bed book peek – cow

Today, I’m happy to show how I made this cow, which will be used as a spot illustration in my upcoming picture book, MY BED. The story is about children’s sleeping places in different cultures around the world. It’s written by Rebecca Bond and will be published by Houghton Mifflin Harcourt in Sept. 2020. Autographed copies can be pre-ordered in my shop here. A touring exhibition of my original embroidered artwork for the book, Salley Mavor: Bedtime Stitches, will travel around the United States beginning in Nov. 2020. See the updated tour schedule here.

Each country or region represented in the book has an animal icon that appears on the text panel adjacent to the full illustration. The cow shows up next to the Scandinavian scene, which I’ve written about here.

To see the other animals from the book that I’ve written about so far, please click on the following links.
Animals (spot illustrations) – Rooster, Camel, Parrot, Elephant, Goldfish, Cat, Duck, Sheep, Rabbit

I’ve enjoyed making cows over the years, including the one below, which is from the 2005 board book, Hey, Diddle, Diddle! (Sorry, it’s out of print) Cows are fun to depict because they are so distinct from other animals.

Close Up from “Hey, Diddle, Diddle!” 2005 board book

To begin, I drew sketches that exaggerated the cow’s squarish head, outspread ears, big eyes and prominent nostrils.

As always, I wrapped the legs first, leaving enough extra pipe cleaner to shape the body.

It’s been a while since I made this, so I can’t remember how I attached the felt body. From the looks of it, I first added a thread wrapped wire tail and then stitched pieces of felt to the front and back of the pipe cleaner form.

Then, I made a little pink felt udder with seed bead teats.

For the cow’s face, I embroidered a nose and sewed on bead nostrils.

To make the eyes more prominent, I outlined them in white.

The ears are felt, edged with blanket stitch and wire.

After sewing the ears in place, I looped Silk/Merino wool thread on the top of her head.

The first cow collar I made was embroidered with pretty flowers, but I had to change it to a plainer version because decorations like that are a Swiss specialty and not Scandinavian.

Before (above) and After (below).

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram

Update: Signed copies of My Bed can ordered in my shop here. 40 pages, 9″ x 9″, words by Rebecca Bond, pictures by Salley Mavor, published by Houghton Mifflin Harcourt. ISBN 978-0-544-94906-5

small things around the studio

smallthings

I wrote this post 2 years ago and don’t know why it stayed in the drafts folder all that time. It was clearly written during a period of procrastination or when there was a gap in my work schedule, because it mentions cleaning my studio, which rarely happens. Right now, I’m engrossed in the process of working on a new children’s book, which you can follow here. It’s a calming break from earlier this fall when my Liberty and Justice exhibit caused a ruckus because of its political satire. So, let’s take a little detour and visit some small things around my studio!

But first an UPDATE on last week’s offer of special discontinued cards. Even though they sold out quickly, there are other designs available, like this 8 card sampler of wee folk babies and fairies.

— While cleaning up my studio, I came across the elephant pictured above. Her name is Savi and she is the main character in The Way Home, my first book. This attempt at an elephant wasn’t up to my standards (I think the bumpy trunk bothered me), so she never made it into an illustration. She’s been hanging out in my studio for 25 years. I took her picture and posted it on Instagram and Facebook.

Since then, I’ve found more small things to photograph and post. I’m holding some of them, so you can see the scale in relation to my hand. There’s Humpty Dumpty, 1 inch wee folk characters, a house and leaves that were used as spot illustrations in Pocketful of Posies. There’s a chipping sparrow that wasn’t included in the finished Birds of Beebe Woods. And at the end is a yellow telephone I made while in art school over 40 years ago.

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram

SHARE THIS:

still playing with dolls

IMG_20160523_125507

Some things never change. Like the urge to play with dolls. I’d venture to guess that there are a lot of grownups like me who still find themselves drawn to creating little worlds, just like they were in their youth. I feel honored to share my passion (perhaps even obsession?) for the wee world with you through my books and this blog.

Rockabyebaby

I recently got out some props I’d made a few years ago for a video project that my husband Rob and I were planning, but didn’t undertake. It was pure play, as I set up one of the houses out in the yard and made this video with my phone camera.

Our original idea was to make a short stop motion animation of one of my favorite nursery rhymes, Wee Willie Winkie. The easy part was constructing the characters, houses, trees and a clock. Finding the time and space to work on the incredibly tedious task of animating the story turned out to be too much of a challenge. We figured that it would take several months of concentrated effort to make even a 5 min. video that we would be proud of. We’re still intrigued by the prospect of putting together a film and who knows, we may do it eventually. But for now, I will soon embark on a new project that will keep me busy for a few years. More about that later…

13147836_1084989028189856_5937376141503391142_o

Here’s the clock for the scene, “Are the children in their beds, for now it’s 8 o’clock?”

13131658_1085559281466164_4530416636425903417_o

In the meantime, the various props have not been hidden away. They’ve been used as backdrops for other photos, including shots of Polly and A Buggy Picnic, which is available as a card.

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram

wee folk sprouting up all over

Weefolk-1-18I can’t remember a more glorious spring here on Cape Cod! The days are clear and warm, but not too hot, with zero humidity. And the yard is full of perfectly scaled vegetation and flowers for wee folk to ramble through, including bugle weed, forget-me-nots and buttercups. Here’s a selection of characters who escaped from my studio into the outdoors, some from my how-to book,  Felt Wee Folk – New Adventures.

Weefolk-1-11

How about a lattice topped pie in an acorn cap?

Weefolk-1-6

Weefolk-1-19Poppies are ready to pop.

Weefolk-1-17

Little Red Riding Hood makes her way across the bugle weed forest…

Weefolk-1-10

Weefolk-1-13

And a fairy bride and groom dance through a field of buttercups!

Weefolk-1-14

Cover Up (part 4)

CoverUp_lowresWMThis is part 4 in a series of posts about my new embroidered bas-relief piece Cover Up. In part 1 and part 2, the collection of “covered” women are introduced and discussed. Part 3 shows how I made the pieced felt background.

The next phase in the project involved making a felt covered wire border, which is a new technique I’ve developed over the past few years. The idea originated with a desire to form and stitch lines that have a 3-dimensional quality. I’ve used wire in my work for many years, but mostly in miniature scale. With larger gauge wire, covered in strips of embroidered felt, I have been able to incorporate bolder, linear patterns and designs into my work, like in the pieces shown below; Birds of Beebe Woods, Face Time, Whiskers and Rabbitat.

coverupsketch3Cover Up’s border started with a sketch of a vine-like pattern. As usual, plans changed once my hands began the process of forming and articulating the wire lines. It ended up looking more like a lattice topped pie or a chain linked fence.

I sewed strips of felt to lengths of insulated electrical wire and embroidered the felt with pastel shades of variegated floss. Straight lines seemed too rigid and unwelcoming, so I wiggled the wire and arranged them in a diagonal grid.

Cover_Up_SalleyWM

CoverUp-1-5

This video shows close-ups of me covering and stitching wire with my non-manicured fingers.

Salley MavorCoverUp7

For the lattice pattern, I used many worm shaped lengths of covered wire. I joined the wire ends in a way that’s hard to explain. Let’s just say that it involves poking wire through felt, with lots of fussy sewing to keep the wire from pulling out.

Salley MavorCoverUp6

Here I am, working on the border downstairs, all cozy and warm in front of the wood stove, with snow outside.

CoverUp-1-7

When the border was finished, I spent a long time repositioning the doll heads until I was satisfied with the arrangement. I then secured each portrait inside their hole with a few stitches on their shoulders.

Perhaps I should mention the time commitment, because people are always curious. This size (24″ x 30″) piece usually takes 3 or 4 months of solid work. But, I must add that I believe time alone doesn’t give a piece of art its value. Like other artists who do labor intensive work, I am not deterred by the prospect of spending countless hours on a single piece, as long as it holds the promise of transcending the effort involved. I hope that you are enjoying this series of posts as much as I relished the process of making Cover Up. Stay tuned for one more post in the series! By the way, you can receive notice whenever I publish a new post by subscribing to this blog (at the top of the right column on the home page). Rest assured that I will not share your information.

CoverUp-1-9

Poster - Cover Up

Poster – Cover Up

12 x 17 posters featuring of a selected group of portraits from Cover Up are available in my  Etsy Shop here.

Cover Up is part of a series that includes Face Time and Whiskers, which focus on bringing to life different people from around the world, using themes of history, style and cultural identity. In each piece, head and shoulder busts peek out of “cameo” framed holes. Their faces are painted 20mm wooden beads, with wigs and adornments, similar to the doll heads in my how-to book Felt Wee Folk – New AdventuresThese 3 pieces will be included in my exhibit Intertwined – Needle Art of Salley Mavor at the Bristol Art Museum, Bristol, RI, Sept. 16 – Oct. 30, 2016.

The next post (part 5) will show the end of the process, with the finished piece. Read Cover Up (part 1), (part 2) and (part 3).

Cover Up (part 1)

CoverUp_lowresThis is the first in a multi-part series of posts about my new fabric relief piece, Cover Up. It’s the female counterpart to Whiskers, my previous exploration of men’s facial hair styles. Cover Up focuses on women’s head coverings that serve as identifying markers imposed by the conventions of a particular time and place throughout history. I want the 45 characters to invite comparison and point out contrasts and similarities between different societies, whether they are open or restrictive in tolerating self expression and individuality.

I loved the research phase of the project and spent many days hunting down images of women from around the world, each wearing a form of covering that reveals something about the culture they come from. I’ve depicted individuals with all sorts of veils, scarves, hats, makeup and facial markings that reflect different notions of female modesty, attractiveness, fashion, status and conformity.

IMG_20151031_112018

While searching through the images, I considered this question, “At what point does a bold, new fashion statement evolve into just another form of conformity that brands a group identity?” I also reflected on being a part of our diverse American society that is made up of immigrants and how this experience may influence one’s perception of “the other”.

CoverUpgothgirl

CoverUpsunglasses

CoverUpgreenscarf

The possibilities were endless and I could have kept making new heads for a long time, but I had to narrow it down and chose styles that I thought would best represent a variety of cultures. In a lot of cases it came down to choosing depictions that had characteristics I found personally intriguing.

Coverup-1-53

Poster - Cover Up

Poster – Cover Up

After finishing the portraits and before making the background field to put them in, I took separate photos of each one and shared them on Instagram and Facebook. I invite you to follow me on these other social media sites for more frequent postings and notices, which include behind the scenes pictures.

The response to the photos was so enthusiastic that I decided to print a poster which shows enlargements (200%) of a selected collection of these portraits. The 12 x 17 poster (shown left) is available in my Etsy Shop here.

IMG_20151029_140521

Cover Up is part of a series that includes Face Time and Whiskers, which focus on bringing to life different people from around the world, using themes of history, style and cultural identity. In each piece, head and shoulder busts peek out of “cameo” framed holes. Their faces are painted 20mm wooden beads, with wigs and adornments, similar to the doll heads in my how-to book Felt Wee Folk – New Adventures

Cover Up will be included in the following exhibit.

MIGRATION
Imago Foundation for the Arts, Warren, Rhode Island
March 14 – April 21, 2019 – Show Dates
Friday, March 15th @ 6:00 PM – Opening Reception
Sunday, March 24 @ 1:00 PM – Artist Talk with featured artists Harriet Diamond and Salley Mavor.

Coverup-1-57

Please stay tuned for more posts about making Cover Up. Coming up are more photos of the portraits and how the felt background was made. My husband Rob is even working on a short video with material he filmed while I was stitching the piece. Read (part 2) and (part 3 & video).

Coverup-1-55

Coverup-1-56

IMG_4036-1

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram

Cover Up preview & poster

CoverUp_lowres

Over the past few months, I made Cover Up (24 x 30), the newest piece in an evolving portrait series. I’m in the process of writing more posts about the making of Cover Up, which will be published soon, but, I wanted to send out a preview first. It was an engrossing project that kept me busy all through the cold snowy days of winter. Cover Up depicts women wearing cultural, national, and religious forms of head coverings and tribal markings. The portraits reflect notions of female modesty, fashion, status and conformity from different times and places.

Because the many little portraits are hard to see, I decided that the finished piece (shown above) wouldn’t translate well into a reduced sized poster format. Instead, I chose to feature a selected group of women, with their photos juxtaposed in a grid. Each head is enlarged 200%, so that you can take in the details and essence of the person. The 12 x 17 poster (shown below) is available in my Etsy Shop here.

In this series, which includes Face Time and Whiskers, I’ve focused on bringing to life different people from around the world, using themes of history, style and cultural identity. In each piece, head and shoulder busts peek out of “cameo” framed holes. Their faces are painted 20mm wooden beads, with wigs and adornments, similar to the doll heads in my how-to book Felt Wee Folk – New Adventures

coverup_Poster_lowres600

Whiskers (part 3)

WhiskersblogIn this 3rd and final post about Whiskers, there are lots of close up photos, including individual shots of all the bearded and mustached guys. I can’t tell you how refreshing it was to take a detour from making sweet faced wee folk characters and delve into the world of hairy men! The styles range from handle bars to goatees to hipster beards. There’s more about Whiskers in Part 1 and Part 2.

Last summer, when I started making the piece, I posted a photo on Facebook of my work table full of bearded heads. Someone asked if there would be women as well. I answered that this piece was about facial hair and that only bearded ladies could be included! Don’t fret, a crowd of women (with head coverings, not beards) are featured in my next piece Cover Up, which I’ll write about in the future.

Whiskers, Cover Up and more new large (24″ x 30″) works will be included in my upcoming show, Intertwined – Needle Art of Salley Mavor at the Bristol Art Museum in Bristol, RI this fall, Sept. 16 – Oct. 30.

WhiskersDetail8blog

I pinned the head and shoulder portraits in their peep holes before sewing them in place. At this angle, don’t the guys look like they’re floating in swimming pool lanes?

Whiskersprocess5

Whiskers-1-31

After consulting with my artistically perceptive son Ian, it was clear that the piece needed another element to help finish it off. At the last minute, just before it was scheduled to be professionally photographed, I decided to add a red thread zigzag to the border.

WhiskersDetail-1

WhiskersDetail1blog

The collection of heads have doll wigs similar to the ones in the new edition of my how-to book, Felt Wee Folk. Some whiskers are painted, but the glasses and embroidered felt beards are a new development, since the book was written. So, here are the fellas…

I had a blast researching and making the bearded guys and I hope that you enjoyed meeting them! It’ll be the women’s turn next, when I show another new piece, Cover Up in future posts. You can get a preview on Facebook here and Instagram here.

Whiskers, Face Time, Cover Up, Birds of Beebe Woods, Self Portrait: A Personal History of Fashion and more will be included in my exhibit, Intertwined – Needle Art of Salley Mavor at the Bristol Art Museum, Bristol, Rhode Island, Sept. 16 – Oct. 30, 2016.

Whiskersblog

Whiskers (part 2)

WhiskersblogMy apologies to those of you who received notice of this post prematurely as I mistakenly clicked “publish” before any text was added!

Early on in the process, when I was mulling  over the idea of making this piece and starting to do research, I envisioned a large, bearded face. I wanted to create a structure that could serve as a display mechanism for the group of little men. And because most people never see my original artwork, it was important that there be a strong graphic image that would translate well when reproduced in different image sizes.

At first, I was attracted to the “green man” concept, but veered more in the direction of Assyrian sculptures, which have wonderful stylized beards. I stayed with the green palate and added blues and browns.

1285868101assyrian

 

 

 

 

 

 

In this post, I will show photos of the process of making the beard, which turned into a separate piece that could be used as a costume!

WhiskersSalley

The beard is made up of small scraps of felt, that are pieced together like a crazy quilt. I drew peep holes on a paper template and matched felt pieces like a jig saw puzzle to fit. The pieces are sewn together on the back with a slip stitch and then embroidered along the front seams with a fly stitch. I made a lot of progress while on vacation, which is further evidence that I work all the time. The view out the window was nice, though!IMG_2731

IMG_2747

I used my felt covered wire technique to outline the beard and facial features.

IMG_2726

IMG_2977

To keep the holes rounded and firm, I stitched wire around the openings. The smaller curls on the mustache and beard top are made with floss wrapped wire.

Whiskersprocess4

Whiskersprocess3

The next post (part 3) click here shows the finished piece, with close ups of the bearded men. To read Whiskers (part 1) click here.

Whiskers-1-33 Whiskers-1-32

 

Whiskers (part 1)

Ok, it’s been awhile since I’ve checked in. My only excuse is that it’s winter – my favorite time to hunker down and go full throttle on a project. There’s no way I’m going to some place warm! And I know that some of you are of like mind, but we happy hibernators generally don’t get much agreement out there. I’m happy to say that I just finished a piece I’ve been working on since fall. Cover Up depicts cultural and national forms of head coverings and tribal markings that reflect notions of female modesty, fashion, status and conformity from different times and places. I’ll show lots of photos of Cover Up on this blog in the future. My Facebook and Instagram followers have been getting frequent glimpses throughout the process, so head over to one of those sites if you’re curious.

20151224_100403.jpg

For now, let’s play catch up with a series of posts about a 24″ x 30″ piece I finished last summer. Whiskers focuses on beards and mustaches, showing an array of male characters from different cultures and historic periods.

Whiskersblog

Little men peek out and display themselves like an unlikely collection of international souvenir dolls. Their painted wooden heads appear in vertical lines, within a large man’s beard, which acts as a holding place. The bulk of the large beard is comprised of small pieces of felt that are patched together by hand with embroidery stitches. The large man’s bas relief face and beard are defined with lengths of wire covered with felt or wrapped with thread. Whiskers explores diverse societies and their origins, using needle and thread to signify the unraveling and mending of human cultures throughout history.

IMG_2107

IMG_20150521_144107

I made the heads like the wee folk dolls in my how-to book, Felt Wee Folk – New Adventures. Some beards are painted on the wooden bead head. I also tried something new, by gluing embroidered felt beards to their faces.

Whiskersprocess2

FaceTimeDetail1WMI had a blast researching beard styles for the collection of characters. This piece is a continuation of a new series that explores history and fashion.  Face Time (shown left) is a previous piece showing cameo portraits from early civilizations to the present day. See Whiskers Part 2 here.IMG_20150711_101219