About Salley Mavor

About Salley Mavor

A needle is my tool, thread is my medium and stitches are my marks. For over 40 years, I’ve created 3-dimensional hand-stitched artwork that ranges from precious to poignant to provocative. What I make and how I do it requires letting go of preconceived notions about needlework, fiber art, dolls, illustration, and even political art.


Where did this doll-infested needle and thread universe come from? It began at the height of the baby boom, in a family of introverts who were either making things or staring into space. You could say that we excelled at parallel play.

Later, while studying illustration at the Rhode Island School of Design, I rediscovered my childhood delight in sewing and creating miniature scenes.

Manipulating materials in my hands was so much more satisfying than rendering with a pencil or brush. Instead of trying to keep in step using traditional mediums, I discovered that with stitching, I could dance the fandango! I found that my hands would direct me in a compelling way and I could communicate ideas more clearly. For most of my career I have followed this path, creating sculptural scenes in bas-relief, much like miniature, shallow stage sets, with figures imposed on embellished fabric backgrounds.

My work is decorative and detailed, full of patterns and found objects, all bound together with stitching. I am interested in universal, playful narratives that reflect the society we live in today. I want to transcend the fiber medium by and of itself and make art that is valued for its message and emotional resonance as well as the materials and techniques I use.


Some of my embroidered pieces are photographed and reproduced in children’s books, including the 2010 award-winning Pocketful of Posies: A Treasury of Nursery Rhymes. My bestselling how-to book of doll projects, Felt Wee Folk: New Adventures continues to inspire creativity. Personally autographed books, cards and posters with printed reproductions of my embroidered scenes are available in my Etsy Shop.


My new work moves away from the land of innocence and into real world issues and current events. I strive to find the beauty within the struggle and strife, as in my 2016 piece Displaced.

After the 2016 presidential election, I formed a satirical wee folk drama troupe, The Wee Folk Players  (they’re a stitch). Also, my husband Rob Goldsborough and I made a short stop-motion animated film titled Liberty and Justice : A Cautionary Tale in the Land of the Free.

WGBH (1 of 1)

My solo exhibit Liberty and Justice, which was abruptly cancelled in 2018 at its original venue, due to its political content, was generously picked up by the New England Quilt Museum and the Cotuit Center for the Arts and portions were included in The Art of Cute at the Brick Store Museum in Kennebunk, Maine. You can watch my interview about the Liberty and Justice exhibit on WGBH TV and read the post Finding My Voice, which includes an excerpt of my talk about making art that is both precious and provocative.

I recently finished the artwork for a new picture book. MY BED: Enchanting Ways to Fall Asleep around the World, which will be published by Houghton Mifflin Harcourt in September 2020. You can see blog posts showing the book’s progress here. SALLEY MAVOR: Bedtime Stitches, an exhibition of the original bas-relief artwork from the book will tour the United Sates beginning in Nov. 2020. The current schedule is here. Inquiries from museums are welcome – please contact me for information about hosting the show.

I live and work in my home studio on Cape Cod, in Falmouth, Massachusetts. For answers to frequently asked question, please go to the FAQ Page. Contact me via e-mail or write to P.O. Box 152, Woods Hole, MA 02543.


Originals for sale: Please contact me for a list of available artwork. The pieces are displayed under Plexiglas in custom-made cherry wood shadowbox frames. Prices range from $2,500 to $6,500.

  • Subscribe to this blog (top right column of Home Page).
  • Posters, cards and autographed books are available in my Etsy shop.
  • Contact me via e-mail or write to P.O. Box 152, Woods Hole, MA 02543
  • Visit my Facebook Page. Follow me on Instagram.

Rabbitat is a short documentary video about my work:


Book trailer for Felt Wee Folk – New Adventures


  • Posters, cards and autographed books are available in my  Etsy shop.
  • To see a list of all of my books, go to My Books.
  • Watch videos about my work: Videos Page
  • For info about upcoming exhibits, talks and book signings, visit the Events Page.
  • Frequently asked questions: FAQ Page

Self Portrait: A Personal History of Fashion (pictured below) is on semi permanent display at the Woods Hole Public Library. Posters of the piece are available in my Shop here.


Poster – Self Portrait



Recent Posts

bed book peek: crocodile

Today, I’m happy to show how I made this crocodile, which will be used as a spot illustration in my upcoming picture book, MY BED. The story about children’s sleeping places in different cultures around the world is written by Rebecca Bond and will be published by Houghton Mifflin Harcourt in Sept. 2020. A touring exhibition of my original embroidered artwork for the book will travel around the United States. Salley Mavor: Bedtime Stitches will debut at the Cahoon Museum Of American Art in Cotuit, MA from Sept. 11 to Dec. 22, 2020. The tour schedule is listed here.

Update: My Bed can now be pre-ordered in my shop here. The book’s release date is isn’t until Sept. 2020, but people have asked if they can order autographed copies ahead. So, if you put your order in now, I’ll have a better idea of how many copies to get. The book will be shipped to you as soon as it arrives!

For inspiration, I found this felt purse, which is a prototype for a kit I used to sell in the early 2000’s. The different animal kits came with plant dyed wool felt, thread, and beads for the eyes. The purse kits were mostly sold in catalogs and Waldorf School stores, along with my fairy kits.

Using its simple, stylized shape as a jumping off point, I drew sketches until I was happy with the overall pose and level of detail. I thought about how to translate the flat outline into a more 3-dimensional crocodile.

I bent a pipe cleaner and wrapped 2 front legs with tapestry weight wool yarn. I also located square green wooden beads for the crocodile’s eyes. They’ve been in my bead collection since the 70’s, when I made crocodile pins (see one at the end of this post).

I bent the pipe cleaner to form an outline of the animal’s basic shape and sewed on a backing of green felt.

At this point, I must have forgotten to take pictures, so we’ll have to skip the fussy part where I cover the front of the animal with felt. From the looks of it, I padded the inside of the body with extra layers of felt. My original plan was to put a haunch where the back legs go, but the one I made looked awkward, so I scrapped that idea and made 2 back legs to match the front ones. Then I sewed the beady eyes to the top and stitched rickrack along its back.

I did remember to take a picture of the back, which reveals an unsightly mishmash of stitches that hold the front piece tightly in place.

I formed the outline (or lips) of the mouth with wire and covered the shiny metal with embroidery floss. Then I “colored in” the mouth with an overlapping filler stitch.

Finishing touches included zigzag teeth, seed beads for nostrils and a fly stitched bumpy texture on the body.

The crocodile I made for the book is very much like pins I used to make over 40 years ago. As you can see, I’m reworking the same themes over and over!

To see other animals and illustrations I’ve made for the book, click here.

To keep up with new posts, subscribe to this blog (top right column on the home page). If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram.

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  2. bed book peek: Ghana (part 4) 6 Replies
  3. bed book peek – Ghana (part 3) 4 Replies
  4. bed book peek – Ghana (part 2) 9 Replies
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