Pocketful of Borders: my black hen

This illustration from Pocketful of Posies is for the rhyme, Hickety, pickety, my black hen, she lays eggs for gentlemen. My descriptions will be brief, as I’m working hard to finish all of the borders for the upcoming traveling show. The colors vary in this series of photos becuase I took them at different times of day, under different lighting conditions. The color green is famously difficult to reproduce anyways. Here’s the fabric relief piece sewn to foam core board, before a border was attached. Yes, I made the egg basket, by wrapping and coiling wire around and around. Pretty obsessive, but necessary!

The arched hen-house is made with bittersweet vine, with driftwood floor boards.

The border need a little punch, so I sewed some purple perle cotton around the outside edges.

The embroidered leaves could also be seen as feathers.

The hen’s nest is made from some curly excelsior packing material and her feathers are highlighted with purple metallic thread.

This coloring is more true to the original piece.

Note: See other posts from the Pocketful of Borders series here.

Pocketful of Borders: Donkey & Elsie Marley

I’m making good progress on the borders for the Pocketful of Posies Exhibit and thought I’d show one from earlier this summer. This double page spread illustrates the nursery rhymes “Donkey, donkey, old and gray…” and “Elsie Marley has grown so fine, she won’t get up to feed the swine…”.

UPDATE: Autographed copies of Pocketful of Posies: A Treasury of Nursery Rhymes are available in my Etsy Shop here.

The hungry swine were fun to make! The stones on the path were made with chain stitches in a tight spiral.

See a detail shot of the driftwood roofs and tree in an earlier post here.

Note: See other posts from the Pocketful of Borders series here.

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Pocketful of Borders: Hey, Diddle, Diddle!

board book version

The next border  to finish up for Pocketful of Posies: A Traveling Exhibit  is the illustration for the rhyme, “Hey, Diddle, Diddle!”. The new book includes all of the rhymes from my board book series, but they are represented by new illustrations. I really liked compressing the scene into one image, instead of stringing out the action over several pages. Most of  the main characters from “Hey, Diddle, Diddle!” are similar to the ones in my board book version, with the exception of the cat, which is made in a different style. The plate is made from polymer clay and the spoon is a doll house miniature.   

detail from " Pocketful of Posies" Houghton Mifflin 2010

cat from "Pocketful of Posies"

The new book, Pocketful of Posies: A Treasury of Nursery Rhymes includes many cats made in my new Halloween costume style. The head is a wooden bead, with face painting and a felt hood with ears attached. The cat’s paws and chest are whitened with acrylic paint. The fiddle is felt, with a thread-wrapped wire neck and bow. The illustration’s existing brown border was wide enough to cut in a wavy pattern, so I didn’t add another felt border. After several tries with different colors, I chose a blue pima cotton for the blanket stitched edging.   

   

I then embroidered my initials and the date with some variegated dark purple raw silk thread. It called out for embellishment, so I started doodling along the border with light blue raw silk thread.  

  

The light blue line lacked contrast, so I outlined it with a single strand of orange embroidery floss.   

  

For the corners, I added  spirals and unintentionally doodled a pattern in the Celtic style.  After outlining a few sections, I decided that the orange floss attracted too much attention, so I ripped it all out. That’s what is so great about stitching, you can change your mind mid stream. Borders, like any kind of framing, should compliment the artwork, not compete.  

  

I thought that a little height and firmness would perk up the border, so I added 32 gauge florist’s wire to the outside edge.  

  

I then covered the wire with 2-ply orange/red variegated embroidery floss.  

  

At this point, I was glad that I’d removed the orange outline around the doodles and saved the color for the outside edge, which defined the border against the upholstery fabric background.  

  

I bent the wavy wire so that it lifted up the outside edge.  

  

Here is the finished “Hey, Diddle, Diddle!” piece, ready to frame for the traveling exhibit of original art.  

 

My husband, Rob, has been making shadow box style frames in the basement. He’s doing a beautiful job and the 51 cherry wood frames are about half way done. We are both making progress toward the Sept. deadline for the first show in Falmouth.

Note: See other posts from the Pocketful of Borders series here.

Close-ups (butterfies)

I slipped in this moth (actual size 3″), even though it’s not a butterfly. He was a character in a story called “The Great Cleanup” (1979), which I wrote about in an earlier post here.

Moth from “The Great Cleanup” 1979

This close-up is from the endpapers for Pocketful of Posies, which is shown more in an earlier post here.

detail from endpapers in “Pocketful of Posies” 2010

Here is another butterfly project, a felt purse from  Felt Wee Folk: Enchanting Projects. The shiny dots are nail heads.

felt Purse from “Felt Wee Folk” 2003

This tiny butterfly (actual size is 1″) is a detail from my upcoming book, Pocketful of Posies: A Treasury of Nursery Rhymes. See the whole illustration for “Jumping Joan” here.

detail from “Pocketful of Posies” 2010

Note: See other posts in the Close-ups series archive here.

Pocketful of borders (crooked man & black sheep)

Crooked Man from "Pocketful of Posies", Houghton Mifflin 2010

The borders for the illustrations from Pocketful of Posies are coming along faster now and I don’t always remember to take pictures of the process. Here are two finished pictures, starting with the “Crooked Man” rhyme, with all of the crooked things from the verse. In the book, the words from the verse will be printed on the orange felt background, traveling all around the center illustration clockwise. 

detail from "Crooked Man", "Pocketful of Posies", 2010

 I’ve added a crooked line of  tube beads to the border sides. The inside border of purple rick rack has a hand stitched edging of dark orange embroidery floss. 

detail from "Crooked Man", "Pocketful of Posies" 2010

  Here’s the crooked man, with his crooked cat and mouse.  

detail of "Crooked Man", Pocketful of Posies" 2010

 This is the illustration for “Baa, Baa, Black Sheep”. I made the original small, about 75% of the printed size of 10″ square. It need a larger border to balance the larger stretched upholstery fabric background, so I made the side pieces bulge out to fit the space more.   

"Baa, Baa, Black Sheep", "Pocketful of Posies" 2010

 To get an idea of the scale, the felt leaves are about  1″ long. These shades of orange and green are my favorite color combination. They’re definitely not my colors to wear (I’m a winter), but I find them pleasing to look at. See these colors in the post about my studio here

detail of "Baa, Baa, Black Sheep" from "Pocketful of Posies" 2010

detail from "Baa, Baa, Black Sheep", "Pocketful of Posies" 2010

Note: See other posts from the Pocketful of Borders series here.

Close-ups (dogs)

Ceilidh

I’d like to present this group of dogs in honor of my pet and studio companion, Ceilidh, who died last month. Her name, pronounced Kay-lee, is from the Gaelic word for a folk music and dance party. This is the last photo I took of her this past winter, just before she turned 14.  She was a lab/golden mix and a real sweetheart who gave us many wonderful years.  

The first picture in the series is a faux tile I made in 1990 for our kitchen.  See all of the tiles on an earlier post here

Faux Tile, 1990

 This white dog is in the “Sidewalks” poem illustration from my book You and Me: Poems of Friendship.  

detail from "You and Me: Poems of Friendship" 1997

 Here’s the dog who laughed to see such sport in Hey, Diddle, Diddle!  

detail from "Hey, Diddle, Diddle!" 2005

This little dog is made from a key, hook eyes and other found objects. See an earlier post about the whole piece, “Walking the Dog”, here.   

detail from "Walking the Dog" 2005

This dog is dancing in a ring around the rosies from my upcoming book, Pocketful of Posies.  

detail from "Pocketful of Posies" 2010

Note: See other posts in the Close-ups series archive here.

Pocketful of borders (end papers)

detail of end papers from "Pocketful of Posies"

I love the way end papers of a book can be purely decorative and bring a connection to the tradition of using marblized paper. There are no interfering words to accommodate and there’s freedom to work in a different way, but capture the essence of the book. For Pocketful of Posies‘ end papers, I used only flower thread and a background of wool felt,  which is plain and simple compared with the other illustrations.   

   

To make the border for this picture, I made patterns and cut out felt strips with a wavy edge. The four corners were cut out as separate pieces. The border sections were blanket stitched with my favorite variegated edging thread, Watercolours by Caron.   

   

Since the illustration was such a simple, flat chain stitched pattern, I thought the border could use some jazzy up. I embellished the border with glass beads and silk ribbon embroidery.   

   

I added some lavender rick rick to the inside edge of the border to help set it apart.   

   

All of the border sections were then sewn together into one continuous strip.   

   

Then, with pins, I positioned the border on the end paper illustration and stitched it in place on the upholstery background fabric.   

   

   

Note: See more posts in the Pocketful of Borders series here.

Faux Tiles

When we built our house almost 20 years ago, I wanted to have a tile splash board behind the kitchen counters. The plan was to make my own hand painted tiles.

My friend Yvette showed me how to apply glazes onto unfired clay tiles. The tiles were fired in a kiln at the artisan tile business where she worked.

I made drawings and planned out a series of tiles that would create a panoramic landscape, decorated with animals and an occasional dish or basket of food. After a few test firings, I could see that the learning curve was too steep for me. The glazes were one color when you paint them and another when they are finished firing. The process was more involved than I had thought. The quality of my tests were not good and it would take a lot of practice to get the tiles to look the way I wanted.

Even though I really wanted to use ceramic tiles, I decided to make “faux tiles” instead. I ended up painting Masonite with acrylic paint and coating it with polyurethane.

I had fun trying to make them look like tiles, adding blue borders, with space between each painted square. With a jig saw, I cut out openings for the electric outlets. When people see our kitchen, they see a row of tiles, not paint on Masonite. The panel has held up well over the years and can be easily washed. I plan in making more for another area in the kitchen when we do some renovations.

To keep up with new posts, please subscribe to this blog. Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook, Instagram and BlueSky.

Close-ups (owls)

Owls have such distinctive shapes and characteristics that make them visually appealing.  They can be identified by a simple silhouette or depicted in all their glory with every feather rendered in detail. This series begins with an owl (enlarged x 2) from an illustration for the Halloween poem in my book, You and me: Poems of Friendship and then continues with a felt purse from my how-to book, Felt Wee Folk. There’s the tiniest owl from In the Heart and then two from my upcoming (Sept./2010) book, Pocketful of Posies.

detail from "You and Me: Poems of Friendship" 1997

detail from “You and Me: Poems of Friendship” 1997

owlpurse2WM

detail from "In the Heart" 2001

detail from “In the Heart” 2001

detail from endpapers in "Pocketful of Posies" 2010

detail from endpapers “Pocketful of Posies” 2010

detail from "Pocketful of Posies" 2010

detail from “Pocketful of Posies” 2010

Note: See other posts in the Close-ups series archive here.

Dragons

Here are 2 fabric relief pictures that incorporate the story of St. George and the Dragon. These pieces were personal projects and not made for an illustration job or to be published in a book. Both “George’s Chair” and “The Storyteller” illustrate the power of the imagination, one through reading a book and the other with storytelling.

georgeWM   The chair was made with worn upholstery fabric and sticks out about 1″ from the surface. It has a lace doily on top and the chair’s legs are polymer clay.

georgeanddragonWM George’s chain mail hood is made from metallic fabric and his arms, legs and sword are wire wrapped with metallic thread. The princess has an acorn cap crown sprayed with gold paint.

Georgedragon2WM

georgereadingWM

storytellerWM

storytellerwomanWM

storytellerdragonWM

storytellerchairwm