Closeups (baskets)

Posted on April 20, 2011 by Salley Mavor

I love baskets and have included all kinds in my artwork since the beginning, like this Easter basket crayon drawing from my childhood.

crayon drawing, age 7

The elephant mother in my first picture book, The Way Home (1991), needed a way to carry bananas, so I made tiny (1/2″) wire baskets, wound in embroidery floss. Read my story about the making of The Way Home here.

Here is Mary, from Mary Had a Little Lamb, holding a basket of clay strawberries. This basket is also made with thread wrapped wire, but a little bigger at 1 1/4″. Real stones are glued in the garden.

This egg basket appears in Pocketful of Posies, in the illustration for the rhyme, Higgety, pickety, my black hen. It’s made by coiling and wrapping wire with embroidery floss. You can see glimpses of the green florist wire through the thread. I can’t for the life of me remember how I did the pattern on the top and bottom. The original is about 2 inches long and filled with 1/2 inch wooden eggs.

Also from Pocketful of Posies, Daffy Down Dilly’s 3/4″ basket is made the same way.

This detail from Jerry Hall is enlarged quite a bit, with the original basket being less than 1″.

Closeups (shoes)

Posted on April 5, 2011 by Salley Mavor

JUST POSTED! Read my interview at the Society of Children’s Book Writers and Illustrators Blog here.

The shoes in this series of closeups are made of leather or felt, with a wooden one at the end. Mother and Child (1983) is from my transitional period, when I was moving from sculpture in the round to a bas relief format, which I later named fabric relief sculpture.

Mother and Child, 1983

In Jumping Girl (1985), I strove to bring a sense of movement to the figure. That’s a piece of Chinese embroidery sewn onto the bottom.

Jumping Girl, 1985

This shows off the girl’s shoes from my picture book “In the Heart” (2001). The leather came with the checked pattern stamped onto it and there was barely enough to make all of her shoes in the book.

detail from “In the Heart”, 2001

Jill’s felt shoes are about 3/4″ long.

detail from “Jack and Jill”, 2006

I made this shoe for the rhyme, One, Two, buckle my shoe in Pocketful of Posies. It’s modeled after those cute mary jane style chinese shoes. While I was working on it, I noticed that my watch band had the perfect sized buckle, so I took off my watch, cut off the buckle and added it to the illustration.

detail from “Pocketful of Posies” 2010

This wooden shoe sign is hanging over the cobbler’s shop in the picture for the rhyme, Cobbler, cobbler, mend my shoe, which is also in Pocketful of Posies. I used a jig saw to cut out the shoe and made the cobbler’s work apron from leather.

detail from “Pocketful of Posies” 2010

Closeups (music)

Posted on March 18, 2011 by Salley Mavor

AWAY with funeral music – set
The pipe to powerful lips –
The cup of life’s for him that drinks
And not for him that sips.

by Robert Louis Stevenson

The first image in this Closeups series about music is from an embroidered scene I made for an illustration class assignment in 1974. I’d forgotten how much fun it is to fill in with a chain stitch! The lute player’s hairdo appeared years before Princess Leia’s coiled braids in the 1977 Star Wars movie.

The harpist is a detail from a lithograph I made in art school at RISD in 1977. (see other lithographs here) I transferred a xerox copy of a harp image onto the limestone surface.

detail from lithograph 1977

This fiddler is Laura Ingalls Wilder’s father, who appears along with his family on a CD cover I made for “A Little Music on the Prairie” in 1994. And yes, I did cut out the wooden violin, with the help of a jig saw. The tuning pegs are seed beads. See another closeup from this illustration here.

from “A Little Music on the Prairie” CD cover, 1994

Here’s Little Tommy Tucker, who sang for his supper, from my book of nursery rhymes, Pocketful of Posies. Autographed copies are available from my Etsy Shop.

detail from “Pocketful of Posies” 2010

This is one of Old King Cole’s fiddlers three , whose felt fiddle is about an inch long.

detail from “Pocketful of Posies” 2010

And the cat and the fiddle play on.

detail from “Pocketful of Posies” 2010

Closeups (castles)

Posted on February 8, 2011 by Salley Mavor

The first image is a detail from an embroidered illustration I made for a class in 1974. The assignment was to make an album cover for a made-up band. Mine pictured a kind of folk/rock/ renaissance musical group with a landscape and castle in the background. I think this was the first totally stitched scene I made. I found a stitching how-to book at the library and followed the directions. Before this all of my embroidery was embellishment on blue jeans and other clothing.

A couple of decades later, I made this sand castle for the book, You and Me. The beach sand is made from raw silk that I dyed with a spray bottle. And yes, those are real beach stones glued to the fabric.

detail from “You and Me” 1997

Here’s George reading a fantasy story with my favorite castle design on the cover. I got out my old stack of Color Aid paper to make the book.

This castle is from a royal scene I made for a doll magazine in 2000. The fleur-de-lis on the castle door is a nail head. The project was in The Cloth Doll, Volume 14, number 2.

The next 2 closeups are from my newest picture book, Pocketful of Posies.

In this one from Old King Cole, I use a combination of clay beads and wool felt to make the stone wall. And the fiddle is made from felt.

Closeups (bags)

Posted on January 8, 2011 by Salley Mavor

Purse, handbag, satchel, luggage or sack— they are basically containers to carry loose things around. As a sculptural object, there are just a few requirements, including storage space, durability and ease of use. I don’t understand the craze over designer bags. From what I’ve seen, most aren’t very interesting and are kind of ugly. Clearly, the fashion world is a mystery!

This first purse is being clutched by a wrench hand in my found object piece, Walking the Dog, which can be seen here.

detail from “Walking the Dog” 2005

This little piggie going to market is from Pocketful of Posies. The string bag is made with a needle crochet technique that I figured out on my own. I’m not patient enough to follow directions to learn the proper way to crochet with a hook, so I just fool around with a needle and thread.

Here’s an old man clothed all in leather, from the illustration for the folk song “One Misty Moisty Morning”. This and all of the next closeups are from Pocketful of Posies. The photos are blown up to about twice their actual size.

detail from “Pocketful of Posies” 2010

detail from ‘Pocketful of Posies” 2010

detail from “Pocketful of Posies” 2010

Close-ups (foliage)

Posted on December 26, 2010 by Salley Mavor

This series of close-ups shows the progression of my stitching technique and style over 20 years of illustrating children’s books. The first picture shows a detail of the banana trail that Savi the elephant follows through the jungle in The Way Home (1991). Read the story about making The Way Home here.

from "The Way Home" 1991

I made a stencil and painted grass on the velveteen background in The Way Home‘s sequel, Come to my Party (1993).

from "Come to My Party" 1993

Jump ahead a dozen years and I’m embroidering blades of grass and sewing glass beads to a wool felt background in the board book, Hey! Diddle, Diddle.

detail from "Hey! Diddle, Diddle" 2005

And still obsessing over french knots in Jack and Jill.

detail from "Jack and Jill" 2006

This one shows a small section of the illustration from the song One misty moisty morning in my most recent book, POCKETFUL OF POSIES . If you are having difficulty finding a copy of the book, it’s because the first printing has sold out. My local bookstore, Eight Cousins, stocked up, so they might still have some (508.548.5548). The situation will soon be remedied, as the second printing will arrive from Hong Kong in mid-January.

detail from "Pocketful of Posies" 2010

Close-ups (couples)

Posted on December 7, 2010 by Salley Mavor

News Flash! My interview with Jules at the Seven Impossible Things blog was posted today. Just a warning though– there are tons, I mean tons of pictures in the article!

This series of couples begins with a detail from Vineyard Family, which I made in 1985. During the 80’s I experimented with flattened dolls on embellished backgrounds and came up with the term fabric relief to describe what I was making. See other details from this scene here and here.

These gingerbread cookies are appliqued and embroidered on a wool felt balsam pillow. This project is in my how-to book, Felt Wee Folk.

And the dish ran away with the spoon in my board book version of Hey, Diddle, Diddle! The dish is formed out of polymer play and cut with a scalloped edged biscuit cutter. The silver spoon is beat up and old, but he strikes the dish’s fancy.

This detail is from my 2007 piece, Self Portrait: a personal history of fashion. My husband, Rob joins me for the year we were married (1981) in the spiral of 52 dolls, which age from birth to 52. I made our full size wedding outfits in 1981, too. See a post about the Self Portrait here.

This detail from Pocketful of Posies: A Treasury of Nursery Rhymes shows the last part of the Jack and Jill rhyme when a wounded Jack “went to bed to mend his head with vinegar and brown paper”.

Note: See other posts in the Close-ups series archive here.

Close-ups (fall trees)

Posted on November 3, 2010 by Salley Mavor

We had our first frost last night and the crisp air really feels like fall. In this series of trees, I’ll explain a bit about how I made some of the parts. This first closeup is from Apple Orchard, an early piece (1992) which I wrote about in another blog post here. The apples are made from wooden beads, covered with a sheer red fabric.

Apple Orchard, fabric relief 1992

The apples from this illustration in Mary Had a Little Lamb, are made from small red wooden beads. The leaves are cut from larger artificial leaves and sewn to the end of thread wrapped wire branches.

detail from "Mary Had a Little Lamb" 1995

In this scene from In the Heart, the hearts and leaves on the lawn are painted with a home made stencil.

detail from "In the Heart" 2001

Here’s a fall tree from my board book version of Jack and Jill.

detail from "Jack and Jill" 2006

These last two are from my new book Pocketful of Posies: A Treasury of Nursery Rhymes. They are illustrations from the rhymes “A wise old owl lived in an oak”…

detail from "Pocketful of Posies" 2010

and “Hush-a-bye-baby”.

detail from "Pocketful of Posies" 2010

Note: See other posts in the Close-ups series archive here.

Close-ups (cottages)

Posted on September 20, 2010 by Salley Mavor

I’m a hopeless homebody and have been putting cottages and other cozy shelters in my artwork forever. This first yellow house is from the back cover of the first edition of Mary Had a Little Lamb. The board book version shows a portion of the picture that doesn’t include the house.

This one from You and Me: Poems of Friendship has a ribbon porch roof decorated with tatting.

I used cloth-covered wire to make the gingerbread edging along the roof line in this cottage from The Hollyhock Wall. Looking more closely, there is a lot of cloth wrapped wire in this scene: tree branches, hollyhock stems wicker furniture and straw hats. The dolls are about 1 1/4″ tall.

This is the Russian grandfather’s house from Peter and the Wolf. See the whole illustration in an earlier story about the CD here.

This quintessential thatched cottage is from the rhyme, “One, two, three, four, Mary’s at the cottage door”, which is in my new book, Pocketful of Posies. Find out about the book and the traveling exhibit of original artwork here. Also, see the whole double page spread in another post here.

Note: See other posts in the Close-ups series archive here.

Closeups (grapes)

Posted on September 8, 2010 by Salley Mavor

I smelled grapes this morning. Wild Concord grape vines strangle the trees along the bike path and their dark purple fruit is ripening. Women were picking low growing grapes and filling plastic bags. Here are some closeups of grapes in my artwork over an almost 50 year span.

crayon on lined paper, 1960 (age 5)

This pin was made by covering red beads with sheer lavender fabric. Read the story of my pins here.

pin, 1978

The grapes in this fabric relief piece were made the same way as the pin, but about 1/2 the size. I used real curly grape vines. See another detail from “Vineyard Family” here.