The best cheese straws in the world!

Posted on December 8, 2018 by Salley Mavor

This family recipe was first published on my blog 6 years ago. Based on the numbers of visits since then, the post has been a constant favorite ever since. If you want to bring something special that’s not hard to make to a holiday party this season, try it out!

Cheese straws are my favorite offering to bring to holiday gatherings. The recipe comes from my maternal grandmother’s family from Orangeburg, South Carolina. The tradition has been passed down from mother to child for generations. There are cheese straws and then there are these cheese straws, which always get a lot of attention. I’m working on teaching my sons how to make them – they sure like to eat them! The trick is to use the sharpest cheddar cheese you can get and to roll them as thinly as possible.

My grandmother (2nd from left) with the Salley family, in about 1900.

Ingredients: 3 Cups flour, 2 tsp. seasoned salt (I use Lawry’s), 1 tsp. dried mustard, 1 cup butter, 8 oz. very sharp cheddar cheese. Start by mixing the flour, salt and dried mustard in a bowl.

Cut in the butter with a pastry cutter, like you are making pie crust.

Grate the cheddar cheese and stir it in with the flour mixture.

Dribble ice water into the mixture and combine until it sticks together in a doughy consistency. Don’t let it get too soggy!

Divide into balls, handling the dough as little as possible. Then wrap the balls and refrigerate for a few hours.

Roll out the dough balls as thinly as possible and cut in strips with a pastry crimper.

Spread the straws out on a cookie sheet and bake in a 350 degree oven for 15 to 20 minutes, until golden brown. They may take longer to cook, so check them often and switch pans to different racks during baking time.

They don’t take long to cool, so immediately sample a few. Now, put them out and watch them disappear! They can be saved in a tin and make a great gift, too.

Since so many of you’ve enjoyed the recipe over the years, I decided to make a card with the cozy kitchen scene (below) on the front and the recipe for making cheese straws printed on the back. That way, it’s a greeting card (or Christmas card) and recipe card all in one. The Cheese Straws card is available in my shop in packs of 4 or 8.

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Self Portrait revisited

Posted on December 5, 2018 by Salley Mavor

It’s been a while since my Self Portrait was featured in my very first blog post in 2009, so I thought I’d revisit it today.

Self Portrait: a personal history of fashion, 2007

Self Portrait: A Personal History of Fashion is usually on display in its semi-permanent home at the Woods Hole Library, except when it’s included in one of my exhibitions elsewhere. I made the piece for a self-portrait themed invitational exhibition in 2007. It shows a spiral of dolls, one for each year, starting with my birth date in the center. Each figure is dressed in an outfit I would have worn that year, taken from memories, family photos or imagination. The figures range from 1 in. to 3 1/2 in. and are variations of the wee folk and fairy dolls in my how-to book, Felt Wee Folk.

An old acquaintance wrote to tell me that three generations of her family enjoyed seeing my work at the Cahoon Museum. She especially wanted me to know that her 4 year old granddaughter was so taken with my self portrait that they couldn’t tear her away. For little Emma, seeing the progression of dolls opened up the concept of growing up, which led to her asking lots of questions. I love hearing accounts like this, because it reaffirms my intention to make art for all ages, whether it’s book illustration or stand alone embroidered pieces like this one.

Note cards and an 18″ x 20″ poster of the Self Portrait
is available in my shop here.

This piece seems to resonate with a lot of people whose lives parallel the same time period. I can’t tell you how many women remark that they had an alpaca poncho! As well as clothing memories, we all have a personal soundtrack that goes with different times in our lives. This video is a nostalgic tour through fashion and music that my husband Rob and I put together. At the end, there’s a list of the music.

Since I made many of my own clothes, I remember the fabrics and clothing styles. They are recreated here with smaller scale fabric and embroidered wool felt. My husband, Rob, appears the year we were married and my sons, Peter and Ian, are included through the years when they were little and physically connected to me. The tatting around the outside of the circle was made over 100 years ago by my late grandmother, Louise Salley Hartwell. The wool felt spiral in color gradation is mounted on upholstery fabric, which I embellished with multicolored french knots.

Self Portrait at it’s semi-permanent home, the Woods Hole Public Library

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Petunia Ltd. Edition Fairy

Posted on November 27, 2018 by Salley Mavor

I’d like to introduce PETUNIA, the newest Ltd. Edition Fairy. The group of 25 dolls have been traveling around with me for about 6 months and finally they are all dressed, coiffed and winged! The fairies will be ready to fly off from my Etsy Shop to their new homes on Saturday, Dec. 1, 2018 at 10 AM (Eastern US time). They will be sold on a first come, first served basis. Sorry, no reservations ahead of time. I realize that the hour of the day is in the middle of the night for those of you on the other side of the world, but I can’t figure out how to make it perfectly fair.

I started making this group while in Scotland last spring. Here I am in the Edinburgh Airport, sewing their felt tunics while waiting for my plane. As with all of the Ltd. Edition Fairies, I only work on them while traveling, when there are long stretches of time to fill going from one place to another. The photo reminds me of a drawing I made of my mother many years ago. She is knitting one of her signature hats featured in my sister Anne Mavor’s 2006 article, “My Mum’s Fair Isle Hat” which she wrote for Interweave Knits Magazine. I wrote about it in this Blog post. I suppose we are all destined to become our mothers in some way!

As you can see, I haven’t weened myself entirely from making fairies. It’s a nice relaxing, portable activity when traveling. I’ve had to put limits on myself at home or else I would make them all the time, instead of pushing myself to do new work. To see this and the other fairies in the archives, click here.

So, 1 or 2 times a year, I complete a group of 25 dolls and offer them in my Etsy Shop. They’re basically the same fairies from my how-to book of dolls, Felt Wee Folk – New Adventures.

The only potentially messy part is gluing on their hair and acorn caps, so I usually do that in my studio. The hair is wool fleece, which I’ve just added as a multi colored sampler to my Etsy Shop.

During a recent long car ride, I braided their hair and sewed on their wings while sitting in the passenger seat.

PETUNIA is 3 3/4″ tall, with braided chestnut hair, acorn cap hat, hand embroidered wool felt tunic and petal skirt. Each doll is one of a limited edition of 25 look-alike fairies. They each sell for $85.00 and come with a signed and numbered name tag.

To enter my shop, click here. PETUNIA will be added on Dec. 1 at 10 AM. Good Luck!

Bed Book peek – Holland (part 3)

Posted on November 24, 2018 by Salley Mavor

This is the third and final post about making the book illustration with a houseboat on a canal in Holland. To see other posts about this scene, go to Part 1 and Part 2. Eventually, all of the sewn originals will be photographed and printed in MY BED, a picture book about where children sleep around the world. Each spread will depict a child in a different culture and living environment.

Update: Signed copies of My Bed can ordered in my shop here. 40 pages, 9″ x 9″, words by Rebecca Bond, pictures by Salley Mavor, published by HarperCollins. ISBN 978-0-544-94906-5

Here’s a list of links to posts showing other finished illustrations for the book:
Afghanistan, Russia, North Africa, South America, India, Japan and Iran. To see a list of all my books, click here.

For the stone dock, I sewed felt rectangles in place with blanket stitch, interspersed with flat polished stone beads. There needed to be something to tie the boat line to, so I looked through my collection of miscellaneous old metal objects and picked an appropriately weathered looking one with a hole. How was that attached, you may wonder? I glued a piece of felt on the back of the metal piece and then sewed it to the dock.

I glued felt to the back of the object, instead of directly to the background. That way, you can play around and adjust things until the last minute. The glued on felt provides something to catch the thread when you do sew it in place. And it’s always possible to rip it out and try a new position.

The architecture in Amsterdam is a colorful array of tall narrow buildings with interesting roof treatments.

I embroidered blanket stitch with flower thread around the outside of the felt windows and a door. DMC flower thread is no longer available, but Dutch Treat Designs has some of the discontinued thread in stock.

From the images I found, the stepped roof style looked the most distinctively Dutch. I like the way its zigzagged shape stands out against the blue sky. The research photos made me want to visit Amsterdam!

For door hardware, I sifted through old hooks and eyes, until I found a matching pair of the tiniest eyes. A generous admirer recently gave me a box full of them – what a treasure!

Tube beads worked as architectural details above the windows.

And how can you make a scene set in Holland without a bicycle?

The bicycle frame is wire, the wheels are betel nut beads, the handlebars are an eye (from hook and eye) and the seat and gears are metal snap parts. In the photo below, you can see what it looks like in the back, with wire and thread holding everything in place.

I found a cord that looked like a well used dock line and fed it through the hole in the metal part on the canal wall. Then the houseboat could be tied up safely.

I hope that you enjoyed this little peek behind the scenes at making the illustration with a houseboat on a canal in Holland. To see other posts about this scene, go to Part 1 and Part 2.

To keep up with new posts, please subscribe to this blog. Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram.

Cyber Week SALE

Posted on November 20, 2018 by Salley Mavor

I am happy to announce
Wee Folk Studio’s first ever CYBER WEEK SALE
(Nov. 20 – 26)!
20% off all cards, posters and fairy making supplies.
Enter ETSY Shop here.

Poster – Displaced
Poster – Noah’s Ark
Poster – Birds of Beebe Woods
Poster – Rabbitat
Poster – Cover Up
Card – Winter Play
Blueberry Fairy note card
Cards – Birds of Beebe Woods
Lavender Fairy note card
Card – A Wee Gathering
Card – Beach Babies
Card – A Buggy Picnic
card – Milkweed baby
Card – Mary Had a Little Lamb
Card – baby in walnut shell
fairy making supplies
Postcard – Displaced
Wool fleece fairy hair

Bed Book peek: Holland (part 2)

Posted on November 17, 2018 by Salley Mavor

Back for another peek behind the scenes at making an illustration with a house boat located in Holland. To see Part 1, click here. The scene will be included in My Bed, a book about where children sleep around the world, with each spread depicting a different culture and living environment.
Here are links to posts showing other finished illustrations for the book:
South America, Japan, India, Afghanistan, Russia, North Africa and Iran.

Update: Signed copies of My Bed can ordered in my shop here. 40 pages, 9″ x 9″, words by Rebecca Bond, pictures by Salley Mavor, published by HarperCollins. ISBN 978-0-544-94906-5

In the research photos of house boats, it seemed that practically every example showed potted plants on deck. So, I constructed little “terracotta” containers out of felt and made flowering plants with beads, felt and wire.

Wrapping wire with a single strand of embroidery floss is tedious work, but a satisfying process for those of us who are detail obsessed. The leaves also have wire around the outside edge, which makes it easier to position and arrange the plant in the end.

These glass leaf beads have spent years packed away in bags and boxes, waiting for a chance to be useful.

They were the perfect size and color for a hanging plant resting on the house boat roof.

And what house boat doesn’t have a cat? I made a felt hood to put over its wooden bead head, kind of like a Halloween costume with ears. I added wire along the outside edges of the ears to make them extra pointy and firm. Sometime felt is too soft and floppy and needs a little cartilage to hold its shape.

The body frame is made with thread wrapped pipe cleaners, just like the legs and arms in the human dolls in my how-to book, Felt Wee Folk.

After adding a felt body, I sewed the cat to the deck at the bow of the house boat, where it keeps a lookout.

Please stay tuned, because there’s more to come in Part 3. To see Part 1, click here.

Bed Book peek: Holland (part 1)

Posted on November 10, 2018 by Salley Mavor

It’s time to go back to where we were a few month a ago, when I was sharing the process of making illustrations for my children’s book project, My Bed. I’ve been working on the pages, even in the midst of the turmoil over my Liberty and Justice exhibit. The calming effect of embroidery is helping me keep my wits, while dealing with the pressures of being more in the public eye.

Update: Signed copies of My Bed can be ordered in my shop here. Watch this 8 minute documentary about how I created the illustrations for the book.

And now, for some sweet stuff…

This scene with a Dutch house boat will be included in My Bed, a book about where children sleep around the world, with each spread depicting a different culture and living environment. The story is written by Rebecca Bond and will be published by HoughtonMifflin in 2020. Here are links to posts showing other finished illustrations for the book: South America, Japan, India, Afghanistan, Russia, North Africa, North America, Ghana and Iran. To see a list of all my books, click here.

The book’s wonderfully supportive editorial team, which includes April Prince and Ann Ryder, met in my studio to see the illustrations I’ve completed so far. It was very helpful to go over each page and work toward finalizing the book design. Producing a little children’s book is no simple task, with important decisions to be made along the way. The good news is that they agreed to extend the deadline for the finished art by a few months to next summer, which is a much more realistic time frame. I’ll still work 7 days a week (that’s normal), but my husband and I are taking the time to re-watch episodes of the TV show Northern Exposure in the evenings, which makes us both happier.

The following photos give a peek behind the scenes at making the house boat and the boy who lives inside.

Above is the window frame in the house boat cabin. To give it structure, I reinforced the outside and inside edges with Soft Flex wire. The life ring is made from wool felt, cord and red ribbon.

I couldn’t help adding iconic Dutch windmills to the shutters.

The bow of the boat will protrude about an inch, so it’ll appear more 3-dimensional.

I made stanchions with tube beads and a jewelry ring finding. Those same rings worked well for scupper holes that drain water off the deck.

I enjoyed adding nautical details to the house boat – scupper holes, stanchions, life lines and a rub rail. Well, my naval architect father would want me to use the correct terms.

A little Dutch boy will be inside, behind the window. His head is in this pile on the left, along with the other children’s heads, which you may recognize from other scenes in the book. I made them all way back in the beginning, because I wanted to meet and fall in love with each child first, before moving ahead with the project.

The head, hair and bodies use similar techniques as the dolls in my how-to book, Felt Wee Folk, except for the hands. The boy just needed the top portion of his body, as he will be lying in bed, under the covers.

I made his pajamas out of an old blue handkerchief that already had white edging. It was one of those unused, monogrammed ones you find when cleaning out a deceased relative’s belongings.

In keeping with the on-the-water theme, his blanket decoration is a wavy chain stitch.

I made a wood box to put him in, which will hide behind the window frame, creating more depth.

There’ll be a strip of embroidered felt water along the bottom edge of the page, too. Please stay tuned for more parts in this series about making the house boat scene.

fiber art at the Cahoon Museum

Posted on November 4, 2018 by Salley Mavor

Last Friday was the opening party for Twisted, Twined and Woven: Contemporary Fiber Art at the Cahoon Museum of American Art, which is located in Cotuit, Massachsetts. The exhibit will be there until Dec. 22. On display are four of my fabric relief pieces (Whiskers, Cover Up, Face Time and Displaced) and the work of Jodi Colella, Jacqueline Davidson, Anna Kristina Goransson, Sarah Haskell, Andy Mauery, Diane Savona and Elizabeth Whyte Schulze.

Whiskers, Cover Up, Face Time and Displaced

It was fun to see old friends and meet new people in the museum’s beautiful new gallery. The space was added on to the Colonial Georgian home (c.1775) that constitutes the original part of the museum. By early 1800’s, the building was operating as a tavern, an important overnight stop on the Cape Cod stagecoach line between Sandwich and Hyannis. I love how the new addition creates more opportunities for showing art, while maintaining and complimenting the historic parts of the museum.

Stinger by Jody Collella

The exhibit is as diverse as fiber art is and includes framed works as well as hanging installations and large scale, free-standing sculpture. Jodi Collella’s extraordinary scorpion made of vintage lace doilies dyed black is the dramatic centerpiece of the show. When the museum director and curator, Sarah Johnson, asked for recommendations of other artists for the show, I told her about the incomparable Diane Savona. As expected, her piece, Security Blanket is powerful and moving. Other pieces on display are Anna Kristina Goransson‘s vibrant felted work, Sarah Haskell‘s framed embroidered houses and baskets by Elizabeth Whyte Schulze.

Detail from “Security Blanket” by Diane Savona

“Beauty in Growth.” by Anna Kristina Goransson

The following pieces of mine are included in the exhibit – Displaced, Cover Up, Face Time and Whiskers. As with all of my work, including illustrations that are reproduced in children’s books, seeing the originals is a different experience than looking at photographs. If you can make the trip to Cape Cod, I encourage you to come and see for yourself.

I am happy to announce that the Cahoon Museum will be hosting the premiere exhibit of original illustrations for my new picture book, MY BED: Where Children Sleep Around the World. The exhibit will be coordinated with the book’s publication by Houghton Mifflin Harcourt in the fall of 2020. Like the traveling show for Pocketful of Posies, I hope to schedule other exhibits, so that more people can see the “real thing”. Interested museums and art centers are welcome to contact me (salley at weefolkstudio.com) for information about hosting an exhibit. It would be wonderful to have the illustrations make their way across the whole country!

Displaced

DISPLACED
All winter long, while I sat and worked on this piece, I listened to news stories on the radio about people who are fleeing their home countries amid war and conflict. Even though Displaced is inspired by recent world events, it could very well represent the universal and timeless plight of refugees throughout history. When forming an idea, I often think in terms of creating miniature shallow stage sets and with this one, I envisioned a melodramatic scene full of foreboding as well as hopeful anticipation. The trail of heavily burdened figures are like an operatic chorus, winding its way upward through a threatening landscape. To help create tension in the design, I thought of opposite forces, such as dark/light, despair/hope, trapped/escape, harsh/tender, sharp/soft and horror/beauty.

Cover Up

COVER UP is a collective portrait of women from around the world, each with a head covering that reflects the conventions of a particular place, social class or time in history. The 45 depictions invite comparison, pointing out contrasts and similarities between different societies. They all wear some kind of scarf, head piece or mask that serve as identifying markers, whether they are forms of self-expression and fashion, or dictated by religious and cultural tradition.

Face Time

FACE TIME is a broad interpretation of a family tree, showing the faces of humanity through time, from early in history to today. The 41 individuals represent a variety of peoples and cultures throughout the world, all connected through branches of the center tree.

Whiskers

WHISKERS focuses on beards and mustaches, showing an array of male characters from different cultures and historic periods. The piece explores diverse societies and their origins, using needle and thread to signify the unraveling and mending of human cultures throughout history. The large face and beard that contains the various heads is inspired by Assyrian sculpture.

happenings of note

Posted on October 20, 2018 by Salley Mavor

Things have been particularly busy around here, with a TV interview, a panel discussion and lots of exhibit news, so please scroll through to the end!

This fall, the winds of change have blown into my life, setting into motion a series of events that have forced me to come out of the comfort of my stitching cocoon. I’m talking about my exhibit, Liberty and Justice, which was abruptly cancelled in Sept., due to its political content. It’s been an eye-opening experience that has brought stress and sadness, as well as opportunity and a renewed sense of purpose. The situation came to the attention of Jared Bowen from WGBH (our local PBS station), who invited me to come on his show, Open Studio. The photo above was taken before the interview while I waited in the green room at WGBH in Boston and the one below is on the set, after we finished filming. You can watch the episode with my interview here.

The Falmouth Art Center has taken the initiative to facilitate a Community Conversation on the subject of art and censorship, bringing together a panel that includes a museum director, a curator, critic and educator, a local business leader with ties to Cape Cod’s cultural community and an artist (myself). The saga surrounding my exhibit cancellation has led to a discussion in town about the roles of artists, art nonprofits and gallery space. The event will be on Wed., Oct. 24, 6:00 – 7:30 PM and is free and open to the public. I hope that we can come away with a greater understanding of the role of art in society.

Liberty and Justice: The Satirical Art of Salley Mavor

New England Quilt Museum in Lowell, MA

Sept. 26 – Dec. 30, 2018.

Artist Talk – “Sweet to Satirical”, Sat., Nov. 17 at 1:00 PM

This exhibition was recently cancelled due to its political content at another venue, which proves its ability to conjure emotions and spark discussion about art and its place in today’s society. The following are on display:

12 enlarged photographs from the Wee Folk Players series of satirical cartoons
14 minute stop-motion animated film, Liberty and Justice: A Cautionary Tale in the Land of the Free
Display of 3-dimensional characters, props and scenery from the animated film
Doll house used as a set for the Wee Folk Players series
Self Portrait: A Personal History of Fashion
A collection of earlier work from ‘the innocent years”, including children’s book illustrations

PLEASE NOTE: The Liberty and Justice exhibit will be coming to the Cotuit Center for the Arts, March 2 – April 20, 2019. Opening Reception March 2, 5:00 – 7:00 PM. Artist Talk – “Sweet to Satirical”, Sat., April 13, 2019 at 11:00 AM. The exhibit will include the same items listed above.

Mary Had a Little Lamb, detail 1995

Women’s March

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TWISTED, TWINED, AND WOVEN: Contemporary Fiber Art

Cahoon Museum of American Art, Cotuit, MA

November 2 – December 22, 2018

Opening Reception, Friday, November 2, 4:30-6:00 pm

Fiber and textile artists find unexpected new ways to work with traditional materials on the theme of interconnections and things we have in common across cultures. The group exhibit will include 4 of my bas-relief embroidered pieces – Face Time, Cover Up, Whiskers and Displaced.

Displaced

Face Time

Cover Up

Whiskers

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And if you’re in the Pacific North West, my 3-dimensional embroidered piece, Birds of Beebe Woods is part of this exhibit in Walla Walla, Washington, which features 40 quilt and fiber artists:

The Nature of a Stitch

Sheehan Gallery, Whitman College, Walla Walla, WA

August 28 – December 7th, 2018

New England Quilt Museum steps up

Posted on October 12, 2018 by Salley Mavor

Yesterday, Rob and I went to see my exhibit, Liberty and Justice: The Satirical Art of Salley Mavor at the New England Quilt Museum in Lowell, Massachusetts. When the show was abruptly cancelled at another venue due to its political content, they swooped in to save the day! Since delivering the artwork a few weeks ago, this was the first chance we’ve had to go back and see how it all looks. I can tell you that their curator Pam Weeks (pictured in foreground) did a beautiful job arranging everything in the two galleries. One gallery contains a selection of framed photographs from the Wee Folk Players series, a monitor showing the 14 minute animated film on a loop and a display case full of the real dolls, props and scenery from the film.

Across the hall is a gallery showing my earlier bas-relief embroideries from what I call “The Innocent Years”, which includes a number of original children’s book illustrations.

Hush-a-bye-baby 2010

While we were there, we happened to meet members of a Boston area museum club, who came specifically to see my show, which they heard about on the news. You can watch my interview on WGBH TV’s Open Studio program with Jared Bowen here.

The group was enthusiastic about both my political satire and earlier work, which they were not familiar with. One of them remarked that she especially liked the history lesson with authoritarian leaders at the end of the Liberty and Justice movie. I found her comment interesting, since that is the scene that has created the most fuss. I think it helps that the museum has presented my work in context, with signage explaining each part. Museum director, Nora Burchfield told me that they have received no complaints about the exhibit. On the contrary, several visitors have made extra donations as a gesture of appreciation to the museum for having the bravery to show my new work.

Abraham’s Lament

Nightmare on Pennsylvania Ave.

In the photo below, I’ve just pointed out how the nursing mother in “The Red Chair”, until recently, was my most edgy piece.

The Red Chair 1994

The exhibit is up until Dec. 30, 2018, so I encourage you to make the trip to Lowell if you can. I know that some of you from far away have mentioned that you plan to go when you’re in the Boston area for work or family visits this fall. Next year, the exhibit will travel to the Cotuit Center for the Arts in Cotuit, Massachusetts, March 2 – April 20, 2019. Artist Talk – “Sweet to Satirical”, Sat., April 13, 2019 at 11:00 AM.

The doll house I used as a set for the Wee Folk Players series is in the hallway between the two galleries. When I made the house 40 years ago, I remember noticing how the project consumed me night and day, which was in contrast to other people my age, who were focused on finding a mate. Above it hangs my Self Portrait: A Personal History of Fashion.

The exhibit occupies 2 galleries and a hallway in between and includes the following:

12 enlarged photographs from the Wee Folk Players series of satirical cartoons
14 minute stop-motion animated film, Liberty and Justice: A Cautionary Tale in the Land of the Free
Display of 3-dimensional characters, props and scenery from the animated film
Doll house which was used as a set for the Wee Folk Players series
Self Portrait: A Personal History of Fashion
A collection of earlier work from ‘the innocent years”, including children’s book illustrations

Liberty and Justice: The Satirical Art of Salley Mavor

New England Quilt Museum in Lowell, MA

Sept. 26 – Dec. 30, 2018

Artist Talk – “Sweet to Satirical”, Sat., Nov. 17 at 1:00 PM

Salley Mavor will talk about her evolution as an artist, from portraying a safe and idyllic existence in children’s books to tackling real world political issues. Using examples of work from the past to the present, she will show her transition from sweet to satirical. This is an opportunity to take a behind the scenes peek at her creative process as she develops dolls, props and scenery for her Wee Folk Players theater troupe and stop-motion animation project, Liberty and Justice: A Cautionary Tale in the Land of the Free. Ms. Mavor will discuss the response to her political work, its effect on her future artistic endeavors and she will address the censorship issues surrounding her exhibit.