I knew would be at least a 2 year commitment. After falling in love with them, it didn’t matter how long it would take to make the places they call home.

Except for the fingers and toes, the children’s bodies are basically made the same way as the dolls in my how-to book, Felt Wee Folk. I painted their faces on wooden beads and made wigs by gluing on a piece of felt to the crown of the head, which acts as a needle friendly surface to sew on thread hair.

I dressed the Ghanaian boy in cotton shorts and a shirt.

He needed a woven sleeping mat, so I blanket stitched rows of “weaving’ on a piece of felt with variegated pima cotton thread.

To help make it look like the boy is inside the porch, I built a 1/2″ deep box out of balsa wood that I covered with felt. I’ve also used this method in other scenes for the book to create more depth, such as the inside of the house boat in the scene from Holland. It takes advantage of the space inside the stretcher, behind the background fabric. The box is inserted in a hole cut out of the stretched fabric. Objects recede (about 1/2″), as well as protrude (about 3/4′), making the piece more spatially dynamic.

To replicate the stone and mud texture on the house, I appliqued pieces of felt with blanket stitches. For extra structure, the window frame is outlined with wire.

I also chain-stitched spirals to look like stones in the wall and sewed a row of over-lapping bone bead shingles to the roof.

I stitched silk ribbon on felt to create the texture of a straw roof for the porch.

I made a mud and stone wall out of felt to go along the back of the property.

This photo gives an idea of how the box in the porch area recedes.

In future posts, I will show the process of making plants, the shade tree, the bird, and other parts of the scene.

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram.

Polly travels close to home

Always patient and quiet, Polly Doll has been standing watch in the studio for almost a year, wondering what her next adventure will be. Since she came into being in 2012, she’s been all over the place, sporting a new outfit for each location. To see her complete travel log and wardrobe, go here.

Times being what they are, Polly has opted to stay close to home and explore the coming of Spring just outside her front door. It’s been the most hassle-free kind of travel without the usual plane, train, car or boat rides. She didn’t even bother with coming up with a new outfit, but mixed and matched clothing from previous trips. Though, she did spiff up her straw hat with silk ribbon flowers, in honor of the season.

Polly has been exploring the lawn and has taken an interest in the vegetable garden, especially the pea plants, which are as tall as she is.

She took this opportunity to go through her wardrobe and air her skirts and tops outside.

There was a perfect spot under a tall oak tree to set up the clothes line.

Staying close to home has its advantages, like the convenience of having all the necessary equipment close by for photo shoots. Polly liked having her picture taken so much that she posed for a series of environmental photographs, which are immortalized on note cards.

POLLY NOTE CARDS

Polly is featured in a series of note cards, which are available in my shop here.
Free shipping in the USA.
Polly in the Periwinkle – 4 note cards – $10.00 – Buy Here
Polly in the Daffodils – 4 note cards – $10.00 – Buy Here
Polly’s Washing Day – 4 note cards – $10.00 – Buy Here
6 Card Variety Pack – $14.99 – Buy Here

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram.

a virus-free wee world

Fairy_Family-1767-2

Are you wondering what to do while you’re hunkered down at home, staying away from crowds?  I must admit that the concept of “social distancing” isn’t very different from my normal life, so it’s not much of an adjustment. But, I realize that closed schools and work places, as well as travel and event cancellations, is a hardship for many of you. So, to help keep your mind off the worrisome situation, how about immersing yourself in the virus-free fairy and wee folk world? In this post you will find a source list of materials to make projects from my how-to book, Felt Wee Folk. There are also lots of photos and videos that I hope will inspire you to make your own wee world!

When I posted this idea on Instagram, several people, including a self-described introvert, commented that they were already in making mode:

  • “‘I adore your wee felt folk book and actually hunkered down yesterday and made a little jester. I’ve decided to make more to give to friends during this crazy time💕
  • ‘What a lovely idea! I admit, I’m more worried about craft supplies than toilet paper.”
  • “Introvert here reporting from a cozy studio! I secretly love a good excuse to stay in. I’ve got your book and will be making some fairies while we bunker down!!” 

Many of the supplies needed to make the dolls, such as embroidery floss, paint, brushes, unvarnished wood beads, pipe cleaners and faux flowers can be found at craft stores. Online sources for the book, wool felt, acorn caps, and other materials are listed below:

Felt Wee Folk: New Adventures, with bonus playing cards and flower skirts & wings

I’m keeping my Etsy shop stocked with wool fleece fairy hair and flower skirts & wings.

The dolls and their clothing are portable, so you can bring them where ever you want to settle in.

This is my work table on a random day, the way it really looks.

My Work Table on a random day

I made the Frost Family for a benefit raffle a few years ago. See more details here.

This is a little experimental video from a few years ago.

Of course, all of the dolls pictured in this post were made years ago and the raffles are long past. I just wanted to show you a variety of possibilities.

The Oakley Family was made for another benefit raffle. See the process of making them here.

And yet another fairy family raffle, which you see in more detail here.

I hope that the wee folk help keep your spirits up through this ordeal. Please stay safe!

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram

the Greta effect

Greta-1-31

Ever since learning about Greta Thunberg, the 17 year-old Swedish environmental activist, I’ve wanted to make a wee folk version of her. But, the idea of making such an inspiring public figure into just a cute little doll with braids didn’t seem like enough to do her justice. Greta symbolizes the upcoming generation who will experience climate change much more profoundly than people my age and they must be heard. I kept thinking that the real Greta would not like being turned into a passive fetish object, without her strong message and a call to action. So, I figured out a way to both depict her likeness and quote her, while also supporting the issues she is calling attention to.

After making the Greta doll, I set out to photograph her outside in a natural setting. The aim was to take a photo that would have room to incorporate one of her famous quotes. So, on a recent beautiful day, Rob and I went around the corner to Woodneck Beach. The conditions were perfect! The low tide created an interesting landscape and the late afternoon sun gave off the kind of warm glow that photographers can only wish for. The result was the image below, which we are making into prints to sell as a fundraiser for climate science research.

Greta_Quote_6_a_low
8.5″ x 11″ archival print for sale to benefit climate research

BUY PRINTS and NOTE CARDS and support CLIMATE SCIENCE RESEARCH:
The image of Greta Thunberg with her quote is available for sale in my shop HERE. All profits will go to the Woods Hole Research Center, a leading source of climate science that drives the urgent action needed to solve climate change.
____________________________________________________________
Set of 4 Note Cards – $10.00 – Buy here.
Set of 10 Postcards – $10.00 – Buy here.
8.5″ x 11″ Archival Print – $15.00 – Buy here.

Woods Hole Research Center is an organization of renowned researchers who work with a worldwide network of partners to understand and combat climate change. They have been focused on climate change since it first emerged as a pubic policy issue 35 years ago. Headquartered in Falmouth, MA, they currently work in more than twenty countries around the globe – from the Amazon to the Arctic. World-class science is the foundation of everything they do. They share their learning with scientific colleagues, lawmakers, private sector leaders, and the public in order to turn knowledge into far-reaching action. For more information, visit whrc.org


The Greta Effect Animation
During the process of making the Greta doll, the partially made pipe cleaner body sat on my work table, looking at me in an intense way. I thought, we have to film her doing just that! So, Rob and I made this short animated film, “The Greta Effect”.

The following photos show the process of making the Greta doll and the video:

To paint a likeness on the round wooden bead, I referred to photos of Greta. In this small scale, I was limited to a few brush strokes to make her face recognizable.

Greta-1-18

With the exception of a few added details, the Greta doll is made with the same basic techniques that are taught in my how-to book, Felt Wee Folk.
After painting the face, I glued a felt wig to the bead head and let it dry. Then, I stitched embroidery floss hair to the felt, which provided something for the needle to grab onto. It was fun to make her tell-tale braids.

Greta-1-30

This photo gives you an idea of how her hands were made.

Greta-1-20

Partway through the process, we filmed the Greta doll sitting on my work table, turning her head to look straight out at the viewer, as if to say, “I’m looking at you!”.

Greta-1-24

It took 2 tries to do the animation because I messed up the first attempt by kicking the tripod. We started over the next day.

Greta-1-23

Even though the scene is only 11 seconds long, it took all day to animate. In addition to my turning the doll’s head incrementally, Rob manually rotated the camera and moved it along the slider, one frame at a time (24 frames per second). It brought back memories of our year in the basement, filming Liberty and Justice.

Greta-1-22

Then it was time to make her clothing. I made her pants and shoes and…

Greta-1-25

a zippered anorak out of pink felt….

Greta-1-26

sewing it in place, so that it’s never coming off!

Greta-1-27

Who knows if the real Greta will ever see this, but if she does, I hope that she approves of using her image and quote to support climate science research. Again, prints and not cards may be purchased in my shop HERE. If you live in the local Falmouth, MA area and want to avoid having the print sent in the mail, please contact me via e-mail so we can arrange a pick up time.

Greta-1-28

To keep up with new posts, subscribe to this blog (top right column on the home page). Your contact info will not be shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram.

create your own wee world

Felt Wee Folk: New Adventures (2015)

One of the most rewarding parts of writing my book, Felt Wee Folk is hearing from fans who’ve wholeheartedly thrown themselves into the wee world. They don’t just make dolls using the patterns and directions from the book. They lovingly create characters who act out narratives in a very personal way. When the first edition of the book came out almost 18 years ago, I hoped that once people became comfortable with the process, they would start incorporating their own ideas. And I’m happy to say that this has happened! Today, I will share words and photos from two people who’ve been inspired by the book. One is a college student and the other is recently retired.

Mary R. Black is an 18-year-old from Grand Rapids, Michigan who wrote to say how much enjoyment she has gotten out of making the dolls from the book. She and her sister have been immersed in the wee world for a long time and it was an important part of their childhood. I just love Mary’s unabashed enthusiasm! (At her age, I was still hiding my penchant for dolls and miniatures.) She says, “I also make fairies, but when I started to see how you made normal dolls, I made dolls for my dollhouse too! They are in some ways more fun to make than fairies because of their variety and accessories, don’t you think?”

Mary goes on to say, “I also have started a little fun project at my college by setting up a fairy house at the base of a tree. I have received so many comments on how it brightens up people’s day, which is exactly what I wanted! But one day, to my surprise and extreme pleasure, I found a little gnome store on the other side of the tree!! I was so excited that my project inspired others to be creative too.”

She wrote back to update me with the news that her little character, Aspen had gotten engaged and married to Cypress. By the way, it looks like the happy couple’s hats are acorn caps from a Burr Oak tree.

Thank you Mary Black, for bringing your delightful imaginings to life and sharing them with your friends and us!

I’d also like to show you what Jane Walster from Chehalis, Washington has been doing in her first year of retirement. She writes, “I have been combining your lovely wee folk designs with additional ideas from Karina Schaapman’s Mouse Mansions.” Look at this comfy rustic living room she’s created for her dolls!

If you haven’t seen Karina’s books, you should check them out. And if you’re in Amsterdam, go visit The Mouse Mansion shop and studio, where you can see all of her amazing scenes on display. Friends have told me that seeing them in person is a wonderful experience.

Jean also sent a photo of her version of the Harvest Folk scene in Felt Wee Folk.

I like how the sheep came out, which I assume are based on the one she saw in a post earlier this year (shown left). It’s an animal icon from my upcoming picture book, My Bed: Enchanting Ways to Fall Asleep around the World. You can see the post about making the sheep here.

She writes, “Liberty and Justice is such a brave and creative way to share your artistic talent. I love how you combined the personal and political with a big dose of humor. Your work fills me with hope that as I hone my skills, I will discover my own unique artistic style.”
Thank you for sharing your wee world, Jean!

To keep up with new posts, subscribe to this blog (top right column on the home page). Your contact info will not be shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram.

Euphoria – Ltd. Edition Fairy

I’d like to introduce EUPHORIA, the newest Ltd. Edition Fairy. The group of 25 dolls have been traveling around with me for several months and finally they are all dressed, coiffed and winged! The fairies will be ready to fly off from my Etsy Shop to their new homes on Saturday, Sept. 7, 2019 at 10 AM (Eastern US time). They will be sold on a first come, first served basis. Sorry, no reservations ahead of time. I realize that the hour of the day is in the middle of the night for those of you on the other side of the world, but I can’t figure out how to make it perfectly fair.

Despite my intention to move on, I haven’t weaned myself entirely from making fairies. It’s a nice relaxing, portable activity when traveling. I’ve had to put limits on myself at home or else I would make them all the time, instead of pushing myself to do new work. 
And besides, I have to maintain the first “P” in my new slogan:
From Precious to Poignant to Provocative.

So, 1 or 2 times a year, I complete a group of 25 dolls and offer them in my Etsy Shop. They’re basically the same fairies from my how-to book of dolls, Felt Wee Folk – New Adventures. To see EUPHORIA and the other ltd. edition fairies in the archives, click here.

The only potentially messy part is gluing on their hair and acorn caps, so I usually do that in my studio. The hair is wool fleece, which is available in a multi-colored “fairy hair” sampler in my Etsy Shop. There’s also an assortment of faux flower petals to use for fairy skirts and wings in the shop here.

EUPHORIA is 3 3/4″ tall, with a dark brown complexion, black hair, acorn cap hat, hand embroidered wool felt tunic and petal skirt. Each doll is one of a limited edition of 25 look-alike fairies. They each sell for $85.00 and come with a signed and numbered name tag.

To enter my shop, click here. EUPHORIA will be added on Sept. 7, 2019 at 10 AM. Please know that the Ltd. Editions sell out very fast, so if you really want one, be ready. Good Luck!

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram

Horn Book Cover

This is an edited and republished version of a post that was first written in 2012.

The Jan/Feb 2012 issue of The Horn Book Magazine is out, with my illustration on the cover. This issue has many wonderful articles and book reviews, including the 2011 Boston Globe-Horn Book Award speeches, which were delivered at the colloquium on Sept. 30th, 2011. As an award recipient for Pocketful of Posies, I had the honor of illustrating a cover for the magazine. You can find out more about my award here.

Read on to see the process of making the cover illustration, which I worked on for about 6 weeks this past summer. The original size of the scene is about 12″ wide and 18″ high. I first found a twisted vine to use as the central tree and made a sketch with the Horn Book logo and child characters. I then drilled holes on the vine where wire branches would go.  

To form the branches, I covered wire with felt and embroidered them to match the real vine/tree trunk. This coiled branch has thread-wrapped wire thorns attached.

The Horn Book logo was rendered in wire branches and found objects. For one of the O’s, I sawed the back of a walnut-shell, so that it would lay flat and not stick out too much.  The O in the word Horn is a nest-like acorn cap from an oak tree in Iowa and the B’s spiky acorn caps are from northern California.

For the background, a solid color looked too plain, so I stitched together scraps of naturally dyed wool felt to make a more interesting field for the action.

I made a little fairy to fit in the walnut-shell.

I didn’t want the characters to be animals, but children dressed in animal costumes. So, I made every effort to make them look like children by giving them bangs, ponytails, hands and shoes. These figures are made with similar techniques found in my how-to book, Felt Wee Folk.

During the process, I changed some of the characters in the original sketch and substituted a boy in a dinosaur costume pulling an acorn cap wheeled wagon full of books.

I printed out the words on acetate, so that I’d be sure to leave enough room at the bottom edge. I then embroidered plants and leaves to the felt background.

This little child/mouse is getting red shoes.

The Horn Book staff suggested I include a reading child, so I made a felt book for the face-painted mouse.

All of the parts piled up as I worked. It’s a miracle nothing got lost!

It was really fun thinking up costumes to make for these kids. I wanted to create a scene of children immersed in imaginary play and story.

I added a sun to the upper left corner and embroidered a wavy chain-stitched border. Then, I sewed the felt background to a sheet of foam core board, pulling it flat and straight.

Then, I stitched the tree, characters and other props in place, right through the foam core board. After everything was in place, I took it to the photographer, so he could take its picture. After that, I removed it from the foam core board and remounted the felt background and all of the parts on a cloth-covered stretcher. It is now framed behind glass and was recently bought by a collector. It was a joy to work on this project with Lolly Robinson at the Horn Book Magazine! Having my illustration on the cover will be a great opportunity for many people to discover my work for the first time.

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram

Here I am with Roger Sutton, editor in chief of The Horn Book.