SALLEY MAVOR

WEE FOLK STUDIO

Rabbitat filming session

Posted on February 26, 2011 by Salley Mavor

There’s been lots of activity in the studio since the valentine pilot gave an aerial tease of the new piece I’m currently working on. It now has a name, thanks to my husband Rob, who called it Rabbitat after I told him I was making a habitat for rabbits. This is not an illustration for a book, but a stand alone fabric relief picture. I’m still sewing parts of the scene, like this lilac bush.

I’m also working with some local filmmakers, the husband and wife team of Daniel Cojanu and Elise Hugus. I’ve hired them to make a 3 to 5 minute film about my artwork, with Rabbitat as the subject. Here they are, filming and recording the interview portion in my studio. See the finished film here.

The film will show my process of working, with a voice over of me explaining and describing what I do. It won’t really be a how-to, but more of a glimpse into what I think about art and the creative process. Here I am, setting up a shot with Daniel.

Not everything is sewn in place yet, so we played with the dolls. Here’s Daniel filming one of the rabbit characters.

We had fun twirling the rabbit around on the tripod, while the camera rolled. Daniel and Elise will come back and film some more when I’m finished making Rabitat. I hope to have the film finished in a few months, so I can show it on this blog and when I give presentations about my work. Until, then, I’ll give little glances of Rabbitat, but save the details for when the film is completed and ready to show.

Closeups (castles)

Posted on February 8, 2011 by Salley Mavor

The first image is a detail from an embroidered illustration I made for a class in 1974. The assignment was to make an album cover for a made-up band. Mine pictured a kind of folk/rock/ renaissance musical group with a landscape and castle in the background. I think this was the first totally stitched scene I made. I found a stitching how-to book at the library and followed the directions. Before this all of my embroidery was embellishment on blue jeans and other clothing.

A couple of decades later, I made this sand castle for the book, You and Me. The beach sand is made from raw silk that I dyed with a spray bottle. And yes, those are real beach stones glued to the fabric.

detail from “You and Me” 1997

Here’s George reading a fantasy story with my favorite castle design on the cover. I got out my old stack of Color Aid paper to make the book.

This castle is from a royal scene I made for a doll magazine in 2000. The fleur-de-lis on the castle door is a nail head. The project was in The Cloth Doll, Volume 14, number 2.

The next 2 closeups are from my newest picture book, Pocketful of Posies.

In this one from Old King Cole, I use a combination of clay beads and wool felt to make the stone wall. And the fiddle is made from felt.

Impromtu book signing on friday

Posted on January 18, 2011 by Salley Mavor

Book signing CANCELLED due to snow.

I’ll be up in the Boston area this friday, so the Danforth Museum asked if I’d like to come in for an hour to meet people and sign books. Everyone is invited to come to the museum in Framingham from 12 noon to 1:00 pm. My original illustrations from Pocketful of Posies are being exhibited an extra week, until Saturday, January 29th, so there’s more time to get to the show. I’d love to see some blog followers on friday!

detail from "Pocketful of Posies" 2010

Also, Pocketful of Posies was named an American Library Association Notable Children’s Book of 2010. The ALA committee writes,”Familiar and lesser known nursery rhymes, illustrated with superb needlework and appliqué, create a charming dollhouse of a book.” Thank you to all of the wonderful librarians around the country who have taken notice of my book!

Martin Luther King day

Posted on January 17, 2011 by Salley Mavor

In honor of Martin Luther King, I’ve gathered some images from my children’s picture books.

from “In the Heart” 2001

from “You and Me: Poems of Friendship” 1997

detail from “In the Heart”, 2001

from “You and Me: Poems of Friendship” 1997

from “Pocketful of Posies” 2010

from “In the Heart” 2001

from “Hey, Diddle, Diddle!” 2005

This post was inspired by the pictures of Mimi Kirchner’s beautiful dolls on her blog.

Also, the Pocketful of Posies exhibit at the Danforth Museum will be extended another week, until Sat., January 29th.

Closeups (bags)

Posted on January 8, 2011 by Salley Mavor

Purse, handbag, satchel, luggage or sack— they are basically containers to carry loose things around. As a sculptural object, there are just a few requirements, including storage space, durability and ease of use. I don’t understand the craze over designer bags. From what I’ve seen, most aren’t very interesting and are kind of ugly. Clearly, the fashion world is a mystery!

This first purse is being clutched by a wrench hand in my found object piece, Walking the Dog, which can be seen here.

detail from “Walking the Dog” 2005

This little piggie going to market is from Pocketful of Posies. The string bag is made with a needle crochet technique that I figured out on my own. I’m not patient enough to follow directions to learn the proper way to crochet with a hook, so I just fool around with a needle and thread.

Here’s an old man clothed all in leather, from the illustration for the folk song “One Misty Moisty Morning”. This and all of the next closeups are from Pocketful of Posies. The photos are blown up to about twice their actual size.

detail from “Pocketful of Posies” 2010

detail from ‘Pocketful of Posies” 2010

detail from “Pocketful of Posies” 2010

Pocketful of Borders: back cover

Posted on January 5, 2011 by Salley Mavor

I always make book covers toward the end of a project. In the case of Pocketful of Posies, I’d already spent a couple of years on the book before I was ready to tackle the all important jacket design. See the front cover in an earlier post here. Whereas the front requires a title and by line, all the back really needs is space for a bar code.

sketch for "Pocketful of Posies" back cover

I decided to make a child inhabited landscape and neighborhood without a clear up or down. This way, I could set the scene for the book, going from general to more specific inside. Day and night would be separated diagonally.

Since the illustration already had a border of leaves, I just had to make a pattern (in red paper) and cut the felt into the wavy shape.

Then, I blanket stitched around the entire outside edge with pima cotton. I also signed and dated the bottom corners with chained stitched embroidery floss. This original illustration is part of the Pocketful of Posies Traveling Exhibit at the Danforth Museum in Framingham, MA, which will be on display through January 23rd.

back cover from "Pocketful of Posies" 2010

Note: See other posts from the Pocketful of Borders series here.

Close-ups (foliage)

Posted on December 26, 2010 by Salley Mavor

This series of close-ups shows the progression of my stitching technique and style over 20 years of illustrating children’s books. The first picture shows a detail of the banana trail that Savi the elephant follows through the jungle in The Way Home (1991). Read the story about making The Way Home here.

from "The Way Home" 1991

I made a stencil and painted grass on the velveteen background in The Way Home‘s sequel, Come to my Party (1993).

from "Come to My Party" 1993

Jump ahead a dozen years and I’m embroidering blades of grass and sewing glass beads to a wool felt background in the board book, Hey! Diddle, Diddle.

detail from "Hey! Diddle, Diddle" 2005

And still obsessing over french knots in Jack and Jill.

detail from "Jack and Jill" 2006

This one shows a small section of the illustration from the song One misty moisty morning in my most recent book, POCKETFUL OF POSIES . If you are having difficulty finding a copy of the book, it’s because the first printing has sold out. My local bookstore, Eight Cousins, stocked up, so they might still have some (508.548.5548). The situation will soon be remedied, as the second printing will arrive from Hong Kong in mid-January.

detail from "Pocketful of Posies" 2010

Pocketful of Borders: Little Jack Horner

Posted on December 20, 2010 by Salley Mavor

Little Jack Horner sat in a corner/Eating a Christmas pie/ He put in his thumb and pulled out a plum/ And said, “What a good boy am I.”

: Little Jack Horner from “Pocketful of Posies”

I made this illustration toward the end of the three-year Pocketful of Posies project. I was never happy with the original sketch and by the time I started working on it years later, had changed the design entirely. At first, Jack was sitting under a Christmas tree in an interior domestic scene. The next thing I knew, the wall had disappeared and Jack was half way inside and halfway out. He was still sitting with his pie, but he had let in the wintry outside. I never seem to be satisfied with a design, until nature bursts in.

After the artwork was photographed for the book, I stitched a felt border and framed the picture, which is now touring in the Pocketful of Posies Traveling Exhibit.

I like using variegated embroidery floss whenever possible. It adds a range of hues and a vibrancy that solid colored threads lack.

The snow on the roof top and in the sky is made from circular sections cut out of lace. Inside the driftwood house, the area behind Jack and the tree is textured with tiny stitches of different colored threads.

Little Jack Horner from "Pocketful of Posies" 2010

Note: See other posts from the Pocketful of Borders series here.

Jakob and the ring around a roses book

Posted on December 15, 2010 by Salley Mavor

Last week I heard from a mother whose 2-year-old son has latched onto his copy of my new book something fierce. I’ve heard a lot of compliments from grownups, but the account of this little boy and the “ring around a roses book” made me feel tingly inside, like the whole project was worth it. His mother, Kitty Flynn writes, “At 26 months, Jakob can recite most of the rhymes from Pocketful of Posies. Not surprising, since he went on a Pocketful binge for a few weeks. That’s the only book he wanted to look at, the only book he wanted read to him.

detail from “Pocketful of Posies” 2010

“Baa Baa, Black Sheep” was the first one he regaled us with. (there were about 3 days straight when that’s pretty much all he said. Over and over. Really, Really fast).

Next was “Twinkle, Twinkle Little Star” delivered in his own cadence: “up above the world SO high/ Like a diamond in THE SKY.”

detail from “Pocketful of Posies” 2010

I’ve lost track of how many he knows. We hear them when he wakes, we hear him them when he’s falling asleep. We read the book during meals, he brings it with him for diaper changes (TMI? Sorry).

from “Pocketful of Posies”

I’ve found him a couple of times sitting quietly (you have no idea how bizarre it is to see him sitting quietly) looking intently at the book. He’ll look up and say, “Reading a book. This a good page.” And I have no doubt that the lightning fast recitations are being soaked up by his 13 month old sister, who is just beginning to say words. I want you to know that your collection has made a real and lasting impression on one language-loving little boy and his family. So, if anyone asks, why do we need another nursery rhyme book, just tell them to come talk to me.”

detail from “Pocketful of Posies” 2010

Jakob and his family live in the Boston area, so they are planning on visiting the Pocketful of Posies original art exhibit at the Danforth Museum in Framingham. I wish I could be there to see his reaction!

Book supply update: Pocketful of Posies has been selling so well that the publisher and all book distributors have sold out of the first printing. The new print run isn’t scheduled to arrive from Hong Kong until mid-January, so whatever supplies bookstores and online retailers have in stock is it for now. When I first heard about this, I thought about the Cabbage Patch doll craze in the 80’s and imagined customers fighting in stores for their copy of “Posies”! Luckily, my local bookstore, Eight Cousins, planned ahead and stocked up. There are some autographed copies still available at 508.548.5548.

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Close-ups (couples)

Posted on December 7, 2010 by Salley Mavor

News Flash! My interview with Jules at the Seven Impossible Things blog was posted today. Just a warning though– there are tons, I mean tons of pictures in the article!

This series of couples begins with a detail from Vineyard Family, which I made in 1985. During the 80’s I experimented with flattened dolls on embellished backgrounds and came up with the term fabric relief to describe what I was making. See other details from this scene here and here.

These gingerbread cookies are appliqued and embroidered on a wool felt balsam pillow. This project is in my how-to book, Felt Wee Folk.

And the dish ran away with the spoon in my board book version of Hey, Diddle, Diddle! The dish is formed out of polymer play and cut with a scalloped edged biscuit cutter. The silver spoon is beat up and old, but he strikes the dish’s fancy.

This detail is from my 2007 piece, Self Portrait: a personal history of fashion. My husband, Rob joins me for the year we were married (1981) in the spiral of 52 dolls, which age from birth to 52. I made our full size wedding outfits in 1981, too. See a post about the Self Portrait here.

This detail from Pocketful of Posies: A Treasury of Nursery Rhymes shows the last part of the Jack and Jill rhyme when a wounded Jack “went to bed to mend his head with vinegar and brown paper”.