This is the 2nd part in a series of posts about my new piece Cover Up (24″ x 30″), which features 45 individual characters who represent women from particular times or places. They all wear some form of head covering, adornment, makeup or mask that serve as markers, whether they are forms of self expression or dictated by religious or cultural tradition. There’s a wide array, from exaggerated fashions to veils that hide women from sight.
Some depictions are identifiable by their national costumes, tribal markings or regional headdresses and others are less distinguishable and open to interpretation, but they are all distinct individuals who fit into a collective portrait of women through history.
I tried to personify a variety of ethnic groups with accuracy and sensitivity. I didn’t want them to look like those plastic international souvenir dolls (shown on right), with generic features molded in different pigment shades. And I hope that Cover Up has more depth than a fashion show or a Unicef card. My intention was to show portraits of real imagined people, with their own personalities and spirits, who live or have lived with the pressure imposed by their society’s ideas about being female. Even the Geisha has an identity underneath her white pancake makeup and the Afghan woman has a unique self inside her blue burqa.
I used Google Images to find reference material and practiced painting likenesses on 20mm wooden bead heads with tiny brush strokes. As I watched the crowd of characters grow, I realized that each one had a story to tell. So, I photographed them all separately before sewing them onto the larger piece. Looking at the women individually may be a way to appreciate their distinct styles, but the relationship between them is missing. When viewed alone, there is no context for comparison, whereas the whole piece creates a juxtaposition that I find more thought provoking.
The following images are a collection of portraits of women who depict cultural, national, and religious forms of head coverings and tribal markings that reflect notions of female modesty, fashion, status and conformity from different times and places. The originals have 20mm wooden bead heads and these photos are enlarged so you can see the details.
Instead of making a key that lists each character’s source, I’ve decided to resist the tendency to label them and let their humanity speak instead. I hope you enjoy meeting the women!
12 x 17 posters featuring of a selected group are available in my Etsy Shop here.
Cover Up is part of a series that includes Face Time and Whiskers, which focus on bringing to life different people from around the world, using themes of history, style and cultural identity. In each piece, head and shoulder busts peek out of “cameo” framed holes. Their faces are painted 20mm wooden beads, with wigs and adornments, similar to the doll heads in my how-to book Felt Wee Folk – New Adventures. These 3 pieces will be included in my exhibit Intertwined – Needle Art of Salley Mavor at the Bristol Art Museum, Bristol, RI, Sept. 16 – Oct. 30, 2016.
The next post (part 3 & video) shows the process of making the pieced felt background for Cover Up. Read Cover Up (part 1) here.
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Astonishing details and expressions! Bravo!!
To be inside your head when you are thinking of these would be heaven. And then to shop for the perfect bits and pieces……Love your creations.
Hello Salley Congratulations for your wonderfull work.Please , Can you write me if you have make a characteristic greek man or woman?I should like to have a doll from you or poster with greek doll.With My regards Dimitra NazouMykonos Greece
Date: Sun, 27 Mar 2016 14:50:33 +0000 To: email@example.com
Thank you for your interest in this piece. As for your request, COVER UP includes an old woman in a black scarf who could be Greek, but she’s not on the poster. Sorry, but I do not sell individual dolls.
Your use of fabrics and embroidery stitches is phenomenal! It must take so much time and thought to make these pieces…well done!!
So much of dedication and love for what you do. Your beautiful dolls have blown me away!
Hi Salley, They and YOU are amazing! Am forwarding these posts to more and more people at this point…just love ‘m. Pretty soon time to take you out for linch for your birthday! Hope you had a good Easter, Love, Maria
Sent from my iPad
Salley, your women are marvelous. It is so fun to look at them and think of what nationality and period of time they might represent. Thank you for sharing the dolls and your inspiration for their creation.
Your detail work is so very amazing.
Your work thrills me, Salley! Thank you for the exciting opportunity to see each wonderful face. I Love what your detail!!!!!
They are amazing and each so different.
Each woman is so distinctive in her style and personality. It is obvious you did much research and practice to reveal their true selves. An amazing piece of art that could be used to teach so much about culture, history and people. Thank you for creating this – it is magnificent!
Thank you so much Laurie, your thoughts are very much appreciated.
Sally, you are so talented! These women are each so unique and their faces, hair and clothing are so intricately created. So glad my mom forwarded this to me!