I make 3-dimensional fabric relief pictures that are photographed and used to illustrate children’s books. I sew together different materials to create fanciful scenes in relief, much like a miniature stage set, with figures imposed on an embellished fabric background. My work is decorative and detailed, full of patterns from nature and found objects, all sewn together by hand with a needle and thread.
Molas are made by the Kuna women from the San Blas Islands off the coast of Panama. The geometric designs originated with body painting, then later the patterns were woven in cotton. About 150 years ago, the designs started being sewn using cloth bought from the European settlers of Panama.
Rabbit and Rooster with Umbrella Mola
detail of rooster with umbrella Mola
The Kuna women hand-sew mola panels for their blouses, using the technique of reverse appliqué. Here are some molas from my mother’s collection, which are more pictorial than some. The rooster holding an umbrella under his wing is quite an image! I like the way each picture is built up with lines of color, using layer upon layer of contrasting cloth, to make such dynamic works of art.
Little Boy Blue, come blow your horn; the sheep’s in the meadow, the cow’s in the corn.
Here is the original fabric relief illustration for the rhyme, Little Boy Blue, from my book, Pocketful of Posies. The embroidered piece is first mounted on a foam core board for the photographer. Afterward, I stitch a felt border, remount, and frame each piece, making it ready to hang.
illustration of “Little Boy Blue”
I tried out some different shades of upholstery fabric for the background and selected this warm brown with a vine pattern. Then I cut the border sections out of wool felt.
I used variegated pima cotton to edge the pieces with blanket stitch. Later, I added chain stitched curly cues with variegated embroidery floss.
Sheep are so fun to make, with their curly fleece. Yes, these are all french knots, but they are spaced out a bit, compared to the dense knots in the lambs from my Mary Had a Little Lamb book. (see lambs here)
The haystack is padded with wool stuffing and the texture is stitched with tapestry wool, with real pieces of straw sewn in, too.
Little Boy Blue’s hat is made from thread wrapped wire and his horn is a cactus thorn.
This original illustration was one of 50 pieces of artwork from the book in the touring exhibit, Pocketful of Posies from 2010 to 2015.
Note: See other posts from the Pocketful of Borders series here.
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Shirley from Madison, Mississippi sent me these pictures of her wee folk tableau. She said, “At the urging of one of my daughters I’m sending you some photos from our Thanksgiving table decoration. Thanks for the inspiration to make such fun little people.”
I like they way she captured the spirit of Thanksgiving by giving this woman a rolling-pin. The dolls look comfortable in their natural environment, surrounded by moss, flowers and branches. Great job, Shirley, and thank you for sharing a part of your Thanksgiving celebration!
She learned how to make these dolls from my how-to book, Felt Wee Folk: Enchanting Projects. It’s rewarding to see how people use the patterns and directions from the book as a spring board to creating their own characters and scenes.
There were some wonderful new vendors at the Waldorf School of Cape Cod’s Holiday Faire last weekend. I just had to take pictures of these Fairy Houses by Jaylee. Friends, Jane and Rosalie have joined forces to make these internally lit lamps and night lights. They’d be cute in a child’s room, but I think all ages would enjoy an indoor fairy house like this.
The fairy furniture is a fun way to use old wooden spools.
It looks like the creators frequent floral supply businesses for moss, dried mushrooms and artificial flowers.
The Pocket Lady came by when I was signing copies of Pocketful of Posiesat the Waldorf School of Cape Cod’s Holiday Faire on Saturday. My neighbor, Joy, was playing the role and letting children pick out small presents from a pocket for the price of a ticket. I made the pocket lady costume about 20 years ago, when I was a parent in the school. It’s adapted from a nightgown pattern and made out of red velveteen, with upholstery fabric pockets and lots of bells. I’m glad to see it continue to be used every year!
Pocket Lady
And now for the giveaway winners! Three people have been picked at random from the 80 who left comments. Congratulations to Domestic Diva, Marabilys (from France) and Emma (from Australia), who will each receive a hardcover copy of In the Heart. The book is out-of-print, but my local bookstore, Eight Cousins Books sells autographed copies (508 548 5548).
Here are some photos taken along the Shining Sea bike path this past month. The crowds are gone and in half an hour, I can ride freely past woods, salt ponds, salt marshes and the beach.
Last Saturday, the Danforth Museum in Framingham, MA, had an opening reception for their new exhibits, including my show in the children’s gallery. The original fabric relief illustrations will be displayed here until January 23rd, 2011. I really like the way they hung the artwork, clumped together in tight group-lets, with one above the other. That way they could fit more pictures in the space – 45 out of the 51 illustrations from my new book, Pocketful of Posies.
Pocketful of Posies at the Danforth Museum
The museum’s director, Katherine French, worked up to the last-minute, transferring the title onto the wall.
It was great to see my friend, artist and doll maker, Mimi Kirchner at the opening! We’ve known each other for 30 years and her long-standing and popular blog Doll was the inspiration behind starting one of my own a year ago.
Salley and Mimi
I met a museum docent, a young fellow who had not been exposed to these nursery rhymes during his childhood in India. He was so taken with the artwork, that he wanted to learn all of the rhymes from the book. He asked me about my use of wavy borders and commented on the soft curves and lack of straight lines in the pictures. He said, “Looking at these pictures makes me happy.”
I felt honored that Betsy Groban, the publisher of Houghton Mifflin Books for Children came to see the artwork. She had seen some originals briefly a few years ago when I brought them into the office in Boston, but hadn’t seen them since. She let me know how pleased she was to be publishing my book, which really made me feel great!
Betsy and Salley
The book’s designer, Sheila Smallwood also came, with her husband and daughters.
Sheila and Salley
Many saw my work for the first time. They had come to the museum for other exhibits and just happened to come into the children’s gallery. It was fun to watch people of all ages look from a distance and then be drawn in to examine the pictures more closely. It is most satisfying to see grown men’s delight in viewing the work. In the years that I’ve been stitching, I’ve become conscious of the tendency to put textiles in the “women’s work” category, as if handwork wasn’t worthy of recognition. I say that stitching is just a technique and a way of translating ideas. After meeting and talking with people, I feel as if this book has jumped through age and gender barriers.
This woman walked around the room, singing the rhymes to her child. I hope that some of you will come see the show!
To keep up with new posts, please subscribe to this blog. Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram.
This blog is a year old today! See the first post here. To celebrate, I’m offering a giveaway (international, too) of my 2001 picture book, In the Heart. Please leave a comment by Nov. 21st and I will pick 3 people at random to each win a copy. The book is out-of-print, but some are still available at my local bookstore, Eight Cousins Books. Call them at 508-548-5548 to order autographed copies.
detail from page 9, "In the Heart"
Don’t think I knit these sweaters and pants! They were cut out of socks.
I’ll be signing books at the Waldorf School of Cape Cod’s Holiday Faire on Saturday, Nov. 20th from 12 noon to 2pm. When my children attended the school 20 years ago, this event was our pride and joy. Then and now, parents, faculty and students put months of creative energy into making the day memorable for all who attend. The poster I designed years ago is still being used. I want to see the popular Excalibur Challenge, where children meet Merlin and have a go at pulling the sword from the stone!
There will be craft vendors and lots of activities for children, including crafts and games. The school’s store, Kindercraft, sells the naturally dyed wool felt that I use in my artwork. I’ll be writing more about this felt in a later post.
wool yarn and felt at Kindercaft store
This year’s fair will be at the school’s new location in Cotuit. Last winter, I helped color the walls with the lazure method of applying paint like watercolor, in graduated hues. Here are some classrooms all set up after we painted them. The whole building will be transformed into a magical environment for the Holiday Faire on Saturday.
Waldorf School of Cape Cod's Grade 1 classroom
nursery classroom
Reminder: I will be doing a story time at the Sandwich Public Library on Tuesday, Nov. 16th at 10:30am. I’ll also be talking about and signing copies of my new nursery rhyme book, Pocketful of Posies.
