This is Part 4 in a series of posts about making the bas-relief scene set in the West African country of Ghana. A photograph of the piece will be reproduced in my upcoming picture book, MY BED: Enchanting Ways to Fall Asleep around the World. An accompanying US tour of the original artwork used to illustrate the book will begin in the fall of 2020. Information about the exhibition is on this page.
Update: My Bed can now be pre-ordered in my shop here. The book’s release date is in Sept. 2020 and people have asked if they can pre-order autographed copies ahead. So, if you put your order in now, I’ll have a better idea of how many copies to get. The book will be shipped to you as soon as it arrives!
The book is about where children sleep around the world, with each spread depicting a different culture and living environment. The story is written by Rebecca Bond and will be published by Houghton Mifflin Harcourt in Sept. 2020. Here are links to posts showing other finished illustrations for the book: South America, Japan, India, Afghanistan, Russia, North America, Scandinavia, Holland and Iran. To see a list of all my books, click here.
This post shows how I made the leaves, plants and woven fence. It completes the 4 part series about stitching and constructing the many parts in the Ghanaian illustration. Since the shade tree is a prominent feature of the scene (and the text), I wanted to make it as 3-dimensional as possible. Sometimes I embroider leaves to a background fabric, but this tree would stand alone as a separate object. That meant that each individual leaf had to be cut of felt, stitched around the outside and edged with wire. At the time, I didn’t pay attention to how many, but out of curiosity, I just counted 89 leaves.
I grouped them in branches of 3, 4 and 5 leaves and added fly stitches to look like veins.
The clusters accumulated on my work table over the course of a few days.
Then I joined the small branches to the larger branches of the tree (which I described in Part 3) and wrapped embroidery floss around the thick and thin wire.
The trick is to get a seamless transition between the felt and wire branches. Wire provides the flexibility to bend and arrange the branches this way and that, to evenly fill the gaps and overlap the leaves.
i also made felt plants with long thin leaves. For extra stability, I stitched wire both around the outside edge and down the center vein.
For the hanging plant, I made wire stems and attached glass bead leaves.
The planter is an acorn cap. I sewed the plant and 3 pieces of wire to a circle of brown felt. I rarely use glue, but figured it was the best choice for holding the felt/wire/plant inside the acorn cap.
I found a plant hook of the right size in my hook & eye collection, which has really come in handy for this book project.
I cut a piece of felt for the fence and stitched 2 rows of wire to the top edge to keep it from being too floppy. I found some small flat pieces of wood in my stash of misc. parts and sewed them to the felt. Then, I stitched silk ribbon in a diagonal square pattern to make it look like it was woven with plant fibers.
I hope that you enjoyed this series about making the Ghanaian scene. Over the past year or so, I’ve written about most of the illustrations in the book, but there are a few more to go. My Bed’s release date of Sept. 8th, 2020 is just around the corner! If you’d like to pre-order autographed copies, please go to my shop. To see a complete list of the “bed book peek” blog entries, please go here.
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