fairy house tour (part 2)

Posted on November 6, 2012 by Salley Mavor

The fairy house tour around the grounds of the Florence Griswold Museum continues with photos of some of my favorite structures. Out of 33 very different styles, I found the naturalistic interpretations more believable as fairy dwellings. These tended to blend in with the landscape and mostly used materials found in nature. Please note: This fairy house exhibit is closed, with the next scheduled for 2014.

Other Fairy House News
(added May 30, 2015)
The Fairy Houses of Highfield Hall outdoor exhibit will be held from June 28th to August 31, 2015 at Highfield Hall in Falmouth, MA. In addition to curating the exhibit, Salley Mavor has made a fairy family of 5, which is being raffled (3 tickets for $5.00). Tickets may be purchased online or at Highfield Hall, where the fairy family is on display. The raffle drawing will be August 30, 2015. The prize will be sent to the winner anywhere in the world! Good luck!

A house with a teapot doorway.

This tree had several entrances.

These cottages perched on the roots look like guest houses for sprites.

A cozy picnic spot.

A wee painter’s shack.

Dew Drop Villas and a muscle shell windmill conclude the tour.

fairy house tour (part 1)

Posted on November 4, 2012 by Salley Mavor

Last week, I drove with my husband and a friend to Old Lyme, Connecticut, to see the eagerly anticipated Wee Faerie Village on the grounds of the Florence Griswold Museum. It was the last opportunity to see the display, because this year’s exhibit closed yesterday. I’m told that they coordinate the building of a new village every other year, so the next event should be in the fall of 2014.

Even with cloudy skies and cool temperatures, we enjoyed strolling around the property, following the numbered mushroom signs. Over thirty fairy dwellings were created by artists from the area, including my favorite, Nevergreen Caverns, made by the museum’s education director, David D.J. Rau.

Three hollow logs are stacked on a larger stump, with each space furnished with fairy comforts.

I found the burned wood markings charming…

as well as the mushroom roofed balconies.

It was well worth the visit! I will show more pictures of other houses in my next post.

a banner day

Posted on November 1, 2012 by Salley Mavor

Last Saturday, a group of lovely women gathered at Highfield Hall in Falmouth for my felt banner workshop. Lynn and Christy treated the workshop as a destination event. They drove down from Vermont a day ahead and spent the afternoon riding their bicycles on our prized Shining Sea bike path. The next morning, they were eager and ready to go before we officially started at 9:30.

I brought wool felt and other supplies like thread, wire and an alphabet guide. The class was made up of stitchers and quilters who felt very comfortable with a needle and thread. Everyone came with an idea of what kind of banner they wanted to make, so they got right to work. There were holiday signs, a baby banner, a Chinese proverb, a sewing room sign, and one woman made personalized tooth pillows for her nieces. The first challenge was selecting felt and thread colors. Then, I showed them how to form and wrap the wire letters. This is a technique I’ve been developing for some time, but I’ve never explained or demonstrated how to do it.

The wrapping technique can be quite tedious and fussy, but this group picked it up quickly. They didn’t seem frustrated and became engrossed in the process, asking questions along the way.

Lynn wanted to make a wire plant instead of words, so I showed her how to form and wrap branches.

Christy started a cheerful purple Christmas banner, which will include felt holly and other embellishments. The hours passed quickly and by closing time at 4:30, everyone’s project was progressing well, but nothing was completed. I know that Christy is working on hers at home, because she wrote to ask some questions yesterday.

Will I teach any more classes? I’m striving for the right balance between time out in the world and time creating in my studio. With so many projects planned, I hesitate to commit to teaching workshops, especially if it involves travel. I find it difficult to do my artwork if I’m constantly coming and going, preparing and recovering. Teaching at a venue close to home makes the idea sound more manageable, but I still guard my studio time like a mother bear!