Prudence Is. school visits my studio

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Last week, students from the Prudence Island School came to visit. The school’s teacher, Eliza grew up in Woods Hole and we’ve known each other since childhood. She asked if she could bring the children over to my studio as part of their day-long field trip to Woods Hole.

250px-Prudence-island-schoolhouse-in-2007The island school currently has a total of 8 students from the early grades to teenagers. I was struck by how well the 6 girls and 2 boys of such varying ages interacted. They were inquisitive and appreciative as they looked around my studio and they easily identified all of the birds in my Birds of Beebe Woods piece.

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The students are even learning to embroider! Thank you for a delightful visit!

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studio: before and after

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For those of you who might think that my neat little stitches come from a tidy person, these photos tell otherwise. During a project, I never clean up. One thing leads to another, so it can be a year or more before I feel the need to start with a clean slate.

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I recently finished Slow Work… Fine Work, which you can see and read about here. It seemed like a good time to pack away all of the floss, beads and little do-dads that are pulled out of hiding while I’m working. This year I’ll be making some things that I can’t talk about or show yet. So, I’ll have to come up with other ideas for this blog for a while.

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My work area is pretty small and I usually lay out parts on an ironing board within reach. Whatever I’m sewing is in my hands and the table fills up with materials.  There are still piles of stuff which I can’t figure out how to organize, so they are pushed aside.

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This is where I paint faces on wooden beads and carve wooden shapes. It won’t be clear for long. One thing’s for sure– I’m horizontally challenged!

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Slow Work… Fine Work

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In art school, I began as a print-maker, working in etching, engraving and lithography. Printmaking is all about lines, dots and dashes, which all combine to create an image. It’s very different from watercolor painting, for instance, where color can merge and fade gradually. Embroidery uses distinct lines, dots and dashes, too. They show up in my artwork as chained-stitched doodles, french knots and felt-covered and thread-wrapped wire.

My newest fabric relief is a kind of contemporary sampler, which celebrates the Chinese proverb Slow Work… Fine Work, which appealed to me for obvious reasons. The finished piece is available as a print in my Etsy Shop.

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I decided to incorporate an old wooden frame that has been sitting around for years, waiting to be useful. I wrote out the words in felt-covered wire. This is a new technique that I’ve been developing over the past few years, starting as part of the border in Rabbitat and later featured extensively in Birds of Beebe Woods. I’m pretty open about how to make a lot of things on this blog, but this new process is a personal artistic expression that I wish to keep private.

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I pieced together small scraps of felt with a feather stitch and chain-stitched a free-form pattern on top.

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I spent the hours on the train trip to New York last January stitching this back ground piece.

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By the time we were at the hotel, I had finished half! The other half was completed on the way home.

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I covered the embroidered felt background outside edges with a rounded outline of brown felt. Next came the thorny vine, made with wire and black embroidery floss.

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I strung some beads to go around the double oval word sections and made some spider’s webs with wire and metallic thread.

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Then, I drilled holes in the inside corners of the frame to sew the spider’s web’s in place.

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I made a blue felt-covered wire border and sewed it to the frame’s top two inside corners. No glue, just stitches, through more drilled holes.

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The two lower corners are finished off with a scalloped-edged triangular felt shape, decorated with a bead in each corner. I couldn’t resist adding more blue wavy lines with thread wrapped wire, too.

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The center double oval section needed more definition, so I added another border of hot pink scalloped felt. I like to represent something alive in my artwork, so I made a spider of buttons and thread wrapped wire legs. The original piece is 15″ x 13″. My husband Rob took a photograph of it on the stairway, which gets nice natural light.

slowworkphotoAnd this is the photo we used to make the print, without the watermark, of course.

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Signed and dated prints of Slow Work… Fine Work are available in my Etsy Shop. The copyright watermark will not appear on the print. I’m hoping the embellished proverb will be inspirational to artists, quilters, embroiderers, and anyone who loves fine meticulous work. The last photo shows how the PRINT can be displayed in a standard 8.5 x 11 document frame.

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Slow Work... Fine Work, 8.5" x 11" Print

Slow Work… Fine Work, 8.5″ x 11″ Print

Sunday’s Open Studio

I had an inkling that yesterday’s Open Studio would be well attended, so I set out to expose as much floor space as possible. Clearing boxes off the floor was the biggest chore. The many piles of stuff that have been accumulating over the past few years were in the way.  (It’s been awhile since I’ve invited in the public) Driftwood, mailing tubes and boxes of “interesting” fabric were hauled off and temporarily absorbed into the main house.  In the above photo, you can see boxes stored under the table. On Sunday afternoon, there was a steady stream of people climbing up the stairs to my studio. There were lots of locals, along with several people who drove down to the Cape from the Boston area. I was glad to see Cathy,  who  was unable to attend my workshop last month, due to illness. When she read about the open studio in this blog, she convinced her husband Dave to bring her down from Wayland yesterday!

Many friends showed up, including Betty and Jay, which was a treat. The Pocketful of Posies tree is in the background.  Terry, who has helped me with sooo many projects (cake decorating, costumes, and community quilts, to name a few), handled sales of posters, books and cards (same items are in my Etsy shop). Thanks, Terry! I wish I had more pictures to show, but I was so busy talking to people that the camera sat unused through most of the afternoon. It was lovely to see so many folks! It takes an event like this to make me clean up. Now, I’m trying to figure out how to reabsorb the stuff I cleared out of the studio, without ruining the much improved Feng shui.

Family Trees: thread spool garland

I’ve just about finished decorating the Pocketful of Posies tree for Family Trees: A Celebration of Children’s Literature at the Concord Museum. Early Monday morning, I’m driving everything up to Concord, the day after my Open Studio, which you can find out about here. I have to remove my decorations and take the tree apart on Sunday night and reassemble it again in the museum. There will be over 30 trees set up around the museum, all representing different children’s books. All of the trees, except for mine and another illustrator’s,  are being decorated by museum volunteers, who have been preparing for months.  So the museum will be swarming with industrious volunteers. They’ve promised lunch for us all!

My tree is dotted with little vignettes  that serve as stages for the nursery rhyme doll characters. I added a garland strung with old wooden thread spools and beads. I used some J&P Coats and Star brand cotton thread that my grandmother had about 50 years ago. To supplement my supply, I bought some empty wooden spools and wound them with yarn.

Hung in loops on the tree, the spool garland breaks up the space, almost like doodles in a notebook.

Also, please visit my new Facebook page, which you can get to by clicking the orange “F” button in the right hand column of the blog’s home page.

Open Studio Nov. 18th

Everyone is invited to come to my studio in Falmouth, MA (Cape Cod) on Sunday,  November 18th, from 1:00 to 4:00 pm. Every few years, I like to open my studio to the public when there’s something special to show, usually when a big project is complete. That way people in my area can get a preview before my work is delivered elsewhere. I’m almost finished making decorations for a tree based on my book Pocketful of Posies, which will be included in Family Trees: A Celebration of Children’s Literature at the Concord Museum, Concord, MA. Several friends have asked if they can see the tree before I bring it to Concord, so I spontaneously decided to invite the world over, too. The picture above was taken a week ago and I’ve made more decorations since then, so by the 18th, the tree will be full of dolls and strung with garlands made of thread spools!

Oh, my, what have I done? This means I have a week to finish the tree and clean up the studio! Not too much fixing up, though–it will still look like a busy work place. Birds of Beebe Woods will be in the studio, too, before it is delivered to the Plymouth Antiquarian Society’s Hedge House Museum for their Fairy Christmas celebration. By the way, the Pocketful of Posies traveling exhibit will be there next summer.

Mimi visits!

My friend and maker of wonderful things, Mimi Kirchner drove down from Arlington on Monday and we spent the day together. For those of you who haven’t discovered Mimi, visit her blog, Doll, as soon as you read this post. She  inspired me to write my own blog and just recently, to open an Etsy shop. We met 30 years ago, when we were members of the Christmas Store, a seasonal craft coop in Cambridge, MA. We always have a lot to talk about because we’re interested in the same kind of things and our lives have taken us in similar directions, both personally and professionally. Mimi brought a Tattoo magazine that features her tattooed dolls in their Christmas gift guide. She also showed me the new Land of Nod catalog that includes several of her doll designs. It was a glorious fall day and we talked about art and our lives as  we walked from my house, through Beebe Woods and into Falmouth center to have lunch. It was great to see you, Mimi!

Beth from Acorn Pies in the studio

Beth Curtin, the woman behind the wonderful blog Acorn Pies came over this morning for tea. We met through blogging and have been talking about meeting face to face for a couple of years. She’s in the area, at her Cape Cod house this summer, so we were able to have a nice visit in person.

I cleared away a space for us at the end of my oak table for us sit. The other end is filled with the makings of my current piece, Birds of Beebe Woods. In the last month, I’ve added many birds and will show more pictures when I’m finished. Right now, I’m stitching a chipping sparrow and will make a woodpecker next.

Birds of Beebe Woods

For the past 2 months, I’ve been working on a large (24″ x 30″) fabric relief piece. I haven’t picked a title yet, but the picture depicts birds in our town owned forest, Beebe Woods.

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The deadline to finish is in early September and since my work takes forever, I’ll be stitching right through the summer. The piece will hang in a group fiber show, The Intimate Woods at Highfield Hall in Falmouth, MA, Sept. 18 – Nov. 16, 2012. This will be the same venue for my Pocketful of Posies touring show, when it returns  home next year, Sept. 4 – Oct. 31, 2013.

I’ve been taking photos of the different steps and have so far made a crow, robin, and cedar waxwing, with many more birds to come. The stage curtain looking border is made of felt covered wire. Later, when I have time, I’ll show more pictures. Right now, I’m happily in La La Land, immersed in the sewing process, listening to narrated books.

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Rabbitat (stitching details)

The Rabbitat film has been viewed over 4000 times since it was posted on Vimeo, 9 months ago! To celebrate, I’ve put together a selection of process photos, most of which have not been published before. Posters of Rabbitat (on left) are available from my Etsy shop. The original fabric relief piece is currently on display at the Woods Hole Public Library and will be included in RISD ICONS: A Legacy of Illustration from Rhode Island School of Design, at the Woods Gerry Gallery, 62 Prospect St., Providence, RI.  The exhibit is short, June 13-25.

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