Dolls from Istanbul

A family I know from Woods Hole went on a trip to Turkey this summer. Deb sent me this series of photos of a doll shop in Istanbul. Here is her daughter Celeste standing alongside the amazing display of felt dolls. Among the conservatively dressed female figures, I can see some whirling dervish dancers in white as well as some pretty wild-looking felt caps.

Please Note: Mara from Ankara, Turkey just wrote a comment and said, “These are actually made in Central Asia — in Uzbekhistan, if I remember correctly — but they are sold quite widely in Turkey”.

There are dressed up rabbits, mothers with babies hanging on, and moustached short squat men. Thanks for sharing these, Deb!

Close-ups (cottages)

I’m a hopeless homebody and have been putting cottages and other cozy shelters in my artwork forever. This first yellow house is from the back cover of  the first edition of Mary Had a Little Lamb.  The board book version shows a portion of the picture that doesn’t include the house.

MHALLchickensWM

This one from You and Me: Poems of Friendship has a ribbon porch roof decorated with tatting.

fastfriendsWM

I used cloth-covered wire to make the gingerbread edging along the roof line in this cottage from The Hollyhock Wall. Looking more closely, there is a lot of cloth wrapped wire in this scene: tree branches, hollyhock stems wicker furniture and straw hats. The dolls are about 1 1/4″ tall.

HHWyellowhouseWM

This is the Russian grandfather’s  house from Peter and the Wolf. See the whole illustration in an earlier story about the CD here.

peterhouseWM

This quintessential  thatched cottage is from the rhyme, “One, two, three, four, Mary’s at the cottage door”, which is in my new book, Pocketful of Posies. Find out about the book and the traveling exhibit of original artwork here.  Also, see the whole double page spread in another post here.

PFOPhousethatchWM

Note: See other posts in the Close-ups series archive here.

Pocketful of Borders: Little piggies & back jacket

This is a quick update on the border project for the illustrations from Pocketful of Posies. I’m working on the last one now, so if everything goes as planned, we will be readyto hang the show next Monday! My husband has been helping by putting the artwork into the frames he made. To see the show schedule, go to the Traveling Exhibit Page here. These pictures are from This Little Piggy and the back book jacket.

Note: See other posts from the Pocketful of Borders series here.

Pocketful of Borders: Go to bed first

There are only 5 more borders to make before we hang the first installment of the Pocketful of Posies Traveling Exhibit at Highfield Hall in Falmouth next week. Besides stitching, all I’ve been doing for the past month is eating, sleeping and occasionally riding my bike for exercise. It takes about 8 to 10 hours of sewing to complete each border, so I’ve been aiming for one a day. My broken wrist  set me back 4 months last winter, so I’m making up for it now.

“Go to bed first, a golden purse” begins the last rhyme in the book.  Here’s my work table with the illustration surrounded by piles of wool felt.

The border colors have been selected and cut.

I was so intent on finishing this one, that I skipped taking pictures of the stitching process. The rug under the beds is decorated with embroidery on felt, with thread tassels.

The different beds are made with found objects like beads, dowels, and hollow thorns.

It’s always a good idea to end a bedtime story book with a picture of a sleeping child.

Note: See other posts from the Pocketful of Borders series here.

Pocketful of Borders: Old woman who lived in a shoe, etc.

This double page spread from Pocketful of Posies has three rhymes dispersed throughout; There was an old woman who lived under a shoe, Lillies are white and See saw, Margery Daw. Since I’m so busy stitching, I’ll just show pictures of the border making process without description.

Note: See other posts from the Pocketful of Borders series here.

Pocketful of Borders: Humpty Dumpty

Here’s a shot of my work table (ironing board) with a border in progress. It shows the illustration from Pocketful of Posies that includes “Humpty Dumpty”, “Peter picked a peck of pickled peppers” and “Two little dicky birds sitting on a wall”.

There’s lots of foliage and a stone wall build with a combination of stone beads and individually appliqued felt stones. Peter Piper’s hat and basket of peppers are made with thread wrapped and coiled wire.

I had fun using some interesting pieces of driftwood and other found objects.

detail from “Pocketful of Posies” 2010

Note: See other posts from the Pocketful of Borders series here.

Pocketful of Borders: my black hen

This illustration from Pocketful of Posies is for the rhyme, Hickety, pickety, my black hen, she lays eggs for gentlemen. My descriptions will be brief, as I’m working hard to finish all of the borders for the upcoming traveling show. The colors vary in this series of photos becuase I took them at different times of day, under different lighting conditions. The color green is famously difficult to reproduce anyways. Here’s the fabric relief piece sewn to foam core board, before a border was attached. Yes, I made the egg basket, by wrapping and coiling wire around and around. Pretty obsessive, but necessary!

The arched hen-house is made with bittersweet vine, with driftwood floor boards.

The border need a little punch, so I sewed some purple perle cotton around the outside edges.

The embroidered leaves could also be seen as feathers.

The hen’s nest is made from some curly excelsior packing material and her feathers are highlighted with purple metallic thread.

This coloring is more true to the original piece.

Note: See other posts from the Pocketful of Borders series here.

Pocketful of Borders: Donkey & Elsie Marley

I’m making good progress on the borders for the Pocketful of Posies Exhibit and thought I’d show one from earlier this summer. This double page spread illustrates the nursery rhymes “Donkey, donkey, old and gray…” and “Elsie Marley has grown so fine, she won’t get up to feed the swine…”.

UPDATE: Autographed copies of Pocketful of Posies: A Treasury of Nursery Rhymes are available in my Etsy Shop here.

The hungry swine were fun to make! The stones on the path were made with chain stitches in a tight spiral.

See a detail shot of the driftwood roofs and tree in an earlier post here.

Note: See other posts from the Pocketful of Borders series here.

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Closeups (summer trees)

Before summer passes us by, I’ve gathered a group of trees from my artwork to show. The first one is a crayon drawing on lined paper from 1963, when I was 8 years old.

crayon on lined paper, 1963, age 8

Jumping ahead 20 years, this tree is from an early fabric relief picture called “Jumping Girl”. My obsession with embroidering leaves was underway!

detail from “Jumping Girl” 1985

This is from my first children’s book, The Way Home, published in 1991. By this time, I’d started making branches with thread wrapped wire. Read the story of the making of the book here.

detail from “The Way Home” 1991

Here’s a faux tile I made for my kitchen in 1990. See the other tiles in an earlier post here.

Faux Tile, 1990

About 10 years ago, I started using more felt and appliqued this tree trunk to the dyed cotton velveteen sky in my book, The Hollyhock Wall.

detail from “The Hollyhock Wall ” 1999

Now, I’m using felt almost exclusively. The next 2 details of trees are from my picture book, Pocketful of Posies: A Treasury of Nursery Rhymes.

detail from “Pocketful of Posies” 2010

I incorporated many found objects in the “Posies” book and here’s a glimpse of  driftwood and bark buildings, with a tree between.

detail from “Pocketful of Posies” 2010

Note: See other posts in the Close-ups series archive here.

Pocketful of Borders: Ring around the Rosie

The one woman border stitching factory is running double shifts to get the illustrations finished and framed in time for my Pocketful of Posies traveling exhibit, which you can read about here.  This one is from the page for the rhyme “Ring around the rosie”. The border turned out to be much more involved than I planned and took several days to complete. From now on, I can’t afford to play around, trying out different approaches for each piece. It’s time to get serious. My goal is to complete one a day, so I’ll have all 51 ready by mid Sept., when we hang the show.

I picked out some upholstery fabric for the background and then chose the felt border colors.

I like to lay out different skeins of pima cotton from the Caron Collection next to the artwork and pick a color scheme that matches.

Then I edge the border pieces with a blanket stitch.

There’s a lot of open green space around the dancing figures in this illustration, so I thought that the border could take some embellishment. I did a little sketch of some leafy curled stems and embroidered them.

One thing led to the next and before I knew it, I was filling the leaves with orange floss and scattering french knots around like confetti.

When I put the finished border piece next to the artwork, it looked too busy and the many colors detracted from the circle of characters. It was clear to me that the first try didn’t look right and instead of wasting time trying to make it work, I quickly moved on. I put it aside and decided to make another design that was still embellished, but was limited to green chain stitching.

They were true doodles, done free hand, with every border section different. That way, I don’t have to plan it out and repeat exactly the same design for all 4 side pieces. Also, without a set pattern, the border more accurately reflects the lighthearted and uninhibited mood of the characters.

I then embroidered the date and my initials on the bottom corner pieces.

And continued doodling…

After sewing the side and corner pieces together to make a square border, I thought that it needed a little lift off the surface, so I added some wire around the outside edge.

Later, after I’d sewn the wire all around, I realized that I should cut and adjust the wire to conform to the curves of the corner pieces.

I then covered  the wire by wrapping it with variegated embroidery floss.

And to help define the form, I slipped some wire through the stitches on the backside of the inside edge, like a underwire bra.

Now, I sewed the whole wire supported border to the artwork and bent waves into the outside scalloped edge.

I’m half way through making the borders, with about 25 to go! I’ll try to remember to pause and take pictures as I go, but know some steps won’t be documented because I’m so intent on finishing this project.

Note: See other posts from the Pocketful of Borders series here.