I’m downloading these photos at 5:00 AM, taking advantage of the time. The sun has been up for hours and the internet is wide open because almost all of the boat’s passengers are asleep and not trying to send e-mails and their pictures of this amazing place. Antarctica is a most spectacular environment, which I think my husband Rob has captured in these photos. Enjoy!
The fairy house tour around the grounds of the Florence Griswold Museum continues with photos of some of my favorite structures. Out of 33 very different styles, I found the naturalistic interpretations more believable as fairy dwellings. These tended to blend in with the landscape and mostly used materials found in nature. Please note: This fairy house exhibit is closed, with the next scheduled for 2014.
A house with a teapot doorway.
This tree had several entrances.
These cottages perched on the roots look like guest houses for sprites.
A cozy picnic spot.
A wee painter’s shack.
Dew Drop Villas and a muscle shell windmill conclude the tour.
Back in the spring, when I started working on Birds of Beebe Woods, robins were in abundance, hopping around the yard. After making the larger, dominant crow, I added a robin to the piece, placing it in the center, down on the ground. Compared to the smaller, realistic looking birds that were made later, the crow and robin’s bodies are more abstract, with stylized patterns on their wings and breast. My approach to rendering the birds seems to have changed during the 4 months that I worked on the piece. Toward the end, when I sewed the nuthatch, chickadee and warbler, I referred to photographs more closely and was caught up in making them identifiable and naturalistic. I like to combine realism and abstraction.
In keeping with the robin’s perky nature, I curved the bird like a sideways apostrophe, with its tail flaring upwards. The red breast presented a opportunity to play around with warm tones and metallic thread.
To see more posts about the making of Birds of Beebe Woods, see the archives here. A 18″ x 24″ poster (pictured at the beginning of this post) is available through my Etsy Shop. Also, the piece is part of “Intimate Woods”, a fiber art exhibit at Highfield Hall in Falmouth, MA. through November 16, 2012. Then it will be on exhibit (along with 2 original illustrations from Pocketful of Posies) December 1st, 2nd, 7th, 8th and 9th at the Plymouth Antiquarian Society’s Fairy Christmas at Hedge House Museum, Plymouth, MA.
I wanted to include a warbler in the Birds of Beebe Woods piece and found that a handful of varieties live in our area, each with their own distinct markings. I liked the look of the black throated green warbler best and thought its color patterns and striped wings would show up against the brownish gold background fabric.
To start, I found many photographs of warblers in books and on the internet and sketched until I found a pose that fit into the scene of birds. After making paper patterns, I cut out the bird’s shape from matt board and cut pieces of white, green, black and yellow from wool felt. Thinking ahead, I glued cheap acrylic felt to the back of the matt board body, so there would be something to grab the stitches while the front felt piece was later being sewn in place. I also basted thick wool felt padding to the top of the matt board piece.
I embroidered the texture and markings on the warbler’s green head. The bead eye is sewn inside a cut out hole in the yellow felt. Periodically, I would hold the bird up against the background fabric, to make sure there was enough contrast.
I used a combination of blanket stitch, fly stitch and lots of little single stitches.
The wing’s stripes were defined by chain stitched lines.
To finish, I made a little felt tail and added thread wrapped wire legs. Then, the black throated green warbler was ready to join the flock.
Rob and I just returned from a magical visit to Ireland. We traveled with a group of Celtic music lovers who were brought together by Boston’s WGBH. The Learning Tour – An Irish Sojourn was led by WGBH radio Celtic music host Brian O’Donovan, who took us from county Cork and up the eastern coast to Dublin.
This is just a sampling of what we saw on our trip–there will be many more pictures to show in the weeks ahead. There’ll be more doorways, windows, storefronts, landscapes and moss!
More and more birds are emerging in Birds of Beebe Woods, including this 6″ long cedar waxwing. Here are the felt parts before they were all embroidered and attached.
I like stitching the feather patterns and textures.
The September deadline for the Intimate Woods exhibit at Highfield Hall is approaching, so my goal is to make 3 small birds this week and more after that, if I have time. Then I have to attach everything to a stretched background, which usually takes longer than I think.