It’s time to bring back the Close-ups. I started the series 2 years ago, when I fell off a ladder and broke my wrist. Using one hand, I wrote about and showed pictures of past projects, organized by theme. It helped me get through the 4 month recovery period, when I couldn’t sew. See the whole Close-ups series here.
Right now, I’m in hibernation, making parts that will be used in an animation my husband Rob and I are doing. This “little” project is growing into more than a winter activity, though, and it will be a long while before we’re finished. I want to wait until we have a finished film (probably a few minutes long) before we show anything, including process photos. I’ve got other art related commitments to take care of this year, so I’ll soon have to put the animation project aside until I have more time to get totally immersed.
Back to sheep–which are giving birth at this time of year. Maybe it’s their expressions, or their ears, or their white fluffy body balls with stick legs, but sheep are very satisfying to portray. This first image at the top of the post is a detail from my picture book Mary Had a Little Lamb. See more pictures from the book here. The one below is part of an embroidered piece I made in art school in 1974.
These sheep from my 1986 Noah’s Ark fabric relief, show the beginning of my love affair with French knots.
Here’s a simpler, appliqued version, which decorates a felt purse in my 2003 how-to book, Felt Wee Folk.
Then, there are several details from nursery rhymes in my 2010 picture book, Pocketful of Posies.