Rabbitat – part 3 (title animation)

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Now that summer activities have slowed down, I can get back to writing about the making of Rabbitat.  This post will show the letters that I made for the film’s title animation. See  the completed film  here.  I was originally just going to spell out the word Rabbitat in found objects. Then the filmmaker (Daniel Cojanu) and I decide to try our hand at some spot action animation.

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I formed the letters with driftwood, adding embroidered felt vegetation to complete the shapes. One “B” features a roving, rounded vine made of felt covered wire. The thorns are thread wrapped wire.

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And a “T” is crossed with thread wrapped wire branches laden with felt leaves and bead berries.

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I found just the right beach stone for the other “B” and used a green mushroom, which is a florist product, for the rounded top of the “R”. For the filming we used a solid black felt background.

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We started with the word Rabbitat spelled out and then moved each piece about a 1/4 inch for each shot.

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Every piece had its own path to follow, so the 2 of us had to keep track of several objects at once. Instead of trying to construct the letters from a pile of objects, we deconstructed the word and then reversed the order of  the hundreds of photographs, so it looks like we built it in the film.

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When we were ready to shoot, I bought some vegetables to include; a carrot, a parsnip and a peapod.  It took us many hours to move and photograph the letters for what would become a 15 second title sequence. After working side by side for most of a day, moving little objects a tiny distance at a time, Daniel and I weren’t frustrated at all. We said to each other,”That was fun!”.

The next post in this series will be about my animated stitched signature from the Rabbitat title. For other posts in the Rabbitat series click here.

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SCBWI conference in LA

It was after 2 am yesterday morning when I got home from the Society of Children’s Book Writers and Illustrators summer conference in  LA. I always refer people to SCBWI when I’m asked about getting into the children’s book market. This past weekend, 1300 writers and illustrators from literally around the world gathered together to hear inspiring speeches and attend practical workshops. Some have published books, while many are honing their craft, working toward a dream of sharing their writing and art on a larger scale. Most participants come away with a more realistic idea of how much work is required to have a book published. A lot of famous authors gave key-note speeches, including Judy Blume (on stage, in brown, pointing her arm).

I was there to accept a Golden Kite Award for my picture book Pocketful of Posies. Here’s the little bronze statuette, which is a child holding a kite (out of the picture). They even spelled my name correctly! In my 8 minute speech, I talked about the support I received from my agency (Studio Goodwin Sturges), who stood by me while I took time to experiment with projects other than children’s books, my editor at Houghton Mifflin (Margaret Raymo), who waited patiently while I worked on the artwork for the book, sometimes not showing her anything for a year at a time and my husband Rob Goldsborough, who has never suggested I get a real job. I also told a story about how I grew from a child who liked to play with dolls, to the grown woman who still likes to play with dolls.

I met Laurie Sharp of Wool Pets. Here she is at the portfolio review with some photos of her wonderful needle felted animal characters. We’ve been communicating through e-mail for a while and have so many interests in common; natural fibers, kit making, storytelling, Waldorf education, writing how-to instructions. Read about her needle felting how-to books here.

In my workshop, “The joys and challenges of 3 dimensional illustration”, I showed Laurie’s work and we talked about ways she could develop her characters and use photos as illustrations.  I could really see them in a series of baby board books.

Laurie Sharp's needle felted characters

Here I am after the Golden Kite award ceremony with SCBWI co-founder Lin Oliver.

At the book signing, I was seated next to Bruce Coville, who was my sons’ favorite author when they were around 11 or 12.

I was reminded of how nice children’s book people are, but also of how ignorant I am about current authors and illustrators. Working as I do, in isolation for long periods of time, I lose touch with what’s going on in the children’s book world. There’s got to be a balance somewhere! So, I took off my blinders for a few days, mingled with my tribe and have returned home energized!

 

New visitors from France

Since last week, many new subscribers have signed up, with dozens from France. They may like to know that my how-to book, Felt Wee Folk was published in French in 2003. It is titled Personnages et Motifs: Creations Malicieuses, published by Les Editions de Saxe. I believe it is out-of-print, but used copies may be available.

Depuis la semaine dernière, de nombreuses personnes, des douzaines de français, se sont inscrites. Soyez les bienvenus sur mon Blog! Sachez que mon livre explicatif Felt Wee Folk est publié enFrancesous le titre Personnages et Motifs: Creátions Malicieuses par les Editions de Saxe.

Felt Wee Folk, French edition

Also, the Rabbitat film has been viewed over 1000 times! Word about the film is spreading through cyberspace, with links on several websites and blogs. If you haven’t watched it yet, you can see it here.

scene from Rabbitat

wedding banner: Andrew & Mary

I made this wedding banner for my son Peter to give to his good college friend Andrew, who was married last Saturday. The wedding was in Biddeford Pool, Maine and since the couple met sailing there, I gave the banner a nautical/seaside flavor.

I wrote out their names in doubled up 32 gauge florist wire, since I ran out of thicker stuff. Then I picked out some variegated embroidery floss to wrap the letters.

I added 2 purchased red ribbon roses and then stitched some leaves around them.

The had a whole bunch of shells with holes that came from a necklace my grandmother got in Hawaii about 50 years ago. The blue piece of felt is edged with metalic thread, which is nasty to sew with, but the sparkle looks good.

The felt banner is hung from a piece of driftwood, which was probably part of an old wooden lobster pot.

I found some anchor buttons and a fish in my stash to add and some more shells to hang from the scalloped edged bottom. Best wishes to Andrew and Mary!

See posts about making other wedding banners here.

see Rabbitat film

The Rabbitat film can now be seen on this blog. I finally had time to add a new page that has the film and other posts related to Rabbitat, which you can get to here. The film takes a while to load before you can watch all 7.25 minutes at once. I hope you enjoy it!

The fabric relief picture, Rabbitat is included in this exhibit:

Show extended to Dec 2, 2012. Picture This! is the Danforth Museum of Art’s second annual juried exhibition showcasing new and original artwork created by picture book illustrators, including Salley Mavor’s fabric relief RABBITAT.  The museum is located in Framingham, Massachusetts. A poster of Rabbitat is available at Etsy. Update: RABBITAT has won the exhibit’s second prize.

wedding banner: Sky & Daniel

It’s wedding season once again. For a gift, I like to give the bride and groom a felt banner with their names and the wedding date. Sky is an old family friend and we’re off to her wedding tomorrow. I’m sure that the day will be as unique and wonderful as she is!

There’s a lot of showing and no telling in this post. I’ve explained more about how I wrap the letters, etc. in earlier post about other wedding banners I’ve done. See the banners for Karen & Graham and Leigh & Brendan .

Rabbitat – part 2 (topiary)

Continued from Rabbitat - Part 1 (driftwood house)

Back in December, when I started making this new piece, I had no definite plan, but knew that the scene would include topiary of some kind.  I had so much fun using animal shaped topiary in the Molly my sister and I rhyme illustration in Pocketful of Posies that I wanted to make more.

Molly My Sister and I, from "Pocketful of Posies" 2010

I thought about animals with distinctive forms that could be identified easily and envisioned a rounded, contained rabbit with ears poking upward. I cut separate parts out of dark green felt and started embroidering branches and leaves. The eyes, nose, mouth and whiskers are wire wrapped with embroidery floss. I also sewed wire along the scalloped outside edge, so that the pieces could be bent and shaped. Two glass leaf beads make the eyes.

The body, head and limbs are all constructed separately and stuffed on the back to raise them up.

While I was working on the  topiary, I decided  that rabbits rather than people would live in the driftwood house and started constructing a rabbit family.

I also decided to turn the scene into a vertical picture and enlarged the dimensions enough to create a yard in front. Since this is not an illustration with size and type placement specifications, I was free to change things around as I went along.

This is how the rabbit topiary looks in the finished piece.

To be continued.

Here are some opportunities to see the original picture:

Rabbitat will be hung in my show at the  Brattleboro Museum and Art Center, Brattleboro, Vermont from July 15, 2011 to March, 2012.

Rabbitat will also appear at this reception before traveling to Vermont:

Woods Hole Public Library, Woods Hole, Massachusetts, Sunday, July 10th 5:00 – 7:00 pm. Reception to celebrate the Golden Kite Award for Pocketful of Posies. Original illustrations from the book will be displayed and Salley will give a brief talk. A short film about the making of her newest piece, Rabbitat, will be shown. See the film here.

key chain doodle

I made this key chain during the doll workshop in Muscatine last week. I’ve got to keep my hands busy, and this is my way of doodling, just taking a simple wooden bead, covering it with felt and decorating it with stitches.

I sewed on a flower petal we had on hand for the fairy dolls.

 The felt pieces fit around the bead like a beach ball. I used my favorite leaf stitch after the bead was covered.  Sorry this isn’t a tutorial, but I’ve sworn off writing directions! This kind of thing could also work as an ornament.

new page added-FAQ

Salley finishing "Rabbitat", May 2011

The same questions keep coming up about my work,  so I’m adding a page of Frequently Asked Questions. Things like, “Do you use a sewing machine?”or “Will you write another how-to book?” or “May I make and sell dolls from your book, Felt Wee Folk?” I’ve already written about most of the issues on this blog, but I can’t expect everyone to spend hours combing through all 233 posts.

See the FAQ page here.