The first image in this series of bed pictures is an illustration for a poem called Tumbling, which is included in my 1997 poetry anthology, You and Me:Poems of Friendship. Then there’s a page from my 2001 picture book In the Heart, which was written by Ann Turner. Copies of In the Heart are available in my Etsy Shop.
“Are the children in their beds?” from my Wee Willie Winkie board book.
And here’s “my son John, went to sleep with his trousers on” from Pocketful of Posies: A Treasury of Nursery Rhymes. I offer autographed copies with a poster in my Etsy Shop.
“Go to bed first, a golden purse” from Pocketful of Posies. See the touring exhibit of the original embroidered illustrations from the book. Next location: Highfield Hall in Falmouth, MA, Sept. 4 ~ October 31, 2013.
And here’s Elsie Marley, who won’t get up to feed the swine, which is also from Pocketful of Posies.
“Home of the Tooth Fairy” by Sue Beardsley
People are still flocking to see The Fairy Houses of Beebe Woods exhibit, which will be in and around the grounds of Highfield Hall until July 21st. Stop by the building to get a tour map during their open hours (M – F, 10 – 4, S – S 10 – 2) or print out your own from this pdf file.
detail from “Home of the Tooth Fairy” by Sue Beardsley
My husband, Rob took these “house portraits” of the dwellings in the morning or evening light, depending on their orientation. As you can see, each artist has interpreted the Fairy House theme in a vastly different way. More photographs of other houses can be seen on posts #1 and #2.
“Beech House” by Bobbi Bailin
detail from “Beech House” by Bobbi Bailin
“Casa de Hadas” by Anne Halpin
“Low Living High Flying” by Molly Bang
“Fire Flye Hollow” by Amy Wilson Sanger
“The Ministry of Metamorphosis & Faerie Hatchery” by Angela Tanner
“Sea Shanty” by Rebecca Edwards
“Solvagen” by Jane Parhiala
“Wild Cherry Village” by Skee Houghton
“Sentinel” by Andrea Moore
“Chippikomuk” by Jenny Junker
You may wonder, “Where is this Beebe Woods that keeps popping up in titles on my blog”? It’s a gem of a property (pronounced Bee-bee) in the center of my home town of Falmouth, Massachusetts, right on the edge of Historic Highfield Hall, which was built in 1878 for the Beebe family, who were prominent summer people. My Birds of Beebe Woods piece was made for last year’s exhibit celebrating the forest. Also, Highfield is hosting the Pocketful of Posies traveling exhibit Sept. 4 – Oct. 31, 2013.
This summer, the grounds and gardens of Highfield will be magically transformed into a “fairy” neighborhood, with small-scale habitats hidden throughout the property. Highfield has given me the exciting opportunity to curate The Fairy Houses of Beebe Woods exhibit, which promises to be a popular event during the height of the season.
I got the idea from the Florence Griswold Museum in Lyme, CT, which has hosted several Fairy house events. See my posts about last fall’s exhibit here and here.
I’ve invited 2 dozen local artists to participate in the event and they’ve spent the last few months picking building spots, gathering natural construction materials and thinking about what to make and how to make it. Everyone will bring their own vision and sensibility to their structure, creating a wildly varied display full of architectural whimsy. The outdoor exhibit will be open June 20th – July 21, 2013.
This past winter, I made and photographed 2 models that could be used for advance publicity purposes. Since I didn’t use a glue suitable for outdoors, these won’t be in the exhibit, but I will have another house to show. I’m in the process of constructing a more weather resistant cottage that will be perched in a magnificent copper beech tree. I hope that many of you will have a chance to visit the exhibit this summer and for those of you who live far away, I’ll post pictures.
The fairy house tour around the grounds of the Florence Griswold Museum continues with photos of some of my favorite structures. Out of 33 very different styles, I found the naturalistic interpretations more believable as fairy dwellings. These tended to blend in with the landscape and mostly used materials found in nature. Please note: This fairy house exhibit is closed, with the next scheduled for 2014.
A house with a teapot doorway.
This tree had several entrances.
These cottages perched on the roots look like guest houses for sprites.
A cozy picnic spot.
A wee painter’s shack.
Dew Drop Villas and a muscle shell windmill conclude the tour.
Last week, I drove with my husband and a friend to Old Lyme, Connecticut, to see the eagerly anticipated Wee Faerie Village on the grounds of the Florence Griswold Museum. It was the last opportunity to see the display, because this year’s exhibit closed yesterday. I’m told that they coordinate the building of a new village every other year, so the next event should be in the fall of 2014.
Even with cloudy skies and cool temperatures, we enjoyed strolling around the property, following the numbered mushroom signs. Over thirty fairy dwellings were created by artists from the area, including my favorite, Nevergreen Caverns, made by the museum’s education director, David D.J. Rau.
Three hollow logs are stacked on a larger stump, with each space furnished with fairy comforts.
I found the burned wood markings charming…
as well as the mushroom roofed balconies.
It was well worth the visit! I will show more pictures of other houses in my next post.
Ashley Wolff sent these pictures of other beach faces she’s made at different latitudes along the California coast. Pretty wonderful!
RISD classmate and the talented and prolific children’s book illustrator Ashley Wolff came to visit last week. It was a beautiful day, so we decided to take the boat over to Kettle Cove on Naushon Island. After we rowed our dingy ashore, Ashley strolled the beach with her border collie Tula. We made a funny face with the stuff Ashley collected. There’s always art to be made!
My husband Rob and Tula sat in the shade of the umbrella and Ashley painted …
this scene of our lobster boat Mary Lou and the Tabor Boy, which comes from across Buzzards Bay in Marion. A whole pack of Tabor Academy students swam ashore from the ship.
Ashley did this wonderful watercolor in her sketchbook in about 15 minutes. We had a great day! Read the post about her visit last year here.
It’s been a while since I’ve shown some closeups, so here’s one about chairs. See the archived posts from the Close-ups Series here.
I use chairs as perches for my little dolls. The trick is making the chairs in shallow relief, so that they don’t stick out too far in my pictures. The first photo shows a girl sitting on a chair made from milled wooden pieces that are used in doll house miniatures.
detail from “The Storyteller” 1998
George’s chair is made with old worn upholstery fabric. The chair’s feet are sculpted with Fimo. Read about and see more pictures from “The Storyteller” and “George’s Chair” in another post here.
Detail from “George’s Chair” mid 90′s
Mary’s mother sits knitting in this detail from Mary Had a Little Lamb. I only had to show a board in the back and one chair leg to achieve her pose.
These little women from The Hollyhock Wall are about 1 1/4″ tall, so their chairs are tiny. They were made of wire wrapped with grey embroidery floss.
The yellow high chair is made from miniature doll house wooden parts. It’s in the kitchen scene in my picture book In the Heart. I was able to get some copies when it went out of print, so I’m offering autographed books for a good price in my Etsy shop.
detail from picture book “In the Heart” 2001
Here are a couple of details from Pocketful of Posies: A Treasury of Nursery Rhymes. The girl is sitting in a wicker chair made with floral cloth wire.
Detail from “Pocketful of Posies” 2010
Scallop shells serve as a hat and chair back for this character in “Posies”.
Detail from “Pocketful of Posies” 2010
Last Sunday, we had the pleasure of attending Kat and Devin’s wedding.The bride’s family and my family have been closely connected through several generations. Kat’s grandparents and my grandparents were next door neighbors in Woods Hole in the 1940′s and our families have shared our love of folk dancing, folk music, sailing, and art ever since. Kat is an artist and her husband seems to be a free spirit. Here’s a picture of the dancing wedding couple.
As usual, I made them a wedding banner for a gift. I really lucked out with the felt colors I chose, since the wedding’s predominant color was purple/lavender. I bent wire into the letters of their names and then picked out some decorative objects and beads. The pinkish square object in the center, between their names is a cool leather button I bought years ago.
I then wrapped the wire letters with embroidery floss and stitched the square wavy edged name panel with variegated pima cotton.
I sewed the wire letters and objects to the felt piece.
Then I stitched around the outside edge of the felt banner piece and sewed the square panel in place. I added some fun “dalmatian” stone beads in a zig zag pattern.
I added some bead and shell embellishments to the scalloped bottom edge and sewed the wrapped wire wedding date to the felt.
I picked some metal beads from India that I thought would bring an interesting texture to the hanging part of the banner.
A section of a strangled bittersweet vine serves as a hanger. I screwed in tiny metal eyes and hung the banner. I hope Kat and Devin like the banner. It was a lovely wedding and I wish the bride and groom many years of happiness!
My cousin John and his wife Mariana had a baby girl on March 1st, so I had to drop everything and make a baby banner for Eliza Jane. I took photos along the way, which give an idea of my process. It’s like the wedding banners I’ve been making for a few years. You can see all of them here.
I first made a simple pattern, with her name, birth date and weight written out. Then I cut out a smaller felt square and bent wire to form the letters and numbers.
I wrapped the wire with 2 strands of variegated embroidery floss, hiding the knots behind the curled ends. In this case, wire had to overlap to make the Z. I tried making the fancier lower case script Z, but it was hard to read, so I went with the simpler zigzag style. Below you can see how I made an orange stripe with another thread on top of the embroidery floss in JANE.
I like using variegated thread to edge the felt.
I made a narrow panel for a sheep button and some leaf beads.
Glass leaf beads and a chain stitched vine fill the space between the words.
I’ve had this ceramic sheep button for about 30 years. It’s so satisfying to put it to use in just the right place.
I braided some Greek leather that I bought at a bead show and made a strap to hang the banner. Working with the leather reminded me of making gimp projects at camp. Remember gimp? What a weird material!
Welcome to the world Eliza Jane!