My Bed Book

My newest children’s picture book, My Bed, Enchanting Ways to Fall Asleep around the World was published by HarperCollins in 2020. It took about 2 years to hand stitch all of the illustrations and I’m excited that you can now see the fruits of my labor. Autographed copies of MY BED are available in my shop here.
Reviews like these are pouring in –
“(My Bed) is just stunning, calming and healing”, “ingeniously illustrated” and “I am overwhelmed by the beauty and all the little details of each page.”

Watch this video to find out how I made MY BED.

See how Salley Mavor made the illustrations for her new picture book MY BED.

A Japanese translation of MY BED, published by Fukuinkan Shoten is now available in Japan.

A touring exhibition of the original embroidered bas-relief artwork that is photographed and reproduced in the book is now underway. Salley Mavor: Bedtime Stitches is traveling around the country, with bookings into 2027. More information about the exhibition (including a current schedule) is at the end of this post.

I shared the process of making the 3-dimensional bas-relief illustrations for MY BED on this blog, which involved stitching, embroidery and other embellishment techniques. Posts I’ve written about each page are listed here:

The book’s author, Rebecca Bond, wrote a poem that celebrates our diversity, while also bringing us together through the universal theme of children sleeping safe in their beds. As the illustrator, it was my task to bring these children to life and create their varying environments.

SALLEY MAVOR: BEDTIME STITCHES

A touring exhibition of original artwork for my picture book, MY BED: Enchanting Ways to Fall Asleep around the World, has been traveling across the country. The show is an opportunity for the public to see up close the fine detail and 3-dimensional quality of my bas-relief sculptural embroideries. Since its premiere in 2020, Bedtime Stitches has been exhibited in a dozen museums and is booked into 2027. Interested museums are welcome to contact me for information about hosting the exhibition. Please use the contact form at the bottom of this page.

What’s being said about the exhibition:
“Bedtime Stitches Provides Cozy Respite From a Tumultuous Year”
The Falmouth Enterprise
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“The genius of Salley Mavor’s meticulously realized imaginative worlds is just what we need right now.”
Artscope Magazine

Throughout the book, there are spot illustrations of animals on text panels. To see how they were made, click here.

BEDTIME STITCHES TOURING EXHIBITION

Sept. 11 – Dec. 19, 2020, Cahoon Museum, Cotuit, MA.
Feb. 28 – May 30, 2021Cedarhurst Center for the Arts, Mount Vernon, IL
Sept. 14 – Dec. 31, 2021, New England Quilt Museum, Lowell, MA
Jan. 25 – April 10, 2022, International Quilt Museum, Lincoln, NE
June 7 – Sept. 11, 2022,  Brick Store Museum, Kennebunk, ME, Bedtime Stitches is included in the retrospective exhibition, What a Relief: The Art of Salley Mavor
Oct. 15 – Dec. 31, 2022Historical and Cultural Center of Clay County, Moorhead, MN
Feb. 1 – Apr. 30, 2023, Pacific Northwest Quilt & Fiber Arts Museum, La Conner, WA
July 6 – Sept. 15, 2023, Southeastern Quilt and Textile Museum, Carrollton, Georgia
Sept. 30, 2023 – January 7, 2024, Southern Vermont Arts Center, Manchester, VT. The Wee Worlds of Salley Mavor includes Bedtime Stitches.
Jan. 20. – May 5, 2024Upcountry History Museum, Greenville, SC
July 27, 2024 – March 2, 2025, Albany Institute of History and Art, Albany, NY, Enchanting Threads: The Art of Salley Mavor includes Bedtime Stitches.
June 10 – July 20, 2025, Mariposa Museum and Cultural Center, Oak Bluffs, MA
Aug. 1, 2025 – Jan. 4, 2026Mariposa Museum and World Culture Center, Peterborough, NH. This location also includes a wide selection of other work by Salley Mavor.
Oct. 31, 2026 – April 18, 2027, Mingei International Museum, San Diego, CA

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Visitors to the exhibition, as well as those of you at home with a copy of My Bed, can hunt for details in the artwork using the downloadable sheet below.

To keep up with new posts, please subscribe to this blog. Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook, Instagram and BlueSky.

Recent Posts

Summertime: Part 10 – wee folk

Part 10 concludes the series about making my piece Summertime. This post features photos and videos documenting the process of creating the wee folk characters seen frolicking in the warm summer breeze. A complete list of previous articles about making Summertime is at the end of this post.

Summertime is the summer scene in a series of four seasonal landscapes that capture the wonder and magic of the natural world. Posters, note cards, prints, bookmarks, and jigsaw puzzles of Summertime and the other scenes in the series (Frosty Morning, Mossy Glen and Harvest Time) are available in my Etsy Shop.

WEE FOLK
In the beginning, I’m never sure who is going to appear in these landscapes. The wee folk just show up one by one and claim their spots. After spending many months building places for them to live, it feels satisfying to finally meet the little characters and see them settled into their new homes. You can meet them yourself in the following video.

The figures are similar to the acorn-capped dolls described in my how-to book, Felt Wee Folk, only smaller in scale (1.5″ – 2″ tall).

Rather than bending pipe cleaners, I used 24-gauge jewelry wire to form the armatures. With this choice, you have to wind a lot of floss around the wire to beef up the limbs so that they look proportional and not too spindly. One advantage of this method is that it eliminates the hassle of dealing with pipe cleaner fuzz, resulting in smoother and more refined doll bodies.

In the figure below, I used both cotton embroidery floss and tapestry yarn to wrap the wire armature. To give the illusion of a knitted vest, I chain stitched yarn around the torso.

For some of their outfits, I embellished wool felt using cotton embroidery floss.

The following 3 videos demonstrate how I made different figures from start to finish, from winding armatures with thread, to stitching clothing, to fashioning hair.

STITCH MINUTE VIDEOS
If you’ve followed me on Instagram and Facebook recently, you’ve probably seen some of my Stitch Minute videos. These short clips offer a glimpse into different aspects of my creative process, like peeking over my shoulder as I work.

While I enjoy sharing these visual moments, I kindly ask that you refrain from seeking in-depth explanations of my techniques beyond what is already shown on my blog or described in Felt Wee Folk. Much of my creative work is guided by intuition, and I feel that examining my process too closely might take away from the magic that makes it special. For those interested in understanding my philosophy on teaching and sharing knowledge, I invite you to read my post to teach or not to teach.

Summertime 2023

I hope that you’ve enjoyed learning about the making of Summertime. For a more comprehensive understanding of my process, I encourage you to explore previous posts in this series: Overview of the piece, Part 1 – Tree Trunks, Part 2 – Tree Houses, Part 3 – leaves, stems and branches, Part 4 – Baltimore Oriole (body), Part 5 – Baltimore Oriole (head and feet), Part 6 – rose vine, Part 7 – raspberry plants, Part 8 – stitching flora, and Part 9 – moss, sky and stone wall.

To keep up with new posts, please subscribe to this blog. Your contact info will not be sold or shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook, Instagram and BlueSky.

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