visit to RISD illustration class

Recently, my friend Holly Berry and I have been doing projects with an illustration class at the Rhode island School of Design taught by our former teacher, Judy Sue Goodwin-Sturges. Holly is a successful illustrator and printmaker who has a wonderful style (see her website here). She brought in a load of supplies for the students to mess around with. The whole point of our visits was to help bring back a sense of play to the student’s art making experience.  I’ll show what I did with the class later in this post.

Illustrator Holly Berry

Holly introduced a way of decorating paper with a paste and paint mixture. The tables were set up with work stations like a Kindergarten class.

Holly provided all kinds of tools for making patterns, including rubber combs and textured rollers.

This is a fun way to loosen up and focus on color and textures without thinking too much about the finished product. The class will later use their decorated paper in a collage assignment.

This students really seemed to love the experience of getting messy with such basic materials.

On another day, I brought in baskets of materials for the class to construct a character. There were pipe cleaners, wooden beads, wool fleece, wool felt scraps, embroidery floss and acorn caps to work with.

I gave a short demonstration on forming a basic armature for a figure, like in my how-to book, Felt Wee Folk. I told them that I didn’t want them to follow instructions on making a doll just like mine, but to play around and come up with their own designs.

One student bent a pipe cleaner into an animal shape and started wrapping it with wool fleece.

She then devised a way to attach an acorn cap carrier to its back.

Holly and Judy Sue’s hair looked like the fleece we were working with.

After about an hour of quiet concentration, the class made some really creative and fun characters, including this bunny rabbit. For the students, I think these hands-on projects were a welcome diversion from critiques and a reminder of why they make art.

Closeups (shoes)

JUST POSTED! Read my interview at the Society of Children’s Book Writers and Illustrators Blog here.

The shoes in this series of closeups are made of leather or  felt, with a wooden one at the end. Mother and Child (1983) is from my transitional period, when I was moving from sculpture in the round to a bas relief format, which I later named fabric relief sculpture.

Mother and Child, 1983

In Jumping Girl (1985), I strove to bring a sense of movement to the figure. That’s a piece of Chinese embroidery sewn onto the bottom.

Jumping Girl, 1985

This shows off the girl’s shoes from my picture book “In the Heart” (2001). The leather came with the checked pattern stamped onto it and there was barely enough to make all of her shoes in the book.

detail from “In the Heart”, 2001

Jill’s felt shoes are about 3/4″ long.

detail from “Jack and Jill”, 2006

I made this shoe for the rhyme, One, Two, buckle my shoe in Pocketful of Posies. It’s modeled after those cute mary jane style chinese shoes. While I was working on it, I noticed that my watch band had the perfect sized buckle, so I took off my watch, cut off the buckle and added it to the illustration.

detail from “Pocketful of Posies” 2010

This wooden shoe sign is hanging over the cobbler’s shop in the picture for the rhyme, Cobbler, cobbler, mend my shoe, which is also in Pocketful of Posies. I used a jig saw to cut out the shoe and made the cobbler’s work apron from leather.

detail from “Pocketful of Posies” 2010

Jillian Tamaki’s embroidered book covers

Penguin Classics has just released 3 titles with fabulous new  book covers embroidered by illustrator and cartoonist Jillian Tamaki; The Secret Garden, Black Beauty and Emma. It’s exciting to see the artful combination of fine handwork , good design and excellent reproduction used in this way. An accomplished illustrator, who usually draws and paints , Jillian has transferred her artistic talent to needle and thread for this series of book covers. You can see Jillian’s post about the embroideries here.

Closeups (music)

AWAY with funeral music – set
The pipe to powerful lips –
The cup of life’s for him that drinks
And not for him that sips.

by Robert Louis Stevenson

The first image in this Closeups series about music is from an embroidered scene I made for an illustration class assignment in 1974. I’d forgotten how much fun it is to fill in with a chain stitch! The lute player’s hairdo appeared years before Princess Leia’s coiled braids in the 1977 Star Wars movie.

music74WM

The harpist is a detail from a lithograph I made in art school at RISD in 1977. (see other lithographs here) I transferred a xerox copy of a harp image onto the limestone surface.

detail from lithograph 1977

This fiddler is Laura Ingalls Wilder’s father, who appears along with his family on a CD cover I made for “A Little Music on the Prairie” in 1994. And yes, I did cut out the wooden violin, with the help of a jig saw. The tuning pegs are seed beads. See another closeup from this illustration here.

from “A Little Music on the Prairie” CD cover, 1994

Here’s Little Tommy Tucker, who sang for his supper, from my book of nursery rhymes, Pocketful of Posies. Autographed copies are available from my Etsy Shop.

PFOPsingingWM

detail from “Pocketful of Posies” 2010

This is one of Old King Cole’s fiddlers three , whose felt fiddle is about an inch long.

PFOPcastleWM

detail from “Pocketful of Posies” 2010

And the cat and the fiddle play on.

PFOPcatfiddleWM

detail from “Pocketful of Posies” 2010

“Posies” Traveling Exhibit update

Last week, 2 new venues contacted me about bringing the Pocketful of Posies Traveling Exhibit to their area.  It didn’t take long to work out the details, so, I’m happy to announce that the Mahopac Public Library in Mahopac, New York and Cedarhurst Center for the Arts in Mt. Vernon, Illinois have been added to the schedule.

detail from "Pocketful of Posies" 2010

I’ll be giving a talk in Mahopac and we’re still working on a plan for my visit to Cedarhurst.  In the next month, all of the illustrations, except for “Molly My Sister and I” (it’s touring with the Society of Illustrators Original Art Show), will be packed and shipped to Muscatine, Iowa for a couple of months. Check the schedule for the exhibit dates and when I’ll be there for a doll making workshop and gallery talk. I already know that some my blog followers will be there for the workshop!

As mentioned in earlier posts, I’m arranging exhibits of the original artwork from Pocketful of Posies through 2013. If a suitable location is within reasonable driving distance from Cape Cod, Massachusetts, I will consider delivering the artwork. Of course, a “reasonable distance” changes according to where and when. Otherwise, the hosting venue is responsible for shipping costs. Because of these limitations, I have not yet been able to find many organizations outside of New England with the funding for the transportation of my artwork. But, more and more people are finding out about the book and the show, so I’m hoping to send the show far and wide, so as many people as possible can see the originals! Please contact me at weefolk@cape.com if you would like more information.

Bead Show

I recently went to a bead show in the Boston area and saw some of my favorite venders, like Funky Stuff (sorry, no website). They describe what they sell as an international selection of beads, jewelry, artifacts & oddities. I’ve bought interesting things from them over the past few years, including some bone beads and pendants. These bone filigree shapes show up in several illustrations from Pocketful of Posies.

They add an accent, without overwhelming the picture. This is a detail from the rhyme One, two, buckle my shoe.

detail from "Pocketful of Posies" 2010

And this is from The cock crows in the morn, to tell us to rise….

detail from "Pocketful of Posies" 2010

They had a strings of these bone beads hanging on the wall.

I used some 1 inch long bone tube beads in this clock from Hickory, Dickory Dock. The fabric covered rectangle is a belt buckle and the round clock is a curtain ring.

detail from "Pocketful of Posies" 2010

It’s tempting to buy all kinds of wonderful beads and objects, not really knowing how they will be used, if ever.

I bought these glass beads from a Czech couple who import from home. I’m always on the lookout for leaves, but don’t have any immediate plans for these. The polka dot red ones look like they would make a perfect necktie for some extroverted little character.

Pocketful of Posies wins Golden Kite Award!

I just got off the phone with Lin Oliver from the Society of Children’s Book Writers and Illustrators. The first thing she said was, “Are you sitting or standing?” I was sitting at my kitchen table, ready to eat a spoonful of homemade Portuguese kale soup when she told me the news that  Pocketful of Posies has won the Golden Kite Award! I can honestly say that this was a complete surprise.

What is so special is that my book was selected by a jury of my peers. For those of you who may not be familiar with SCBWI, it’s an organization that helps writers and illustrators prepare for and navigate the baffling business of children’s book publishing. I’ve been a member since my first book, The Way Home came out 20 years ago (see post here), but you don’t have to be a published author or artist to join. I’ve been invited to accept the award and give a class at their annual conference in Los Angeles this August. The idea is still sinking in as I write this post. My editor, Margaret Raymo at Houghton Mifflin doesn’t even know yet. Tomorrow will be a busy day, with fitting in calls before and after my 11:00am book signing at the Cape Cod Children’s Museum. Thank you for this honor!

Closeups (castles)

The first image is a detail from an embroidered illustration I made for a class in 1974.  The assignment was to make an album cover for a made-up band. Mine pictured a kind of folk/rock/ renaissance musical group with a landscape and castle in the background. I think this was the first totally stitched scene I made. I found a stitching how-to book at the library and followed the directions. Before this all of my embroidery was embellishment on blue jeans and other clothing.

castle74WM

A couple of decades later, I made this sand castle for the book, You and Me. The beach sand is made from raw silk that I dyed with a spray bottle. And yes, those are real beach stones glued to the fabric.

detail from “You and Me” 1997

Here’s George reading a fantasy story with my favorite castle design on the cover. I got out my old stack of Color Aid paper to make the book. 

detail from George's Chair 1998

 

This castle is from a royal scene I made for a doll magazine in 2000.  The fleur-de-lis on the castle door is a nail head. The project was in The Cloth Doll, Volume 14, number 2.

castle2000WM

The next 2 closeups are from my newest picture book, Pocketful of Posies.

titlecastleWM

In this one from Old King Cole, I use a combination of clay beads and wool felt to make the stone wall. And the fiddle is made from felt.

PFOPpg42WM