Close-ups (shells)

This is a series of shell images, starting with a fabric scallop pin, which I made in the late 70’s. See the story about my pins in earlier posts here.

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The scale and natural delicacy of shells make them suitable props for my little dolls. Here’s a 2″ mermaid photographed on the beach.

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This is an appliqued felt purse from the 90’s, which is like the ones featured in my how-to book, Felt Wee Folk: Enchanting Projects.

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Shells make good sleeping places, too. This is a detail from an illustration in Wee Willie Winkie, from the page which reads, “Are the children in their beds?”.

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Here is a detail from “Mary, Mary, quite contrary, how does your garden grow?”, which is included in my picture book, Pocketful of Posies; A Treasury of Nursery Rhymes.  

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This is from “the old woman stands at the tub, tub, tub” verse, which is also in Pocketful of Posies. Her washing tub is made from a “boat” shell that is commonly found on our local beaches.

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Note: See other posts in the Close-ups series archive here.

Pocketful of Borders: In spring

detail from "In Spring" Pocketful of Posies 2010

The pressure is mounting to get these borders finished by September for the Pocketful of Posies show. I’ve completed four in the past week, including this one of a seasons rhyme, which begins “In spring I look gay decked in comely array”. 

 

It took several tries to get the background fabric and border colors right. I can’t explain why one shade or pattern works better, but it helps to compare and narrow it down until you’re satisfied. 

 

I chose a bright red floss for my initials and the date embroidery on the bottom corners. The photo doesn’t show the subtle variegation in the red thread. I have my eye out for variegated thread to purchase and find myself reaching for it first. It adds a complexity that mirrors nature better than solid colors. 

 

I had just finished writing the post about lettering and was inspired to add some words to this one. So, instead of doodling along the border, I wrote out the names of the seasons on the four side sections. 

 

Sometimes I write on the felt with a pencil and then embroider over it, but it can show through and look messy. For the seasons, I wrote out the words on a piece of paper to get the spacing and then eye balled the stitching. 

 

I made sure there were some doodles in the corners and sewed it all together. 

 

This piece is relatively shallow compared to the other illustrations from the book. To get an idea of scale, the birds are under 1 inch long. 

 

Note: See other posts from the Pocketful of Borders series here.

Pocketful of Borders: Hey, Diddle, Diddle!

board book version

The next border  to finish up for Pocketful of Posies: A Traveling Exhibit  is the illustration for the rhyme, “Hey, Diddle, Diddle!”. The new book includes all of the rhymes from my board book series, but they are represented by new illustrations. I really liked compressing the scene into one image, instead of stringing out the action over several pages. Most of  the main characters from “Hey, Diddle, Diddle!” are similar to the ones in my board book version, with the exception of the cat, which is made in a different style. The plate is made from polymer clay and the spoon is a doll house miniature.   

detail from " Pocketful of Posies" Houghton Mifflin 2010

cat from "Pocketful of Posies"

The new book, Pocketful of Posies: A Treasury of Nursery Rhymes includes many cats made in my new Halloween costume style. The head is a wooden bead, with face painting and a felt hood with ears attached. The cat’s paws and chest are whitened with acrylic paint. The fiddle is felt, with a thread-wrapped wire neck and bow. The illustration’s existing brown border was wide enough to cut in a wavy pattern, so I didn’t add another felt border. After several tries with different colors, I chose a blue pima cotton for the blanket stitched edging.   

   

I then embroidered my initials and the date with some variegated dark purple raw silk thread. It called out for embellishment, so I started doodling along the border with light blue raw silk thread.  

  

The light blue line lacked contrast, so I outlined it with a single strand of orange embroidery floss.   

  

For the corners, I added  spirals and unintentionally doodled a pattern in the Celtic style.  After outlining a few sections, I decided that the orange floss attracted too much attention, so I ripped it all out. That’s what is so great about stitching, you can change your mind mid stream. Borders, like any kind of framing, should compliment the artwork, not compete.  

  

I thought that a little height and firmness would perk up the border, so I added 32 gauge florist’s wire to the outside edge.  

  

I then covered the wire with 2-ply orange/red variegated embroidery floss.  

  

At this point, I was glad that I’d removed the orange outline around the doodles and saved the color for the outside edge, which defined the border against the upholstery fabric background.  

  

I bent the wavy wire so that it lifted up the outside edge.  

  

Here is the finished “Hey, Diddle, Diddle!” piece, ready to frame for the traveling exhibit of original art.  

 

My husband, Rob, has been making shadow box style frames in the basement. He’s doing a beautiful job and the 51 cherry wood frames are about half way done. We are both making progress toward the Sept. deadline for the first show in Falmouth.

Note: See other posts from the Pocketful of Borders series here.

Wee Folk: Pearl & Urchin

I took Pearl and Urchin out for a climb up a beech tree. They patiently waited and stayed still as I took their picture. We were all quiet as I played with my camera, adjusting the aperture and speed settings.

I suppose you could call Pearl and Urchin “retired”, a term used in the collecting business for sold out. They were the models for a Ltd. Edition and there are 25 other pairs out in the world. After a few years spent sealed in a plastic bag, I thought they could use some fresh air.

Close-ups (gardens)

How fair is a garden amid the trials and passions of existence.  ~Benjamin Disraeli

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Here are a couple of pieces that I made in 1982, when I was transitioning from 3d sculptural work to flatter, framed pieces. I started using the term “fabric relief” about then because people kept asking what they were called. It’s still hard to explain what I do at cocktail parties!

The water coming out of the hose is metallic thread. The figures playing croquet are very early “wee folk” with cloth heads instead of the painted wooden ones I use now.

croquet82WM

This is a detail from the strawberry garden scene in a illustration from Mary Had a Little Lamb. The stones were glued onto the velveteen background fabric.

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Here’s another Mary character in her garden, this one from The Hollyhock Wall. Her hair is wool fleece and the background is embroidery on dyed velveteen.

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“Eleven, Twelve, dig and delve”. This illustration is part of a rhyme in Pocketful of Posies.  The straw hat is made with thread wrapped wire and the spade blade is a heart charm.

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Note: See other posts in the Close-ups series archive here.

Pocketful of borders (Queen of hearts)

detail from "Queen of Hearts" from "Pocketful of Posies" 2010

I’ve been continuously working on the illustrations from Pocketful of Posies, getting them ready for framing. The traveling show of original fabric relief artwork will be launched in mid-Sept. and my husband just began making the wooden shadow box frames. Here’s a series of pictures of the “Queen of Hearts” rhyme, showing the process of adding an additional felt  and metallic braid border and mounting it on red upholstery fabric.  

   

  

  

  

  

  

  

  

Note: See other posts from the Pocketful of Borders series here.

Wedding Banner (Leigh & Brendan)

The 2nd summer wedding is coming up soon, so I’m making another felt banner for Leigh and Brendan (see Karen & Graham’s on an earlier post here). I get the impression that the bride and groom are kind of traditional, so I’m resisting the temptation to go wild with color and add too many funky embellishments.

 

I started by bending 32 gauge cloth-covered wire to form the names and wedding date. I’m really having fun bringing language into my artwork this way. I started figuring out this technique a few years ago when I was working on Pocketful of Posies, and have no idea if the same kind of thing has been done before. Once you get into the rhythm, the wrapping goes quite fast. After all those years wrapping fuzzy pipe cleaners with embroidery floss for fairy limbs, this seems easy.

I had to put in some color, though and wrapped the wire names in bright pink variegated embroidery floss. The couple’s invitation had a seaside motif, so I added a metal shell charm and got out a dried star fish from my collection of found objects. The dark blue and had too much weight compared to the names, so I lightened it by winding around a single strand of pink floss.

After bending and wrapping the characters for the date, I cut out a piece of yellow felt to mount them on. I don’t make patterns and plan everything out ahead of time, but construct as I go. I always start with the lettering and then figure out later how much room they’re going to need.

Then, I had to figure out how to place everything on the purple blue felt background. At this point, I realized that the star fish didn’t have anything to offer and would have to go. I go through this editing process often, latching onto some interesting found object and then seeing that it has served its purpose of moving the design along and is no longer needed. A writer friend describes the revision process the same way. She said, “You have to be willing to let go of favorite words and phrases.”

I decided to incorporate a more conventional floral decoration and added some of Mimi’s Kirchner’s felt roses and some glass leaf beads. If you haven’t learned how to make them yet, go to her tutorial on her blog here. I also got out the dreaded glue because that was the only way to attach some shells around the date. The yellow felt piece called out for some embellishment, so I added a chain-stitched loopy line around it.

Then, I cut out  a banner of blue felt, with scallops on the bottom and blanket stitched all around with variegated pima cotton from the Caron Collection. I found an old shell necklace, the souvenir kind from Hawaii, and sewed some shells to the scalloped bottom edge. I was glad that they already had holes.

I sewed a casing for a drift wood stick at the top, then tied and braided a pima cotton strap.

Here’s the finished banner, ready to wrap up and bring to the wedding.

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Pocketful of Posies poster giveaway winners

Little Boy Blue, come blow your horn.   

The winners are chosen, on this very morn.   

detail of cover for "Pocketful of Posies"

This morning, 3 names were pulled at random from a pile of 86 entrants for a chance to win a poster. Congratulations to the winners:  Eva in Holland, Susan Dean in Massachusetts and Kathy Stuart in Canada!

Also, the date has been set for the Pocketful of Posies original art show opening and book release party at Highfield Hall in Falmouth, Massachusetts. If you live in the area, please come join the festivities on Sunday, Sept. 26th at 4:00 pm.   

To see the current schedule, visit the Pocketful of Posies Traveling Exhibit page. In addition to the scheduled show locations, plans are underway to have the show come to Wisconsin and Vermont. These venues will be added to the list when the details are confirmed.  

detail from "Pocketful of Posies"

New Home for Self Portrait

My Self Portrait is now on public display at the Woods Hole Public Library. It’s on semi-permanent loan and will hang there indefinitely, except when it needs to be borrowed occasionally for other shows, etc. Since many people have asked where they can see this piece, I decided to find an appropriate place  where it could be shared. The library seemed a fine match, with my work in children’s books and a childhood spent visiting this library.

Salley with her Self portrait in the library

I wrote about  Self Portrait: A Personal History of Fashion on my first blog post last fall, which you can see here. 18″ x 24″ posters are available from my Etsy Shop.

Woods Hole Public Library

The Woods Hole Public Library is located in Woods Hole, Massachusetts in the center of the village on Water Street. and the hours are pictured below. The Woods Hole Village Quilt, which I worked on and wrote about here, is on display as well. All are welcome to visit! I suggest that you call the library before making a trip, to make sure the piece is there, as I plan on removing it for short periods from time to time.

Woods Hole Public Library hours