Pocketful of Borders: Pussy Cat, where have you been?

from “Pocketful of Posies”

Update: This post was written in 2010, so the events and dates mentioned are long past.
Over the next few weeks, I’ll be showing pictures I took this past summer. They will show the process of adding borders to the original illustrations from my book Pocketful of Posies. All of the originals are currently on display in Falmouth, Mass. until Oct. 31st, 2010 and then they’ll move to the Boston area for the rest of the year. See the traveling exhibit schedule with future locations on this page. This is the illustration for the rhyme Pussy cat, pussy cat, where have you been?  The original was made at 90%, so it was enlarged just a little for the book. I don’t know why, but some characters and designs are easier for me to make on a smaller scale. Since I’m aiming for the work to be reproduced, it can be blown up to the necessary size, as long as the proportions are correct. I picked out an orange upholstery fabric for the back ground and some lavender felt for the border. I then blanket stitched around the border pieces with variegated pima cotton. The bottom corners were chain stitched with the date and my initials, while the top corners had doodles. The corners need warming up, so I outlined the edge with some golden wool crewel yarn. I added some loopy chain stitching to the side pieces… and sewed it all together. To see a closeup of the cat, see this post. To see other posts in the Pocketful of Borders series, click here.

Autographed copies of the book are available in my Etsy Shop here.

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Eight Cousins bookstore & more wee folk centerpiece

Carol Chittenden from Eight Cousins bookstore asked me to come in and sign another box of books. She sold out of the copies of Pocketful of Posies I signed last week, so I was more than happy to sign some more. To order autographed copies call Eight Cousins at (508) 548-5548. Judy Richardson and I went by this morning after our dance aerobics class at the Rec center. 19 years ago, Judy and I celebrated the publication of  our book, The Way Home. Read about the making of our book on earlier posts starting here. We gathered in the back room at Eight Cousins.  

Carol Chittenden, Judy Richardson and Salley

 I signed a book for Judy’s relatives, a family with a boy and twin girls.

   

Out front, my book was in good company, next to a card board display of David Wiesner’s new book, Art and Max. David and I were both illustration majors at RISD, class of ’78. He was quiet and serious, but had a bold, determined side. I remember a mural he painted on the wall in the house he shared with some friends of mine. It was a huge copy of one of Henri Rouseau’s fantasy jungle scenes. I saw David at a RISD reunion a few years ago and was happy to see that he was still as kind and friendly as he’s used to be.  

In the recent post about my book release party at Highfield Hall (see here), I said that I hadn’t taken any pictures of the wee folk centerpiece. Well, Carol from Eight Cousins was thinking clearly enough to take some, so here are her photos of the me setting up refreshments in the dining room. 

 

“Posies” book party at Highfield

Yesterday’s “coming out” party at Highfield for Pocketful of Posies was a big success! My husband Rob took pictures, as it was too hard to talk, sign books and photograph the event. I was so busy and involved with setting up the refreshments, that I forgot to take pictures of the cookies or my centerpiece, which was a tangle of driftwood covered with wee folk dolls. I took pictures during its construction in my studio, so I’ll write the next post about putting the scene together. Here I am, sitting at the desk, signing books. People kept coming, so I didn’t get a chance to walk around and show off my fancy Ojai pants, which were bought during my trip last spring (see Ojai posts here and here). 

All 51 original illustrations from the book are on display at Highfield Hall in Falmouth, Mass. until Oct. 31st. Then half (25 pieces) of the collection will travel to the Danforth Museum in Framingham, Mass. from Nov. 13th – Jan. 6th. To see updates on the traveling show schedule, visit the Pocketful of Posies Traveling Exhibit page.

Eight Cousins Bookstore had a table set up and they gave away posters to the first 50 customers. I was touched by the number of men who told me how much they enjoyed the illustrations.  My artwork involves so much “women’s work” with a needle and thread, that I’m especially pleased when men are impressed.

There was a constant line for signing books, which has never happened before in almost 20 years of illustrating books! So, this is a welcome change, as  I’m usually sitting alone in a corner of a book store, twiddling my thumbs, wondering if the drive was worth the gas money.

So many friends came, including my neighbors Sheila and Joy. There were some guests who mentioned visiting this blog!

The piece this woman is photographing, “Molly my sister and I”, was taken down after the party. It will be sent to the Original Art Show at the Society of Illustrators in New York City. Original Art 2010 is a juried exhibit of children’s book illustration published in 2010 and will run from Oct. 21- Nov. 24.

Pocketful of Borders: Jack Sprat & My son John

All of the borders from Pocketful of Posies are finished and the artwork is hung at Highfield for the first leg of the tour. The book release party will be held at Highfield Hall in Falmouth, MA on Sunday, Sept. 26, from 4 to 6pm. I hope to see some of you there!  

I still have some photos which show the border making process for a few more illustrations. This one incorporates two different rhymes, Jack Sprat (who ate no fat) and Deedle, deedle dumpling, my son John (who went to bed with his trousers on).   

   

The gray of the driftwood house is too monochromatic for me, so I added a favorite color combination of orange and blue to the figures and props. I used cool colors on the felt border, allowing the warmer browns and oranges to pop out visually. Jack Sprat and his wife are holding doll house utensils.   

   

I embroidered the border pieces with variegated thread.   

   

The driftwood beams and floor boards are sewn onto the felt background through tiny drilled holes. No dreaded glue! Now that I think of it, I did use some glue on the furniture.   

   

But sewed son John’s bed in place.   

   

I can remember really liking the process of building the house, which was so different from sewing. There was sawing, sanding, drilling, carving and whittling. Sawdust mingled with threads on the floor.   

Jack Sprat from "Pocketful of Posies" 2010

Note: See other posts from the Pocketful of Borders series here.

Close-ups (cottages)

I’m a hopeless homebody and have been putting cottages and other cozy shelters in my artwork forever. This first yellow house is from the back cover of  the first edition of Mary Had a Little Lamb.  The board book version shows a portion of the picture that doesn’t include the house.

MHALLchickensWM

This one from You and Me: Poems of Friendship has a ribbon porch roof decorated with tatting.

fastfriendsWM

I used cloth-covered wire to make the gingerbread edging along the roof line in this cottage from The Hollyhock Wall. Looking more closely, there is a lot of cloth wrapped wire in this scene: tree branches, hollyhock stems wicker furniture and straw hats. The dolls are about 1 1/4″ tall.

HHWyellowhouseWM

This is the Russian grandfather’s  house from Peter and the Wolf. See the whole illustration in an earlier story about the CD here.

peterhouseWM

This quintessential  thatched cottage is from the rhyme, “One, two, three, four, Mary’s at the cottage door”, which is in my new book, Pocketful of Posies. Find out about the book and the traveling exhibit of original artwork here.  Also, see the whole double page spread in another post here.

PFOPhousethatchWM

Note: See other posts in the Close-ups series archive here.

“Posies” artwork ready to hang!

Today, we finished framing the Pocketful of Posies artwork and will be ready to hang the show tomorrow! Talk about working ’til the last-minute. I don’t usually do things this way and have everything completed way ahead. The whole family helped out over the weekend, while I sewed the last border together. My studio was a beehive of activity; my husband Rob put the last of the artwork into frames and sons Peter and Ian drilled holes and screwed in the eyes on the back. It will take several car loads to transport all 51 pictures over to Highfield Hall tomorrow morning. It’s a good thing we live close by. Wow, does it feel good to have this project done! You can read about Pocketful of Posies: A Traveling Exhibit and see the schedule here.

Pocketful of Borders: Little piggies & back jacket

This is a quick update on the border project for the illustrations from Pocketful of Posies. I’m working on the last one now, so if everything goes as planned, we will be readyto hang the show next Monday! My husband has been helping by putting the artwork into the frames he made. To see the show schedule, go to the Traveling Exhibit Page here. These pictures are from This Little Piggy and the back book jacket.

Note: See other posts from the Pocketful of Borders series here.

Closeups (grapes)

I smelled grapes this morning. Wild Concord grape vines strangle the trees along the bike path and their dark purple fruit is ripening. Women were picking low growing grapes and filling plastic bags. Here are some closeups of grapes in my artwork over an almost 50 year span.

crayon on lined paper, 1960 (age 5)

This pin was made by covering red beads with sheer lavender fabric. Read the story of my pins here.

pin, 1978

The grapes in this fabric relief piece were made the same way as the pin, but about 1/2 the size. I used real curly grape vines. See another detail from “Vineyard Family” here.

detail from “Vineyard Family” 1985

Here’s one from my kitchen faux tiles, which you can see here.

faux tile, 1991

Here’s a scene from Mary Had a Little Lamb, when the lamb was following Mary to school. See other closeups from the book here.

detail from “Mary Had a Little Lamb” 1995

And this is a felt pin from my how-to book, Felt Wee Folk: Enchanting Projects.

felt pin from “Felt Wee Folk” 2003

Note: See other posts in the Close-ups series archive here.

Pocketful of Borders: Go to bed first

There are only 5 more borders to make before we hang the first installment of the Pocketful of Posies Traveling Exhibit at Highfield Hall in Falmouth next week. Besides stitching, all I’ve been doing for the past month is eating, sleeping and occasionally riding my bike for exercise. It takes about 8 to 10 hours of sewing to complete each border, so I’ve been aiming for one a day. My broken wrist  set me back 4 months last winter, so I’m making up for it now.

“Go to bed first, a golden purse” begins the last rhyme in the book.  Here’s my work table with the illustration surrounded by piles of wool felt.

The border colors have been selected and cut.

I was so intent on finishing this one, that I skipped taking pictures of the stitching process. The rug under the beds is decorated with embroidery on felt, with thread tassels.

The different beds are made with found objects like beads, dowels, and hollow thorns.

It’s always a good idea to end a bedtime story book with a picture of a sleeping child.

Note: See other posts from the Pocketful of Borders series here.

Pocketful of Borders: Old woman who lived in a shoe, etc.

This double page spread from Pocketful of Posies has three rhymes dispersed throughout; There was an old woman who lived under a shoe, Lillies are white and See saw, Margery Daw. Since I’m so busy stitching, I’ll just show pictures of the border making process without description.

Note: See other posts from the Pocketful of Borders series here.