Closeups (bags)

Purse, handbag, satchel, luggage or sack— they are basically containers to carry loose things around. As a sculptural object, there are just a few requirements, including storage space, durability and ease of use. I don’t understand the craze over designer bags. From what I’ve seen, most aren’t very interesting and are kind of ugly. Clearly, the fashion world is a mystery!

This first purse is being clutched by a wrench hand in my found object piece, Walking the Dog, which can be seen here.

detail from "Walking the Dog" 2005

detail from “Walking the Dog” 2005

This little piggie going to market is from Pocketful of Posies. The string bag is made with a needle crochet technique that I figured out on my own. I’m not patient enough to follow directions to learn the proper way to crochet with a hook, so I just fool around with a needle and thread.

detail from "Pocketful of Posies" 2010

Here’s an old man clothed all in leather, from the illustration for the folk song “One Misty Moisty Morning”. This and all of the next closeups are from Pocketful of Posies. The photos are blown up to about twice their actual size.

detail from "Pocketful of Posies" 2010

detail from “Pocketful of Posies” 2010

detail from 'Pocketful of Posies" 2010

detail from ‘Pocketful of Posies” 2010

detail from "Pocketful of Posies" 2010

detail from “Pocketful of Posies” 2010

Treasures: shell cards

I’ve cherished this set of shell decorated place cards since I was a child and remember thinking that they were too special to write on. They are kept in the same cardboard jewelry box I stored them in 40 years ago.   

I love the simple scenes using tiny colored shells, with watercolor accents.

This girl with a shell bonnet and bouquet decorates a bridge score card.

Pocketful of Borders: back cover

I always make book covers toward the end of a project. In the case of Pocketful of Posies, I’d already spent a couple of years on the book before I was ready to tackle the all important jacket design. See the front cover in an earlier post here. Whereas the front requires a title and by line, all the back really needs is space for a bar code.

sketch for "Pocketful of Posies" back cover

I decided to make a child inhabited landscape and neighborhood without a clear up or down. This way, I could set the scene for the book, going from general to more specific inside. Day and night would be separated diagonally.

Since the illustration already had a border of leaves, I just had to make a pattern (in red paper) and cut the felt into the wavy shape.

Then, I blanket stitched around the entire outside edge with pima cotton. I also signed and dated the bottom corners with chained stitched embroidery floss. This original illustration is part of the Pocketful of Posies Traveling Exhibit  at the Danforth Museum in Framingham, MA, which will be on display through January 23rd.

back cover from "Pocketful of Posies" 2010

Note: See other posts from the Pocketful of Borders series here.

pot holder tutorial

Every year, I make pot holders to give away to my friends. It’s become a seasonal ritual that started with my grandmother’s version. She used to sew a curtain ring in a corner, to hang them up with. I’ve had one of her’s in my kitchen drawer until last week, when I finally threw it out.  And she died over 20 years ago! Over the years, I’ve adapted the design, which I’ll show you here.

Pot holders are so simple to make and it’s a good way to use up scraps of loud fabric that don’t match anything. I first pick out some fabric from my stash–this time some shop keepers, with a line of paper-doll chain style shoppers. I’ve had this fabric sample for years and can’t remember where it came from. I also included some checked batik fabric and some favorite 40-year-old blue Mari Mekko scraps.

I cut the batik fabric on the bias and sewed several lengths together  to make tape for the edging.

An old cotton mattress pad is the secret ingredient to making pot holders like my grandmother’s. I had used up my old supply and recently found a cotton pad when cleaning out a relative’s house. Yipee! Polyester filled pot holders just don’t insulate well enough!

I cut out pieces and sandwiched together 3 layers, a front, a cotton pad middle and a back. 

I then outlined the figures by stitching through the 3 layers.

Then I stitched the bias tape around the outside edge of the back side.

I then turned the bias tape over to the front side and pinned it in place.

This is the most fussy part—-stitching the tape on the top side. The tape usually puckers a bit as you turn the corner. I had previously stitched on a Wee Folk Studio label that was left over from the days of selling felt purse kits.

I saved some extra length of bias tape to flip over for a loop.

Now, they’re all in my friends’ kitchens. I like to make pot holders because they are not too precious—they will be used and enjoyed daily and can be thrown into the washing machine.

winter in Woods Hole

I rode the bike path to Woods Hole today. The path is plowed and mostly clear of snow and ice, so I bundled up in a ski mask and mittens and joined the walkers on the path. Didn’t see one other bicyclist.

view of Vineyard Sound from the bike path

The day was so crystal clear and calm!  Some people who just come to the Cape in the summer can’t imagine what it’s like here off-season.

Fishmonger's Cafe, Water St., Woods Hole

The sidewalks are empty and the drawbridge hardly ever goes up.

Row boats rest upside down.

Eel Pond dock, Woods Hole

The color palette is blue, gray and red.

Millfield St., Woods Hole

It was a lovely ride around town.  Happy New Year!

School St., Woods Hole

patiently waiting for books

“George’s Chair” fabric relief mid 1990’s

OK, here’s the situation— basically, my books, both Pocketful of Posies and Felt Wee Folk, are sold out. The publishers are out of stock, distributors have none and Amazon is out. They are both being re-printed, with shipments scheduled to arrive from mid to late January. This situation has only come up in the past week or two, so I think that most people were able to buy copies for Christmas. This is a new experience for me. After 20 years in the book business, I’m used to the opposite problem–getting a letter from the publisher saying my book is declared OOP (out of print)  because there have not been enough sales to justify reprinting. So, I’m not complaining about reprints, it’s just that the timing is all off!

According to C&T Publishing, Michaels bought a large quantity of Felt Wee Folk, so they might have some. With their discount coupon, that can be a good deal! After 7 years and 50,000 copies sold, it’s nice to hear about people who are just discovering it. I know that I’m way overdue for another how-to book, but just can’t bring myself to take on such a big project right now. For one thing, I’m having too much fun with this blog!

If you’re trying to get a copy of Pocketful of Posies, some might still be in book stores scattered around the country. As I’ve mentioned before, my local book store, Eight Cousins stocked up ahead of time and has some signed copies available (508.548.5548).

If you already have my books, I hope that you can curl up in a comfy chair this cold January and enjoy them!

AMAZON UPDATE 1/9/11: Pocketful of Posies is now in stock, Felt Wee Folk is still unavailable. Update 11/13: Autographed copies are available in my Etsy Shop.

Close-ups (foliage)

This series of close-ups shows the progression of my stitching technique and style over 20 years of illustrating children’s books. The first picture shows a detail of the banana trail that Savi the elephant follows through the jungle in The Way Home (1991). Read the story about making The Way Home here.

from "The Way Home" 1991

I made a stencil and painted grass on the velveteen background in The Way Home‘s sequel, Come to my Party (1993).

from "Come to My Party" 1993

Jump ahead a dozen years and I’m embroidering blades of grass and sewing glass beads to a wool felt background in the board book, Hey! Diddle, Diddle.

detail from "Hey! Diddle, Diddle" 2005

And still obsessing over french knots in Jack and Jill.

detail from "Jack and Jill" 2006

This one shows a small section of the illustration from the song One misty moisty morning in my most recent book, POCKETFUL OF POSIES . If you are having difficulty finding a copy of the book, it’s because the first printing has sold out. My local bookstore, Eight Cousins, stocked up, so they might still have some (508.548.5548). The situation will soon be remedied, as the second printing will arrive from Hong Kong in mid-January.

detail from "Pocketful of Posies" 2010

Yuletide wreath

I recently picked some rose hips and other winter berries along the bike path to Woods Hole.

They were thorny and nasty to pick with wool gloves. I loaded them into my bicycle basket.

I cut off the thorn tips before making a wreath.

To add some greenery, I pruned a holly bush in our yard. More sharp points to deal with.

I used green wire to tie the holly and winter berry branches to a wreath form.

It’s now hung on our front door. Welcome Yule!

Pocketful of Borders: Little Jack Horner

Little Jack Horner sat in a corner/Eating a Christmas pie/ He put in his thumb and pulled out a plum/ And said, “What a good boy am I.”

Little Jack Horner from “Pocketful of Posies”
I made this illustration toward the end of the three-year Pocketful of Posies project. I was never happy with the original sketch and by the time I started working on it years later, had changed the design entirely. At first, Jack was sitting under a Christmas tree in an interior domestic scene. The next thing I knew, the wall had disappeared and Jack was half way inside and halfway out. He was still sitting with his pie, but he had let in the wintry outside. I never seem to be satisfied with a design, until nature bursts in.

After the artwork was photographed for the book, I stitched a felt border and framed the picture, which is now touring in the Pocketful of Posies Traveling Exhibit.

I like using variegated embroidery floss whenever possible. It adds a range of hues and a vibrancy that solid colored threads lack.

The snow on the roof top and in the sky is made from circular sections cut out of lace. Inside the driftwood house, the area behind Jack and the tree is textured with tiny stitches of different colored threads.

Little Jack Horner from "Pocketful of Posies" 2010

Note: See other posts from the Pocketful of Borders series here.

Favorites: Mimi’s ceramic ornaments

Decorating our Christmas tree is a trip down memory lane. We have some really old decorations and ornaments that I showed last year (here), but some of my favorites are ones we’ve added more recently, like 27 years ago, when I bought these ceramic ornaments by Mimi Kirchner.

I got this baby one in 1983, the year my son Peter was born. Mimi and I met each other about 30 years ago, when we were both members of the Christmas Store coop (now Sign of the Dove).

At this time, Mimi worked in ceramics, making wonderful hand painted bowls, dishes and ornaments. Years later, after her studio was destroyed by fire, she changed mediums and started making her distinctive dolls. I can see her style carrying through to her present work, which you see on her blog here. Also, see her Tiny World pin cushions on an earlier post here.