Three of my fabric relief pieces are currently in three different shows in La Conner, WA, Framingham, MA and Falmouth, MA. I’m happy to say that they’ve all been recognized in some way. I tell myself that art isn’t competitive and that prizes don’t matter, but it sure feels good when one’s work is noticed in a special way. Thank you jurors and voters! It just so happens that all three pieces are available as posters in my Etsy Shop.
This is the first time I’ve entered a quilt show because without 3 layers and a hanging sleeve, my work doesn’t usually qualify. But, the La Conner Quilt Festival made me feel welcome. The quilt show structure (and culture) still feels alien, though, with its myriad of categories and prizes. I’m not complaining — it’s wonderful to slip into the “fiber art – not quilted” category.
Self Portrait: a personal history of fashion received 2nd place in the Masters Fiber Art – not quilted category, in the 2012 Quilt Festival, La Conner Quilt and Textile Museum, La Conner, WA. The show is this weekend, Oct. 5 – 7, 2012.
Rabbitat (see film here) was awarded Second Prize for its inclusion in the Danforth Museum of Art’s Annual Juried Exhibition of Children’s Book Illustration Picture This!. The show will be at the Danforth Museum (Framingham, MA) until November 4, 2012.
And I just heard that Birds of Beebe Woods was voted “Most Favorite Artwork” by attendees at the Beebe Woods Exhibit opening last friday night. That’s nice! The show will be at Highfield Hall in Falmouth, MA (Cape Cod) until Nov. 16, 2012.
On Wednesday evening, we went to the opening of RISD ICONS: A Legacy of Illustration from Rhode Island School of Design. The show features the varied artwork of over 50 RISD alumni, including children’s book illustration, comics, editorial and advertising. My piece, Rabbitat, was nicely displayed next to fellow ’78 classmate, David Wiesners’s original painting from his most recent book, Art & Max. My former teacher, Judy Sue Goodwin-Sturges (pictured below) joined us for the festivities.
Special Offer to my blog readers: Buy a Rabbitat poster at my Etsy Shop and receive a free Felt Wee Folk Blossom Fairies poster. Just mention free fairies poster on your order.
The show is on display for a short time, through June 25th, at the Woods Gerry building on the RISD campus, 62 Prospect St., Providence, RI.
Rob and I joined Judy Sue and some old and new friends for dinner afterwards. I was delighted to meet Jamie Hogan (RISD ’80), an illustrator who teaches at the Maine College of Art. We hope to reconnect soon at MECA, where my son Ian is a painting student.
The Rabbitat film has been viewed over 4000 times (update: 18,000 in November 2015) since it was posted on Vimeo, 9 months ago! To celebrate, I’ve put together a selection of process photos, most of which have not been published before. Posters of Rabbitat (on left) are available from my Etsy shop. The original fabric relief piece is currently on display until January 17, 2015 ~ ART QUILTS XIX: Permission to Play, Storytelling Art Quilts at Vision Gallery , Chandler Center for the Arts, Chandler, Arizona. Two of my most popular pieces are included in this exhibit ~Rabbitat and Birds of Beebe Woods.
I’ve finally joined the rest of the world by opening an Etsy shop! It’s taken a while for me to figure out what kind of items to sell, since I’ve given up mass-producing dolls and kits, etc. I could have really used a service like this 30 years ago, or even 10 years ago. At the moment, I’m happy to offer three brand new posters of some of my more popular fabric relief pieces; Self Portrait: A Personal History of Fashion, Rabbitat and On Halloween.
The 18″ x 24″ posters are high quality reproductions, printed on sturdy 100 lb. paper. My sister, Anne Mavor did a beautiful job with the graphic design–so tastefully done. I’m very excited to be offering these, so please visit my shop!
Originally, I was going to make human characters living in the drift wood house, but I kept imagining long ears sticking up from their heads, so they changed into a rabbit family. Hence the name Rabbitat (see film here). The mother and father dolls are about 4 inches tall and made with a bendable pipe-cleaner armature. The heads are made from wooden beads covered with wool felt. There’s a seam down the front of the face, under the embroidered nose.
As soon as I added front teeth, they lost their bland cuteness and took on personality, or should I say rabbitality?
Maybe I just identified with them more, having been a buck toothed child.
The faces are embroidered, with glass bead eyes.
The ears have fine wire sewn around the outside edge, so they can be bent expressively.
The baby carriage is made from this wire, which is covered with a bark-like natural material I found at a florist supply business. The wheels are acorn caps with holes drilled in the center.
I embroidered a carrot motif on the clothing.
And let’s not forget the biggest character of all — the rabbit topiary.
To see more posts in this series and to view the Rabbitat film click here.
I added the garden gate about half way through the process of making Rabbitat. Since I changed the design from vertical to horizontal, I needed something in the lower right to balance the rabbit topiary on the left. I also wanted to create a transition from the foreground to the background and make an an entrance into the rabbit world.
I selected some driftwood and carved joints into the pieces. I then drilled holes in the joints and glued the pieces together with wire in the holes for reinforcement.
On a jig saw, I cut out a wooden rabbit shape to put on top of the gate.
I wanted bars in the gate, so I bent some 32 gauge cloth-covered wire and wrapped it with embroidery floss.
Then I had to figure out what to use for hinges and a latch. I got out my collection of little metal do-dads, but wasn’t satisfied with how they looked. Shiny metal didn’t seem to fit in the rabbit’s world. I ended up using clay tube beads for the hinges and wrapped wire for the latch.
I worked around the gate for many weeks, sewing the tree and constructing parts of the scene’s landscape.
I created a felt stone pathway leading to the gate, with french knot moss. Thinking ahead, I stitched my initials into the design on the right hand corner.
To see more posts in this series and to view the Rabbitat film click here.
The last part of the animated title sequence in the Rabbitat film (which just hit 2001 views!) includes this stitched signature. We wanted my name to appear below the title made of found objects, so I wrote the script out in a simple line of stitches.
On tissue paper, I wrote out my name in pen and then pinned the paper to a stretched piece of black felt. I then stitched through the paper, tracing the lines with orange Perle cotton, making one continuous line. Removing the paper afterwards was a tedious mess. I cut as much as I could with scissors and pulled out the small bits with tweezers, making sure not to leave bits of white showing on the black background. I’m sure that I could have found a better method, like water soluble paper, but I didn’t want to get it wet.
We stabilized the camera by strapping it to a stack of books.
We used a tripod and clamps to hold the stretcher upright and rigid, so that I could access the back.
Daniel took pictures as I pulled out one stitch at a time. Through the magic of filmmaking, he put all of the photos together to make it look like the signature was written out in stitches and added it to the rest of the title sequence. The process took several hours for a few seconds of action in the film, but we think it was worth it.
To see the film and read other posts in the Rabbitat series click here.