Pocketful of borders: Little Boy Blue

Little Boy Blue, come blow your horn; the sheep’s in the meadow, the cow’s in the corn.

Here is the original fabric relief illustration for the rhyme, Little Boy Blue, from my book, Pocketful of Posies. The embroidered piece is first mounted on a foam core board for the photographer. Afterward, I stitch a felt border, remount, and frame each piece, making it ready to hang.

illustration of “Little Boy Blue”

I tried out some different shades of upholstery fabric for the background and selected this warm brown with a vine pattern. Then I cut the border sections out of wool felt.

I used variegated pima cotton to edge the pieces with blanket stitch. Later, I added chain stitched curly cues with variegated embroidery floss.

Sheep are so fun to make, with their curly fleece. Yes, these are all french knots, but they are spaced out a bit, compared to the dense knots in the lambs from my Mary Had a Little Lamb book. (see lambs here)

The haystack is padded with wool stuffing and the texture is stitched with tapestry wool, with real pieces of straw sewn in, too.

Little Boy Blue’s hat is made from thread wrapped wire and his horn is a cactus thorn.

This original illustration was one of 50 pieces of artwork from the book in the touring exhibit, Pocketful of Posies from 2010 to 2015.

Note: See other posts from the Pocketful of Borders series here.

To keep up with new posts, please subscribe to this blog (top right column on the home page). Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram

11 thoughts on “Pocketful of borders: Little Boy Blue

  1. Salley,

    My favorite posts from you are the ones where you so generously share your creative processes with all of your fans. Thank you so much, I just gaze at the pictures in awe.

    Jenny

  2. Salley,
    Thanks for sharing your methods, it is a special person who dares to tell everyone the techniques they have developed. I love looking at all the details of your work. I have these moments of “oh! that’s how she did it….clever!”. It helps me to think differently when I approach something new while sewing.

  3. I received my “Iris” yesterday. Oh my, she’s beautiful. I had no idea your stitches were “that” tiny. Although I admired your work before, I have much greater respect for your talents after seeing the real thing. Thank you! I’ll treasure Iris.

  4. Oh, how I love to see how you create your artworks! It is so much fun and so very inspiring to me. I just found an old bell with a wooden handle, which I am painting as a snowflake lady. I can hardly wait to get to the fabric part of the project and am sure your inspiration will be in the finished piece. Won’t this be fun as a gift exchange for our painting chapter’s Christmas lunch? Your book has inspired me to make so many interesting dolls! It is delightful to think of my little people living in many parts of the world. Thank you, Salley!!!!

  5. Little Boy Blue’s jacket is so handsome I wish you would design a line of children’s clothes! Thank you for your generosity in telling us how you’ve made everything. You really are an inspiration… 🙂

    • Thanks, Nan. Lots of people ask about the hands. They’re are made of bent wire that is wrapped with thread, the same as hats, baskets, etc. It’s similar to wrapping wee folk bodies, but fussier.

Leave a comment