Let’s continue with the Scandinavian scene. Part 1 showed parts of the inside, such as making the framework for the cubby style bunk beds. This post will give a glimpse at the what’s outside: the balcony, flowers, mountains, sun and trees.

This illustration will be included in My Bed, a book about where children sleep around the world, with each spread depicting a different culture and living environment. The story is written by Rebecca Bond and will be published by HoughtonMifflin in 2020. Here are links to posts showing other finished illustrations for the book: South America, Japan, India, Afghanistan, Russia, North Africa, North America and Iran. To see a list of all my books, click here.

To make the balcony, I cut out holes in a piece of felt and edged everything with blanket stitch. I finish every raw edge this way to help contain the object I’m making, so that it’s less obviously made of felt. I want the viewer to take in the whole scene and be immersed in the subject, before noticing what materials I use.

For the flowering plant, I tried something new for the leaves; silk ribbon. I will now attempt to describe how this works in steps. Keep in mind that you use one long length of ribbon to make multiple leaves. 1. Twist wire to form stems. 2. Starting at the tip, loop a silk ribbon leaf. 3. Cover wire stem and ribbon by wrapping with embroidery floss. 4. Loop more leaves down the stem, covering the ribbon and wire with floss. Yikes, this is hard to explain! I hope that you can understand the process somewhat.

The flowers are clumps of French knots stitched with pima cotton thread.

I made stylized fir trees with covered wire trunks and branches. The branches and pine needles are stitched with variegated pima cotton made by Caron.

I’ve been using wire more and more to create a raised edge or outline, like on the sun and mountain below.

And the chain stitch is becoming a favorite way of forming lines.

I sewed curtains from blue felt, chain stitching lines to look like folds and decorating with white French knots.

The whole time I’m working, I refer to the drawing, making sure that the scene will fit into the page dimensions, without anything important getting lost in the book gutter.

To make the window, I edged a piece of felt with blanket stitches and wire. Even with photos documenting the process, I wasn’t immediately sure how I made the window grilles shown below. I remember looping lines of thread on wire, which was similar to casting on a knitting needle. Then, I joined 2 lengths by stitching them together down the middle. The wire gives the grilles enough firmness to hold their shape after being sewn in place inside the window frame.

Stay tuned for Part 3 in this series, which will show the children and more of the interior. To see Part 1, click here.
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I am happy to announce that the original illustrations for the book will tour the country after the book is published in the fall of 2020. The Cahoon Museum in Cotuit, Massachusetts will host the premiere exhibit and other venues will follow. As with Pocketful of Posies, I am scheduling a traveling exhibit, so that more people can see the “real thing”, which is a totally different experience than looking at reproductions on the printed page. Interested museums and art centers are welcome to contact me (salley at weefolkstudio.com) for information about hosting the exhibit. You can help bring the show to a place near you by reaching out to your local venues and telling them about this opportunity. It would be wonderful to have the original illustrations make their way across the whole country!