Pocketful of Borders: Hey, Diddle, Diddle!

board book version

The next border  to finish up for Pocketful of Posies: A Traveling Exhibit  is the illustration for the rhyme, “Hey, Diddle, Diddle!”. The new book includes all of the rhymes from my board book series, but they are represented by new illustrations. I really liked compressing the scene into one image, instead of stringing out the action over several pages. Most of  the main characters from “Hey, Diddle, Diddle!” are similar to the ones in my board book version, with the exception of the cat, which is made in a different style. The plate is made from polymer clay and the spoon is a doll house miniature.   

detail from " Pocketful of Posies" Houghton Mifflin 2010

cat from "Pocketful of Posies"

The new book, Pocketful of Posies: A Treasury of Nursery Rhymes includes many cats made in my new Halloween costume style. The head is a wooden bead, with face painting and a felt hood with ears attached. The cat’s paws and chest are whitened with acrylic paint. The fiddle is felt, with a thread-wrapped wire neck and bow. The illustration’s existing brown border was wide enough to cut in a wavy pattern, so I didn’t add another felt border. After several tries with different colors, I chose a blue pima cotton for the blanket stitched edging.   

   

I then embroidered my initials and the date with some variegated dark purple raw silk thread. It called out for embellishment, so I started doodling along the border with light blue raw silk thread.  

  

The light blue line lacked contrast, so I outlined it with a single strand of orange embroidery floss.   

  

For the corners, I added  spirals and unintentionally doodled a pattern in the Celtic style.  After outlining a few sections, I decided that the orange floss attracted too much attention, so I ripped it all out. That’s what is so great about stitching, you can change your mind mid stream. Borders, like any kind of framing, should compliment the artwork, not compete.  

  

I thought that a little height and firmness would perk up the border, so I added 32 gauge florist’s wire to the outside edge.  

  

I then covered the wire with 2-ply orange/red variegated embroidery floss.  

  

At this point, I was glad that I’d removed the orange outline around the doodles and saved the color for the outside edge, which defined the border against the upholstery fabric background.  

  

I bent the wavy wire so that it lifted up the outside edge.  

  

Here is the finished “Hey, Diddle, Diddle!” piece, ready to frame for the traveling exhibit of original art.  

 

My husband, Rob, has been making shadow box style frames in the basement. He’s doing a beautiful job and the 51 cherry wood frames are about half way done. We are both making progress toward the Sept. deadline for the first show in Falmouth.

Note: See other posts from the Pocketful of Borders series here.

Pocketful of borders (Queen of hearts)

detail from "Queen of Hearts" from "Pocketful of Posies" 2010

I’ve been continuously working on the illustrations from Pocketful of Posies, getting them ready for framing. The traveling show of original fabric relief artwork will be launched in mid-Sept. and my husband just began making the wooden shadow box frames. Here’s a series of pictures of the “Queen of Hearts” rhyme, showing the process of adding an additional felt  and metallic braid border and mounting it on red upholstery fabric.  

   

  

  

  

  

  

  

  

Note: See other posts from the Pocketful of Borders series here.

Pocketful of borders (Jumping Joan)

Here’s the latest picture that I’ve prepared for framing from Pocketful of Posies. It’s the illustration for the short rhyme, “Here am I, Little Jumping Joan/ When nobody’s with me, I’m all alone”. 

"Jumping Joan" illustration from "Pocketful of Posies" 2010

The original fabric relief is small (8 1/2″ square) and was enlarged to the printing size of 10″. Sometimes I want to have figures that are larger than wee folk size, so I have them blown up a bit. I made the original Jumping Joan as large as I could, using this technique (about 5″). The floss wrapped arms and legs don’t look right any bigger. 

detail of "Jumping Joan"

I tried out 2 different of shades of variegated pima cotton for the blanket stitched edging and chose the turquoise one. 

 

I then picked out some variegated embroidery floss to use in the chain stitching. 

 

Here are the top corner pieces, with a chain stitched curly cue line. 

 

I also chain stitched some loops along the scalloped side pieces. I wanted to give the whole border a lift, so I sewed on some 32 gauge cloth wrapped wire to the outside edge. 

I wanted the outside edge to have a crisp, defined quality, so I wrapped the wire with dark blue floss. 

 

I added my initials and the date to the bottom corners and sewed on wire, which was then wrapped with green floss. 

 

With the help of the wire, the finished border curves up like a plate. 

 

I thought it was finished and then my new order of upholstery fabric came in.  I’m excited about using these shades in future projects. 

 

I had run out of options from my stash, so I bought the minimum of 1 yard in a variety of patterns and colors. The people at the upholstery shop think I’m making pillows. It’s too hard to explain, so I didn’t correct them. 

 

I changed the background fabric from the brown to this pink and am much happier with the result. 

Note: See other posts from the Pocketful of Borders series here.

Pocketful of borders (crooked man & black sheep)

Crooked Man from "Pocketful of Posies", Houghton Mifflin 2010

The borders for the illustrations from Pocketful of Posies are coming along faster now and I don’t always remember to take pictures of the process. Here are two finished pictures, starting with the “Crooked Man” rhyme, with all of the crooked things from the verse. In the book, the words from the verse will be printed on the orange felt background, traveling all around the center illustration clockwise. 

detail from "Crooked Man", "Pocketful of Posies", 2010

 I’ve added a crooked line of  tube beads to the border sides. The inside border of purple rick rack has a hand stitched edging of dark orange embroidery floss. 

detail from "Crooked Man", "Pocketful of Posies" 2010

  Here’s the crooked man, with his crooked cat and mouse.  

detail of "Crooked Man", Pocketful of Posies" 2010

 This is the illustration for “Baa, Baa, Black Sheep”. I made the original small, about 75% of the printed size of 10″ square. It need a larger border to balance the larger stretched upholstery fabric background, so I made the side pieces bulge out to fit the space more.   

"Baa, Baa, Black Sheep", "Pocketful of Posies" 2010

 To get an idea of the scale, the felt leaves are about  1″ long. These shades of orange and green are my favorite color combination. They’re definitely not my colors to wear (I’m a winter), but I find them pleasing to look at. See these colors in the post about my studio here

detail of "Baa, Baa, Black Sheep" from "Pocketful of Posies" 2010

detail from "Baa, Baa, Black Sheep", "Pocketful of Posies" 2010

Note: See other posts from the Pocketful of Borders series here.

Pocketful of borders (Pat-a-cake, etc.)

pages 18/19 from "Pocketful of Posies", Houghton Mifflin 2010

This double-page spread pictures 3 rhymes from my upcoming children’s book, Pocketful of Posies: A Treasury of Nursery Rhymes. I’m preparing the fabric relief illustrations for a traveling show, which you can learn about here.  

Illustration mounted on foam core board

 I chose a border of dark felt to contrast with the light lavender background. The outside edges were blanket stitched with variegated pima cotton. 

  

The corner pieces have the usual squiggles, along with my initials and the date. 

  

 

The 4 side border pieces are green, with variegated embroidery floss loops. These pictures show the tea house, which illustrates the rhyme, “Polly put the kettle on”. 

detail from "Polly put the kettle on"

 Here’s the cobbler shop from “Cobbler, cobbler mend my shoe”. I cut out the wooden signs with a jig saw and painted them. The shoe sign is a little over 1″ long.   The cobbler’s apron is made of leather.

detail from "Cobbler, Cobbler, mend my shoe"

Here is the finished border mounted on the stretched upholstery fabric background. 

pages 18/19 with the finished border

This shows the bakery for “Pat-a-cake, Pat-a-cake”. The baby buggy is made with floss wrapped wire, coiled around like a basket. Yes, I admit that it’s a bit obsessive. 

detail of "Pat-a-cake, Pat-a-cake"

detail, page 19, "Pocketful of Posies"

Note: See other posts from the Pocketful of Borders series here.

Pocketful of borders (Simple Simon)

Illustration for Simple Simon from "Pocketful of Posies"

 When I finished making all of the fabric relief illustrations for Pocketful of Posies, they were stitched onto foam core board. I added registration marks and then sent them to the photographer. Now that the book is being printed, I’m busy making the artwork presentable for their 2nd jig as framed pieces of art.  

  

Each picture needs a different border to match. Strong, bright colors would compliment the illustration for the Simple Simon rhyme, with its fair booths. I made side and corner patterns and cut them out of felt.  

  

I then blanket stitched around the outside edges of the felt pieces with some variegated thread. The Caron Collection has some great colors to choose from.  

  

The inside of the border looked too abrupt, so I tried some rick rack along the edge, to soften the transition.   

  

I chain stitched some loops, the date, and my initials in variegated embroidery floss. Since it’s hard to write on wool felt, I don’t use any guide lines for embroidery, but work free style. I decided to change the rick rack to a golden color, which set the border apart from the inside illustration. So, instead of softening the transition, I ended up giving it more definition. 

  

There was space for a wider border, so I put some green open weave trim around the outside. I added some dark green bias tape underneath the trim, to give more contrast and show the holes.   

  

There’s always a question of how busy a border should be and how many borders within borders to make, like ruffles on a skirt. It could go on and on and you could have a tiny image in the middle, with a huge border around it. Many quilts and fiber art seem to be made up of just borders, which is fine with me. 

  

Note: See other posts from the Pocketful of Borders series here.

Pocketful of borders (back to work)

pages 40/41, "Pocketful of Posies" 2010

It’s great to get back to work again and my wrist is feeling much better. I’ve been bicycling a lot and leaning on the handle bars is good therapy. The borders for the originals from Pocketful of Posies are coming along nicely and I’ve finished a couple this week. It’s like matting 2-dimentional pieces of artwork before they’re framed, only I’m creating felt edging to go around the perimeter. Here’s a double-page spread of several rhymes grouped in the same scene.

I added a dark brown rick rack around the outside of the felt border to help separate it from the background upholstery fabric. This shows Mary at the cottage door and Peter the pumpkin eater’s wife in a pumpkin.

Here’s Little Tommy Tittlemouse with his fishing pole.

Molly My Sister and I, from "Pocketful of Posies" 2010

This rhyme, Molly My Sister and I, has a little wider border. The artwork already has a lot of detailed embroidered foliage, so a plainer border seemed appropriate. 

I added the green ruffled trim at the end, to echo the greenery of the topiary in the interior scene.

Note: See more posts in the Pocketful of Borders series here.

Pocketful of borders (end papers)

detail of end papers from "Pocketful of Posies"

I love the way end papers of a book can be purely decorative and bring a connection to the tradition of using marblized paper. There are no interfering words to accommodate and there’s freedom to work in a different way, but capture the essence of the book. For Pocketful of Posies‘ end papers, I used only flower thread and a background of wool felt,  which is plain and simple compared with the other illustrations.   

   

To make the border for this picture, I made patterns and cut out felt strips with a wavy edge. The four corners were cut out as separate pieces. The border sections were blanket stitched with my favorite variegated edging thread, Watercolours by Caron.   

   

Since the illustration was such a simple, flat chain stitched pattern, I thought the border could use some jazzy up. I embellished the border with glass beads and silk ribbon embroidery.   

   

I added some lavender rick rick to the inside edge of the border to help set it apart.   

   

All of the border sections were then sewn together into one continuous strip.   

   

Then, with pins, I positioned the border on the end paper illustration and stitched it in place on the upholstery background fabric.   

   

   

Note: See more posts in the Pocketful of Borders series here.

Pocketful of borders (title page)

Last week, I made a border for the title page from “Pocketful of Posies”. As I mentioned before, all 50 original illustrations need to be mounted and framed for the traveling exhibit this fall. Because the title page artwork was designed to bleed to the page’s edge and is without any kind of border, it requires a similar but different treatment than “Mary Had a Little Lamb” .

First, I picked  upholstery fabric from my stash to stretch for the background. Then I tried out different felt colors and chose ones that I thought complimented the artwork. This process can be tricky because I have to try many color combinations before I’m happy with the dynamics. For this one, I chose a contrasting pale violet for the corners to give the border a strong visual impact, without overpowering the artwork.

Each border section was blanket stitched with 3-ply pima cotton (Watercolours by Caron).

I then chain stitched the year and my initials on the bottom left and right corners. The corners needed something to set them apart, so I doodled a chain stitch with 2-ply variegated yellow/green embroidery floss.

Now, the sides, top and bottom pieces looked plain, so I decorated them with some chain stitched loops of flower thread. There wasn’t enough contrast, so I outlined the loops with stem stitches, using 1 ply variegated pink/purple embroidery floss.

I sewed the corners to the side pieces, measuring to make sure they were even lengths. Then, using a corner ruler, I squared up the border and pinned it on top of the artwork.

I then sewed the border in place and sewed it to the upholstery fabric background.

This title page shows a landscape filled with different characters and buildings from the rhymes in the book. The title and other information will be printed in the open areas in the sky.

Note: See other posts in the Pocketful of Borders series here.

Pocketful of borders (Mary Had a Little Lamb)

x-ray of my wrist

I’ve recently resumed working in my studio after months recuperating from my fall and broken wrist in January. It was  a bad break that required surgery to put in a plate and several screws.   Two orthopedic surgeons told me the break was too complicated for them to fix and that I needed a hand specialist. Now, I look at the x-ray of my wrist and appreciate the intricacies of the hand surgeon’s fine detailed work. I’m glad that I waited the ten days after the break to have her do the surgery in Boston. Today, after 2 months of hand therapy, I’ve regained most of my wrist’s rotation, but still have limited flexibility and strength. Even though the break was in my subdominant left hand, I need the full use of my wrist to hold materials that I stitch with my right. As I work, I can feel the tendons in my hand and wrist pulling and aching, but I’m determined to sew! My physical therapist told me that she will work with me another month, to see if we can get back as much use as possible.     

"Mary Had a Little Lamb", pages 26/27 from the book, "Pocketful of Posies"

detail from "Mary Had a Little Lamb"

 Before the accident, I was going to spend the winter making borders for all 50 of the original illustrations from my upcoming book Pocketful of Posies: A Treasury of Nursery Rhymes . So, I have a lot of work to catch up on.     

  

The pictures now need to be given borders and mounted on stretched backgrounds before being framed under glass for the traveling exhibit. The illustrations were photographed a year ago for reproduction in the book and now can be reworked for their 2nd life as framed pieces of original art. I just finished the border on the double-page spread for the rhyme, “Mary Had a Little Lamb”. There was already a felt border, but I needed to finish the outside edge. I made a scalloped pattern and cut around the outside so that the corners were rounded.     

  

Then, with some variegated cotton thread (Watercolours by Caron), I sewed a blanket stitch around the curved edge.  I added a decorative curly-cued chain stitch made with 2-ply variegated embroidery floss (DMC).     

  

The scalloped border looked too flat, so I sewed 26-gauge wire to the underside, near the outside edge.     

  

I embroidered the date and my initials to the bottom border. Then, I bent the wire to make a wavy edge, just like you’d do with pie crust around the outside edge of a pie pan. The felt artwork is then sewn to a stretched piece of upholstery fabric.    

     

   

Here’s the finished picture. In the book, the words from the rhyme will be printed in the large open spaces and the book’s gutter will be in the center.     

"Mary Had a Little Lamb" ready for framing

Note: See other posts in the Pocketful of Borders series here.