visit to RISD illustration class

Recently, my friend Holly Berry and I have been doing projects with an illustration class at the Rhode island School of Design taught by our former teacher, Judy Sue Goodwin-Sturges. Holly is a successful illustrator and printmaker who has a wonderful style (see her website here). She brought in a load of supplies for the students to mess around with. The whole point of our visits was to help bring back a sense of play to the student’s art making experience.  I’ll show what I did with the class later in this post.

Illustrator Holly Berry

Holly introduced a way of decorating paper with a paste and paint mixture. The tables were set up with work stations like a Kindergarten class.

Holly provided all kinds of tools for making patterns, including rubber combs and textured rollers.

This is a fun way to loosen up and focus on color and textures without thinking too much about the finished product. The class will later use their decorated paper in a collage assignment.

This students really seemed to love the experience of getting messy with such basic materials.

On another day, I brought in baskets of materials for the class to construct a character. There were pipe cleaners, wooden beads, wool fleece, wool felt scraps, embroidery floss and acorn caps to work with.

I gave a short demonstration on forming a basic armature for a figure, like in my how-to book, Felt Wee Folk. I told them that I didn’t want them to follow instructions on making a doll just like mine, but to play around and come up with their own designs.

One student bent a pipe cleaner into an animal shape and started wrapping it with wool fleece.

She then devised a way to attach an acorn cap carrier to its back.

Holly and Judy Sue’s hair looked like the fleece we were working with.

After about an hour of quiet concentration, the class made some really creative and fun characters, including this bunny rabbit. For the students, I think these hands-on projects were a welcome diversion from critiques and a reminder of why they make art.

Closeups (shoes)

JUST POSTED! Read my interview at the Society of Children’s Book Writers and Illustrators Blog here.

The shoes in this series of closeups are made of leather or  felt, with a wooden one at the end. Mother and Child (1983) is from my transitional period, when I was moving from sculpture in the round to a bas relief format, which I later named fabric relief sculpture.

Mother and Child, 1983

In Jumping Girl (1985), I strove to bring a sense of movement to the figure. That’s a piece of Chinese embroidery sewn onto the bottom.

Jumping Girl, 1985

This shows off the girl’s shoes from my picture book “In the Heart” (2001). The leather came with the checked pattern stamped onto it and there was barely enough to make all of her shoes in the book.

detail from “In the Heart”, 2001

Jill’s felt shoes are about 3/4″ long.

detail from “Jack and Jill”, 2006

I made this shoe for the rhyme, One, Two, buckle my shoe in Pocketful of Posies. It’s modeled after those cute mary jane style chinese shoes. While I was working on it, I noticed that my watch band had the perfect sized buckle, so I took off my watch, cut off the buckle and added it to the illustration.

detail from “Pocketful of Posies” 2010

This wooden shoe sign is hanging over the cobbler’s shop in the picture for the rhyme, Cobbler, cobbler, mend my shoe, which is also in Pocketful of Posies. I used a jig saw to cut out the shoe and made the cobbler’s work apron from leather.

detail from “Pocketful of Posies” 2010

Jillian Tamaki’s embroidered book covers

Penguin Classics has just released 3 titles with fabulous new  book covers embroidered by illustrator and cartoonist Jillian Tamaki; The Secret Garden, Black Beauty and Emma. It’s exciting to see the artful combination of fine handwork , good design and excellent reproduction used in this way. An accomplished illustrator, who usually draws and paints , Jillian has transferred her artistic talent to needle and thread for this series of book covers. You can see Jillian’s post about the embroideries here.

Chin up bibs

30 years ago, a few years before I had babies of my own, I designed, sewed and sold CHIN UP BIBS. I found a box filled with left over seersucker bias strips, a stack of tags and one tuxedo bib–all that remains of my enterprise.

For a few years, I sewed hundreds of bibs of different styles, including tuxedos, shirt and tie, dress with pearls, clown, overalls, etc. They were backed with terry cloth and had liners cut out of shower curtains. A unifying feature was the bias edging, which I’ve since used for pot holders (see tutorial here).

In 1982, I asked the mothers of two Woods Hole babies to model the bibs for an advertisement. My art school friend, Carmine Fantasia took these wonderful B&W photographs of  Ben and Hannah wearing the bibs.

I later stopped adding bead necklaces to the girl’s style bib, because of the potential choking hazard. 

Ben and Hannah, who both turn 30 this year and are still friends, are delightful adults. Here’s a recent picture of Hannah at her sister’s wedding.

This is as close as Ben got to wearing a tie back in ’82.

And here he is, when he got all dressed up last month, in suit and tie, for the Woods Hole “mock” formal at the Capt. Kidd Restaurant.

The bibs were later in Better Homes and Gardens.

I also found some pattern pieces for the bibs in my file cabinet.

Thank you Ben and Hannah, for letting us dress you up and take your picture one morning in 1982!

61 years ago today

My parents, Mary and Jim Mavor, were married 61 years ago on March 25, 1950. This plate was a wedding gift and it’s now hanging in my kitchen. An artist and engineer couple, they were married for 55 years before my mother passed away, with my father dying the next year. Please let me indulge in nostalgia, while I show some favorite pictures.

They were married in my mother’s home in Providence , RI. I love these pictures of my parents as a young handsome couple. When my sons saw these pictures, they said, “Grandma was a Babe!”

What a handful we must have been, three children in 4 years. I’m on my Daddy’s lap, being grabbed by my younger (by 13 months) brother.

This is one of the last photos of them together.

Closeups (music)

AWAY with funeral music – set
The pipe to powerful lips –
The cup of life’s for him that drinks
And not for him that sips.

by Robert Louis Stevenson

The first image in this Closeups series about music is from an embroidered scene I made for an illustration class assignment in 1974. I’d forgotten how much fun it is to fill in with a chain stitch! The lute player’s hairdo appeared years before Princess Leia’s coiled braids in the 1977 Star Wars movie.

music74WM

The harpist is a detail from a lithograph I made in art school at RISD in 1977. (see other lithographs here) I transferred a xerox copy of a harp image onto the limestone surface.

detail from lithograph 1977

This fiddler is Laura Ingalls Wilder’s father, who appears along with his family on a CD cover I made for “A Little Music on the Prairie” in 1994. And yes, I did cut out the wooden violin, with the help of a jig saw. The tuning pegs are seed beads. See another closeup from this illustration here.

from “A Little Music on the Prairie” CD cover, 1994

Here’s Little Tommy Tucker, who sang for his supper, from my book of nursery rhymes, Pocketful of Posies. Autographed copies are available from my Etsy Shop.

PFOPsingingWM

detail from “Pocketful of Posies” 2010

This is one of Old King Cole’s fiddlers three , whose felt fiddle is about an inch long.

PFOPcastleWM

detail from “Pocketful of Posies” 2010

And the cat and the fiddle play on.

PFOPcatfiddleWM

detail from “Pocketful of Posies” 2010

“Posies” Traveling Exhibit update

Last week, 2 new venues contacted me about bringing the Pocketful of Posies Traveling Exhibit to their area.  It didn’t take long to work out the details, so, I’m happy to announce that the Mahopac Public Library in Mahopac, New York and Cedarhurst Center for the Arts in Mt. Vernon, Illinois have been added to the schedule.

detail from "Pocketful of Posies" 2010

I’ll be giving a talk in Mahopac and we’re still working on a plan for my visit to Cedarhurst.  In the next month, all of the illustrations, except for “Molly My Sister and I” (it’s touring with the Society of Illustrators Original Art Show), will be packed and shipped to Muscatine, Iowa for a couple of months. Check the schedule for the exhibit dates and when I’ll be there for a doll making workshop and gallery talk. I already know that some my blog followers will be there for the workshop!

As mentioned in earlier posts, I’m arranging exhibits of the original artwork from Pocketful of Posies through 2013. If a suitable location is within reasonable driving distance from Cape Cod, Massachusetts, I will consider delivering the artwork. Of course, a “reasonable distance” changes according to where and when. Otherwise, the hosting venue is responsible for shipping costs. Because of these limitations, I have not yet been able to find many organizations outside of New England with the funding for the transportation of my artwork. But, more and more people are finding out about the book and the show, so I’m hoping to send the show far and wide, so as many people as possible can see the originals! Please contact me at weefolk@cape.com if you would like more information.

Bead Show

I recently went to a bead show in the Boston area and saw some of my favorite venders, like Funky Stuff (sorry, no website). They describe what they sell as an international selection of beads, jewelry, artifacts & oddities. I’ve bought interesting things from them over the past few years, including some bone beads and pendants. These bone filigree shapes show up in several illustrations from Pocketful of Posies.

They add an accent, without overwhelming the picture. This is a detail from the rhyme One, two, buckle my shoe.

detail from "Pocketful of Posies" 2010

And this is from The cock crows in the morn, to tell us to rise….

detail from "Pocketful of Posies" 2010

They had a strings of these bone beads hanging on the wall.

I used some 1 inch long bone tube beads in this clock from Hickory, Dickory Dock. The fabric covered rectangle is a belt buckle and the round clock is a curtain ring.

detail from "Pocketful of Posies" 2010

It’s tempting to buy all kinds of wonderful beads and objects, not really knowing how they will be used, if ever.

I bought these glass beads from a Czech couple who import from home. I’m always on the lookout for leaves, but don’t have any immediate plans for these. The polka dot red ones look like they would make a perfect necktie for some extroverted little character.

little standing animals

Update (June 2014): Things have changed in the 3 years since this post was published. After emphatically stating I wouldn’t write another how-to book, I surprised myself this past year by working on Felt Wee Folk: New Adventures, which will be released by C&T in the spring of 2015. Read posts about it here. These animals will not be included in the new book, but there will be lots of other fun dolls to make.

I made this group of animals about 10 years ago, when I was gathering ideas for my how-to book, Felt Wee Folk. They didn’t make the book’s cast, so the little critters have been waiting behind the curtain ever since. I’ve pretty much decided not to write another instructional book (read ahead for more on that), so they can come out on stage, now.

animalcostumes1WM

They are made with wooden forms that have a simple dowel on the bottom, with a turned ball on the top. You can find the wood shapes here. At about 2 inches tall and similar to finger puppets, these can stand up by themselves.  The small wooden bead “paws” are a choking hazard, so they shouldn’t be added if a young child plays with them.

animalcostumes3WM

They look a bit like Halloween trick or treaters in felt costumes, with their hoods and painted faces.

animalcostumes8WM

It’s so wonderful to hear from readers who have enjoyed making the dolls and other projects in Felt Wee Folk and many have urged me to write another instructional book. The publisher is willing, too. So why can’t I say yes? I am clearly ambivalent, because I had a great experience working with C&T Publishing. It’s just that I’ve moved on to other things and don’t feel the same push to get it out of my system, like I did 10 years ago. It’s not that I don’t have any ideas for new projects, they’re just more complicated and personal. I’m resisting the pull to work on another book because I want to spend time exploring new ways of working, to experiment and grow as an artist. Just the process of formulating my thoughts for this post has helped me understand why I’ve been dragging my feet.

The trouble is, I know what it takes to produce an instructional book and I also know that I’m not up to it. It’s writing out those pesky directions that has me stumped. When I approached C&T with my proposal for Felt Wee Folk. I had a strong desire to share my ideas, enough to force myself through the quagmire of analysis and explanation. I’ve always had a problem with describing how to make what I do, even back in the days when I designed projects for Better Homes and Gardens. I know that I can do it, but I can’t bring myself to jump down that rabbit hole. I want to give myself over to the mysterious process of creating something without later having to give a detailed description of how I made it.

So, I’ll be sharing projects and ideas from time to time, but without patterns and instructions. Hopefully, my readers will feel inspired enough to want to try a hand at figuring out how to make something of their own!