Close-ups (boys)

Posted on May 16, 2010 by Salley Mavor

I’ve spent a good part of my adulthood surrounded by boys; sons, friends and nephews. They have kept me grounded and brought a counter balance to all of this girly stuff I do, like sewing and fairy dolls. Having sons has made me sensitive to the male point of view and I make an effort to include images of boys in my artwork, even though it’s easier to depict females. This first picture is from “Vineyard Family”, a piece I made as a naive young mother in 1985 and shows a rather idealized docile child.

detail from “Vineyard Family” 1995

This pair of boys are from “Fall Children” (see more here), which I made 10 years later in 1995. At this point, I’m trying to bring more motion to my figures, perhaps a more realistic reflection of children. Their sweaters are made from cotton socks and their shoes are leather.

detail from “Fall Children” 1995

Here’s George reading a book in a chair made from old worn upholstery fabric. His clothing is also made from cotton socks. The full picture can be seen here.

detail from “George’s Chair”

This boy sitting in his real stick fort is from my book, You and Me: Poems of Friendship.

detail from “You and Me: Poems of Friendship” 1997

This is my favorite boy, “Dusty Bill from Vinegar Hill”, an unfamiliar rhyme I found and loved. His hair is made from a spiky acorn cap, which a friend sent from California. Even though I never learned how to crochet, I figured out how to construct his bag using a regular needle. Bill’s in an illustration from my upcoming book, Pocketful of Posies, which you can find out about here.

detail from “Pocketful of Posies” 2010

Note: See other posts in the Close-ups series archive here.

Pocketful of borders (end papers)

Posted on May 12, 2010 by Salley Mavor

detail of end papers from "Pocketful of Posies"

I love the way end papers of a book can be purely decorative and bring a connection to the tradition of using marblized paper. There are no interfering words to accommodate and there’s freedom to work in a different way, but capture the essence of the book. For Pocketful of Posies‘ end papers, I used only flower thread and a background of wool felt, which is plain and simple compared with the other illustrations.

To make the border for this picture, I made patterns and cut out felt strips with a wavy edge. The four corners were cut out as separate pieces. The border sections were blanket stitched with my favorite variegated edging thread, Watercolours by Caron.

Since the illustration was such a simple, flat chain stitched pattern, I thought the border could use some jazzy up. I embellished the border with glass beads and silk ribbon embroidery.

I added some lavender rick rick to the inside edge of the border to help set it apart.

All of the border sections were then sewn together into one continuous strip.

Then, with pins, I positioned the border on the end paper illustration and stitched it in place on the upholstery background fabric.

Note: See more posts in the Pocketful of Borders series here.

Pocketful of borders (title page)

Posted on May 3, 2010 by Salley Mavor

Last week, I made a border for the title page from “Pocketful of Posies”. As I mentioned before, all 50 original illustrations need to be mounted and framed for the traveling exhibit this fall. Because the title page artwork was designed to bleed to the page’s edge and is without any kind of border, it requires a similar but different treatment than “Mary Had a Little Lamb” .

First, I picked upholstery fabric from my stash to stretch for the background. Then I tried out different felt colors and chose ones that I thought complimented the artwork. This process can be tricky because I have to try many color combinations before I’m happy with the dynamics. For this one, I chose a contrasting pale violet for the corners to give the border a strong visual impact, without overpowering the artwork.

Each border section was blanket stitched with 3-ply pima cotton (Watercolours by Caron).

I then chain stitched the year and my initials on the bottom left and right corners. The corners needed something to set them apart, so I doodled a chain stitch with 2-ply variegated yellow/green embroidery floss.

Now, the sides, top and bottom pieces looked plain, so I decorated them with some chain stitched loops of flower thread. There wasn’t enough contrast, so I outlined the loops with stem stitches, using 1 ply variegated pink/purple embroidery floss.

I sewed the corners to the side pieces, measuring to make sure they were even lengths. Then, using a corner ruler, I squared up the border and pinned it on top of the artwork.

I then sewed the border in place and sewed it to the upholstery fabric background.

This title page shows a landscape filled with different characters and buildings from the rhymes in the book. The title and other information will be printed in the open areas in the sky.

Note: See other posts in the Pocketful of Borders series here.

Close-ups (peas)

Posted on April 28, 2010 by Salley Mavor

My peas are starting to come up in the garden. Their vines are such a cheery sight in the spring and then the first food to pick in June. This series of closeups begins with a peapod pin made with velvet ribbon and green wooden beads. You can read the story about my pins here.

peapod pin 1977

Here’s a detail from “Picking Peas”, a fabric relief from 1985. The full scene is on another post here. The peapods are glass beads. I must have figured out how to knot the string to make the net or cut a piece out of an existing net.

detail from “Picking Peas” 1985

The peapods in this illustration from Mary Had a Little Lamb are made from seed beads sewn inside thin satin ribbon.

detail from ” Mary Had a Little lamb” 1995

This is a felt pin from my how-to book, Felt Wee Folk. The peas in the ribbon pods are glass beads in both this photo and the one below.

pin from “Felt Wee Folk” 2003

Here are some felt pea vines from an illustration in my upcoming book, Pocketful of Posies.

detail from Pocketful of Posies” 2010

Note: See other posts in the Close-ups series archive here.

Pocketful of borders (Mary Had a Little Lamb)

Posted on April 24, 2010 by Salley Mavor

x-ray of my wrist

I’ve recently resumed working in my studio after months recuperating from my fall and broken wrist in January. It was a bad break that required surgery to put in a plate and several screws. Two orthopedic surgeons told me the break was too complicated for them to fix and that I needed a hand specialist. Now, I look at the x-ray of my wrist and appreciate the intricacies of the hand surgeon’s fine detailed work. I’m glad that I waited the ten days after the break to have her do the surgery in Boston. Today, after 2 months of hand therapy, I’ve regained most of my wrist’s rotation, but still have limited flexibility and strength. Even though the break was in my subdominant left hand, I need the full use of my wrist to hold materials that I stitch with my right. As I work, I can feel the tendons in my hand and wrist pulling and aching, but I’m determined to sew! My physical therapist told me that she will work with me another month, to see if we can get back as much use as possible.

"Mary Had a Little Lamb", pages 26/27 from the book, "Pocketful of Posies"

detail from "Mary Had a Little Lamb"

Before the accident, I was going to spend the winter making borders for all 50 of the original illustrations from my upcoming book Pocketful of Posies: A Treasury of Nursery Rhymes . So, I have a lot of work to catch up on.

The pictures now need to be given borders and mounted on stretched backgrounds before being framed under glass for the traveling exhibit. The illustrations were photographed a year ago for reproduction in the book and now can be reworked for their 2nd life as framed pieces of original art. I just finished the border on the double-page spread for the rhyme, “Mary Had a Little Lamb”. There was already a felt border, but I needed to finish the outside edge. I made a scalloped pattern and cut around the outside so that the corners were rounded.

Then, with some variegated cotton thread (Watercolours by Caron), I sewed a blanket stitch around the curved edge. I added a decorative curly-cued chain stitch made with 2-ply variegated embroidery floss (DMC).

The scalloped border looked too flat, so I sewed 26-gauge wire to the underside, near the outside edge.

I embroidered the date and my initials to the bottom border. Then, I bent the wire to make a wavy edge, just like you’d do with pie crust around the outside edge of a pie pan. The felt artwork is then sewn to a stretched piece of upholstery fabric.

Here’s the finished picture. In the book, the words from the rhyme will be printed in the large open spaces and the book’s gutter will be in the center.

"Mary Had a Little Lamb" ready for framing

Note: See other posts in the Pocketful of Borders series here.

Close-ups (owls)

Posted on April 16, 2010 by Salley Mavor

Owls have such distinctive shapes and characteristics that make them visually appealing. They can be identified by a simple silhouette or depicted in all their glory with every feather rendered in detail. This series begins with an owl (enlarged x 2) from an illustration for the Halloween poem in my book, You and me: Poems of Friendship and then continues with a felt purse from my how-to book, Felt Wee Folk. There’s the tiniest owl from In the Heart and then two from my upcoming (Sept./2010) book, Pocketful of Posies.

detail from “You and Me: Poems of Friendship” 1997

detail from “In the Heart” 2001

detail from endpapers in "Pocketful of Posies" 2010

detail from endpapers “Pocketful of Posies” 2010

detail from “Pocketful of Posies” 2010

Note: See other posts in the Close-ups series archive here.

Close-ups (mushrooms)

Posted on April 12, 2010 by Salley Mavor

Ah, the fascination of mushrooms, with their bizarre, alien quality. This group includes some real mushrooms I found and used as props and some I made. The first photgraph is of some mushroom houses that I made for a scene that was used in an educational reader illustration in 1979. To see more mushroom houses and read about the story in another post go here.

mushroom houses, 1979

Skip ahead 20 years to this photograph, which shows some of the first Blossom Fairies that I offered as kits in 1999.

Blossom Fairies on a mushroom, 1999

This is a pair of wee folk sitting in a cluster of mushrooms that were growing so fast that I had to run home and get my camera before they changed shape.

Wee Folk under mushroom, 2002

I molded the next mushroom from clay, glued kid leather on top and painted the leather red. For the photo shoot, I put some drops of glycerine on the mushroom to look like rain.

mushroom made from kid leather, 2005

This last one is from my up-coming book, Pocketful of Posies (Sept. 2010).

detail from "Pocketful of Posies" 2010

Note: See other posts in the Close-ups series archive here.

The Way Home Giveaway Winners

Posted on April 1, 2010 by Salley Mavor

Thank you to all of you who read the 5-part story about my first book, The Way Home. Congratulations to the 3 winners of the giveaway! Nancy, Nikki and Carol have been selected at random and will each receive a signed copy of The Way Home. I had a lot of fun piecing together the past and would like to continue writing more stories about my other books, so keep visiting!

Close-ups (rabbits)

Posted on March 31, 2010 by Salley Mavor

“Sit quietly, doing nothing, spring comes, and the grass grows by itself.” Zen saying

With spring comes hope and eggs and rabbits. This series begins with a childhood drawing of a rabbit hauling an Easter egg in a wagon. Then there’s a wool tweed rabbit from a 1986 piece called “Picking Peas” (see on earlier post) and a painted faux tile that’s in my kitchen. See all the faux tiles in another post here. A rabbit tucked in bed from my book, In the Heart, comes next. Two projects from Felt Wee Folk appear; a felt pin made with a rabbit button and an appliqued felt purse.

crayon drawing by Salley, age 6

detail from “Picking Peas” 1986

faux tile 1993

detail from “In the Heart” 2001

felt pin from “Felt Wee Folk” 2003

felt purse from “Felt Wee Folk” 2003

Note: See other posts in the Close-ups series archive here.

The Way Home (part 5)

Posted on March 26, 2010 by Salley Mavor

Continued from The Way Home (part 4)

The book was now in production at MacMillan and it would be a year before we would see bound copies of The Way Home. There was a lot for the publisher’s staff to do; select and set the type, write the book jacket flaps, prepare the pages for the printer and arrange the printing in Hong Kong. Judy and I were so excited to see the first printing proofs. We felt this was also proof that our years-long project was really going to become a book!

The Way Home, pages 26/27

I learned that producing a book is a lot more complicated than one might think. Everyone involved, the writer, the illustrator, the editors, the production staff and the sales department all play an important part. I was also impressed that everyone I met during the process truly loved children’s books.

The Way Home, page 30

In the spring of 1991, boxes of The Way Home arrived and Judy and I celebrated its publication at the Woods Hole Library, with a party and book signing. You can see an earlier post about the library quilt I worked on here. We shared the event with Molly Bang, whose book, The Yellow Ball, was coming out the same spring. Our friend, Terry (who gave me her daughter’s pants) made a cake for the occasion. She decorated it with marzipan elephants and a yellow ball made of frosting.

setting up for the book party

Terry’s cake

Molly, Judy and Salley signing books

We were so proud of The Way Home and did what we could to promote the book. We had our picture taken with an elephant that came through town for the county fair.

Judy and Salley with elephant at fair, 1991

We gave talks, did book signings and visited schools. Judy led banana poem workshops with children and I’d have them sew and stuff yellow felt bananas.

Judy visiting a preschool

Our book did pretty well for an unknown author and illustrator and came out in paperback the next year. Later, Judy and I collaborated on a sequel, Come to My Party, which MacMillan published in 1993. In this book, the red bird character is named Harold and co-stars with Savi in another adventure.

Harold in an illustration from “Come to My Party”

Both books have long been out of print, and I can remember how surprised Judy and I were to get the letter telling us the news. Being new to the book business, we did not know how common it is for children’s books to go out of print. We’ve since learned that only the very best sellers are reprinted and stay available.

Salley at a book signing (note the elephant earrings!)

All in all, the best part about publishing a book was when we heard from parents who said their children wanted The Way Home read over and over. Even today, we meet grown up children who remember Savi and the banana trail. I’m still friends with Judy and Molly and am grateful to have had their help and encouragement throughout the years, but especially in the beginning, 27 years ago, when we all were inspired by a little elephant named Savi.

The End

The Way Home, back cover

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