About Salley Mavor

About Salley Mavor

A needle is my tool, thread is my medium and stitches are my marks. For over 40 years, I’ve created 3-dimensional hand-stitched artwork that ranges from precious to poignant to provocative. What I make and how I do it requires letting go of preconceived notions about needlework, fiber art, dolls, illustration, and even political art.

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Where did this doll-infested needle and thread universe come from? It began at the height of the baby boom, in a family of introverts who were either making things or staring into space. Later, while studying illustration at the Rhode Island School of Design, I rediscovered my childhood delight in sewing and creating miniature scenes.

Manipulating materials in my hands was so much more satisfying than rendering with a pencil or brush. Instead of trying to keep in step using traditional mediums, I discovered that with stitching, I could dance! I found that my hands would direct me in a compelling way and I could communicate ideas more clearly. For most of my career I have followed this path, creating sculptural scenes in bas-relief, much like miniature, shallow stage sets, with figures imposed on embellished fabric backgrounds.

My work is decorative and detailed, full of patterns and found objects, all bound together with stitching. I am interested in universal, playful narratives that reflect the society we live in today. I want to transcend the fiber medium by and of itself and make art that is valued for its message and emotional resonance as well as the materials and techniques I use.

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Some of my embroidered pieces are photographed and reproduced in children’s books, including the 2010 award-winning Pocketful of Posies: A Treasury of Nursery Rhymes. My bestselling how-to book of doll projects, Felt Wee Folk: New Adventures continues to inspire creativity. Personally autographed books, cards and posters with printed reproductions of my embroidered scenes are available in my Etsy Shop.

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My new work moves away from the land of innocence and into real world issues and current events. I strive to find the beauty within the struggle and strife, as in my 2016 piece Displaced.

After the 2016 presidential election, I formed a satirical wee folk drama troupe, The Wee Folk Players  (they’re a stitch). Also, my husband Rob Goldsborough and I made a short stop-motion animated film titled Liberty and Justice : A Cautionary Tale in the Land of the Free.

WGBH (1 of 1)

My solo exhibit Liberty and Justice, which was abruptly cancelled in 2018 at its original venue, due to its political content, was generously picked up by the New England Quilt Museum, the Cotuit Center for the Arts and portions were included in The Art of Cute at the Brick Store Museum in Kennebunk, Maine. You can watch my interview about the Liberty and Justice exhibit on WGBH TV and read the post Finding My Voice, which includes an excerpt of my talk about making art that is both precious and provocative.

I recently finished the artwork for a new picture book. MY BED: Enchanting Ways to Fall Asleep around the World, which will be published by Houghton Mifflin Harcourt in 2020. You can see blog posts showing the book’s progress here. SALLEY MAVOR: Bedtime Stitches, an exhibition of the original bas-relief artwork from the book will tour the United Sates beginning in 2020. Inquiries from museums are welcome – please contact me for information about hosting the show.

I live and work in my home studio on Cape Cod, in Falmouth, Massachusetts. For answers to frequently asked question, please go to the FAQ Page. Contact me via e-mail or write to P.O. Box 152, Woods Hole, MA 02543.

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Originals for sale: Please contact me for a list of available artwork. The pieces are displayed under Plexiglas in custom-made cherry wood shadowbox frames. Prices range from $2,500 to $6,500.

  • Subscribe to this blog (top right column of Home Page).
  • Posters, cards and autographed books are available in my Etsy shop.
  • Contact me via e-mail or write to P.O. Box 152, Woods Hole, MA 02543
  • Visit my Facebook Page. Follow me on Instagram.

Rabbitat is a short documentary video about my work:

Interviews

Book trailer for Felt Wee Folk – New Adventures

Information

  • Posters, cards and autographed books are available in my  Etsy shop.
  • To see a list of all of my books, go to My Books.
  • Watch videos about my work: Videos Page
  • For info about upcoming exhibits, talks and book signings, visit the Events Page.
  • Frequently asked questions: FAQ Page

Self Portrait: A Personal History of Fashion (pictured below) is on semi permanent display at the Woods Hole Public Library. Posters of the piece are available in my Shop here.

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Poster – Self Portrait

Recent Posts

Studio goings-on

After being almost exclusively in making-mode for the past few years, I now wake up every morning with a different agenda. Besides paying attention to my husband Rob and having lunch with friends, I’m photographing my work, organizing exhibitions, and preparing lectures. Making art is one thing, but if you want to share it with the world, you have to figure out ways get it out there. It’s a different creative exercise that not all artists can or want to take on. Although I would rather be stitching right now, I know that doing the promotional part is worth it down the road.

Before showing what’s happening in my studio, I’d first like to invite those of you in the Boston area to an Artist Talk I’ll be giving in Watertown, MA. It’ll be at the Quilters’ Connection, on Thursday, October 24, 2019 at 7:00 PM at St. James Armenian Church, 465 Mount Auburn Street, Watertown, MA. $10.00 guest fee for non Quilters’ Connection members.

I will share the joys and challenges of making art that ranges from precious to poignant to provocative, as well as explain where this doll-infested needle and thread universe comes from. I’ll also bring along some original pieces, including Birds of Beebe Woods (pictured left) and books to sell. I look forward to meeting you!

Over the past few weeks, Rob and I have been photographing a lot of older artwork. My pieces are displayed in cherry wood shadow-box frames that Rob makes. Glass protects the bas-relief embroidery from dust, bugs and curious fingers.

The process includes removing each piece from its frame, taking its picture and then putting it back in the frame. So, why didn’t we take photos before framing them behind glass? It’s a long story involving deadlines, a broken wrist, and consequently being behind schedule. So, here we are, doing the job years later. Many of these pieces will be part of a solo exhibition this coming winter at the Cape Cod Museum of Art.

The family-friendly exhibition, SALLEY MAVOR: Once Upon a Stitch, will feature a wide selection of original embroidered artwork from my 25 year career illustrating children’s books. You can see them here. Several pieces will be on loan from private collections. These are rarely seen by anyone other than the owner’s friends and family. This is a unique opportunity to see the detail and 3-dimensional quality of my artwork in person.
SALLEY MAVOR: Once Upon a Stitch
Dec. 12, 2019 – Jan. 26, 2020
Cape Cod Museum of Art, Dennis, MA
Opening Reception: Friday, Dec. 13 – 5:30 pm – 7:00 pm ~ Artist Galley Talk at 4:00 pm

To photograph the art, we set up the equipment in the spare room, with a light box to minimize harsh shadows. The room’s sky light affected the light balance, so we covered it with another defuser. The camera was propped up on a tripod, facing straight down. To counteract the weight of the heavy camera lens, we hung a bag of stones at the other end of the extension pole. When I asked why the camera had to be so far above the art, Rob told me that the long 100 mm focal lens maintains the correct perspective. I’m glad that he understands this stuff!

For closeup shots, we lowered the camera.

The closeup photos will be used for a treasure hunt for kids (and adults) that I’m putting together for the Once Upon a Thread exhibition.

An advantage of taking high resolution close-up is that the photo quality isn’t lost when they are blown up big. For the exhibition, I’m playing with scale by juxtaposing extra large details with my miniature artwork.

This week, we had a storm and the power was off for 3 days. So, instead of working at the computer, I settled in near a window and stitched, like a character in a Jane Austen novel. Although I’m glad to have electricity back, so that I can write and publish this post, I’m missing the simple pleasure of making things by hand by the light of the sun. That and a cup of tea is my idea of heaven!

To keep up with new posts, subscribe to this blog (top right column on the home page). Your contact info will not be shared. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram.

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